HIGHLIGHTS from ‘Personal Revolutions’

'Book of Mathematics' by Hiba Al Ansari. (Supplied)
Updated 18 February 2019
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HIGHLIGHTS from ‘Personal Revolutions’

DUBAI: ‘Personal Revolutions’ is showing at Alserkal Avenue in Dubai from March 9 – April 8.

“Untitled”

Leila Nseir

“Personal Revolutions” is a group exhibition curated by the Atassi Foundation. On display will be works from Syrian female artists. “There has never been a dedicated exploration of the art scene relating to women artists in Syria,” said foundation founder Mouna Atassi. “(The exhibition) aims to fill this void … even if only to scratch the surface.”

“A Book of Mathematics”

Hiba Al-Ansari

This mixed-media installation was created by Germany-based artist Hiba Al-Ansari. It is based on a textbook she found in the rubble of a recently destroyed house in Kafrenbel in northern Syria and took back to Munich with her, and is, she has said, an exploration of the moment of explosion, designed to show their “absurdity and illogicality.”

 

“QR Patterns”

Sulafa Hijazi

Hijazi left Syria in 2013, having been a vocal critic of the political and social oppression there. She now lives and works in Berlin. Her digital artwork often focuses on carpets and geometric patterns. In the press release for the show, Mouna Atassi wrote: “To know a society and understand it better, one must look into the role and dynamism of women.”

 


Bong d’Or: Korean director wins Cannes’ top prize

Updated 25 May 2019
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Bong d’Or: Korean director wins Cannes’ top prize

  • French-Senegalese director Mati Diop’s “Atlantics" wins festival’s second place award, the Grand Prize
  • Belgian brothers Jean-Pierre and Luc Dardenne shared the best director for “Young Ahmed”

CANNES, France: South Korean director Bong Joon-ho’s social satire “Parasite,” about a poor family of hustlers who find jobs with a wealthy family, won the Cannes Film Festival’s top award, the Palme d’Or, on Saturday.
The win for “Parasite” marks the first Korean film to ever win the Palme. In the festival’s closing ceremony, jury president Alejandro Inarritu said the choice had been “unanimous” for the nine-person jury.
The genre-mixing film had been celebrated as arguably the most critically acclaimed film at Cannes this year and the best yet from the 49-year-old director of “Snowpiercer” and “Okja.”
It was the second straight Palme victory for an Asian director. Last year, the award went to Japanese filmmaker Hirokazu Kore-eda’s “Shoplifters.”
Two years ago, Bong was in Cannes’ competition with “Okja,” a movie distributed in North America by Netflix. After it and Noah Baumbach’s “The Meyerowitz Stories” — another Netflix release — premiered in Cannes, the festival ruled that all films in competition needed French theatrical distribution. Netflix has since withdrawn from the festival on the French Riveira.
The festival’s second place award, the Grand Prize, went to French-Senegalese director Mati Diop’s “Atlantics.” Diop was the first black female director in competition at Cannes.
Belgian brothers Jean-Pierre and Luc Dardenne shared the best director for “Young Ahmed.”
Best actor went to Antonio Banderas for Pedro Almodovar’s “Pain and Glory,” while best actress was won by British actress Emily Beecham for “Little Joe.”
Although few quibbled with the choice of Bong, some had expected Cannes to make history by giving the Palme to a female filmmaker for just the second time.
Celine Sciamma’s period romance “Portrait of a Lady on Fire” was the Palme pick for many critics this year, but it ended up with best screenplay.
In the festival’s 72-year history, only Jane Champion has won the prize in 1993, and she tied with Chen Kaige’s “Farewell My Concubine.”