Philippines frees on bail Duterte critic journalist Ressa

Duterte’s government says the arrest was a normal step in response to the complaint. (AP)
Updated 14 February 2019

Philippines frees on bail Duterte critic journalist Ressa

  • Ressa paid 100,000 pesos ($1,900), the sixth time she posted bail to avoid detention following a slew of charges
  • International condemnation from dignitaries and press freedom and human rights groups has poured in since the arrest

MANILA: Philippine journalist Maria Ressa was freed on bail on Thursday following an arrest that sparked international censure and allegations she is being targeted over her news site’s criticism of President Rodrigo Duterte.
Ressa spent a night in detention after authorities arrested the veteran reporter at her Manila office Wednesday in a sharp upping of government pressure on her and her website Rappler.
The site and Ressa, 55, have been hit with tax evasion charges and now a libel case after clashing repeatedly with Philippine President Rodrigo Duterte over his deadly crackdown on narcotics that has killed thousands.
“It’s about two things: abuse of power and weaponization of the law,” an emotional Ressa told journalists as she stepped out of a Manila court where she posted bail.
“What we are seeing is death by a thousand cuts to our democracy,” added Ressa, who was named a Time Magazine “Person of the Year” in 2018 for her journalism.
Ressa paid 100,000 pesos ($1,900), the sixth time she posted bail to avoid detention following a slew of charges.
International condemnation from dignitaries and press freedom and human rights groups has poured in since plainclothes agents appeared at Rappler to serve an arrest warrant on the charge that carries up to 12 years behind bars.
“The arrest of Maria Ressa is an outrage,” said Committee to Protect Journalists Board Chair Kathleen Carroll. “She should be freed immediately and the Philippines government needs to cease its multi-pronged attack on Rappler.”

Former US Secretary of State Madeleine Albright also stood by Ressa.
“The arrest of journalist @mariaressa by the Philippine government is outrageous and must be condemned by all democratic nations,” Albright said in a tweet where she called Ressa a friend.
The libel case against Ressa and former Rappler reporter Reynaldo Santos, Jr. stems from a 2012 report written about a businessman’s alleged ties to a then-judge on the nation’s top court.
While investigators initially dismissed the businessman’s 2017 complaint about the article, the case was subsequently forwarded to prosecutors for their consideration.
The legal foundation of the case is a controversial law aiming to crack down on online offenses ranging from harassment to child pornography.
Ressa’s team has argued the legislation did not take effect until months after the story was published and is not retroactive, however the government has countered that it is fair game because the story was updated in 2014.
“In essence in the contemplation of the law it is a new article because of the modification, republication,” Markk Perete, spokesman for Department of Justice prosecutors, told AFP. “That is deemed as a new article.”
Rappler concedes the story was updated, but notes it was to fix a typo and no substantive changes were made.
The businessman who sued Rappler, Wilfredo Keng, on Thursday welcomed the charges as he said the website “destroyed my reputation and endangered my life.”
Duterte has lashed out at other critical media outfits, including the Philippine Daily Inquirer newspaper and broadcaster ABS-CBN.
He had threatened to go after their owners over alleged unpaid taxes or block the network’s franchise renewal application.
Some of the drug crackdown’s highest-profile detractors have wound up behind bars, including Senator Leila de Lima, who was jailed on drug charges she insists were fabricated to silence her.
Ressa insists the site is not anti-Duterte, saying it is just doing its job to hold the government to account.


REVIEW: Second season of Sacred Games mirrors the ills of today's India

Updated 17 August 2019

REVIEW: Second season of Sacred Games mirrors the ills of today's India

CHENNAI: The first season of “Sacred Games” last year was a hit, and the second edition, which began streaming on Netflix on Aug. 15, may be even more so.

The eight episodes explore some of India's most pressing current issues such as a nuclear threat, terrorism and inter-religious animosity dating back to the country's 1947 partition. It. It also addresses how religious men can indulge in the most unholy of acts, including helping corrupt politicians.

Some of the greatest films have had conflict and war as their backdrop: “Gone with the Wind,” “Casablanca,” “Ben-Hur” and “Garam Hawa,” to mention a few. The second season of “Sacred Games” also unfolds in such a scenario, with terrorism and inter-communal disharmony having a rippling effect on the nation.

Directed by Anurag Kashyap (“Gangs of Wasseypur,” “Black Friday”) and Neeraj Ghaywan (“Masaan,” which premiered at Cannes in 2015), the web series, based on Vikram Chandra's 2006 novel, unfolds with Ganesh Gaitonde (played by Nawazuddin Siddiqui) escaping from prison and finding himself in Mombasa. He has been carted there by an agent of India's

Research and Analysis Wing, Kusum Devi Yadav (Amruta Subhash), who forces him to help find Shahid Khan (Ranvir Shorey), the mastermind behind bomb blasts and terror attacks.

In Mumbai, police inspector Sartaj (Saif Ali Khan) has just two weeks to save the city from a nuclear attack, which Gaitonde had warned him about. Both men love Mumbai and do not want it to be destroyed. But religious extremist Khanna Guruji (Pankaj Tripathi) and his chief disciple Batya Ableman (Kalki Koechlin) believe that only such a catastrophic destruction can help cleanse society and bring a cleaner, saner new order.

A narrative of deceit, betrayal, love and longing, the second season has a plodding start, but picks up steam from the fourth episode, with Sartaj and his men racing against time to find a nuclear time bomb that could wipe out Mumbai. Crude dialogue and a constant doomsday atmosphere could have been avoided, but riveting performances by the lead pair – Khan and Siddiqui (though he is getting typecast in this kind of role) – and nail-biting thrills make this Netflix original dramatically captivating.