What We Are Reading Today: Midnight in Chernobyl by Adam Higginbotham

Updated 05 April 2019
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What We Are Reading Today: Midnight in Chernobyl by Adam Higginbotham

Midnight in Chernobyl is a definitive and chilling account of the nuclear disaster that began on April 25-26, 1986 when the fourth nuclear reactor of the Chernobyl plant imploded, causing a nuclear disaster that the former Soviet Union tried to deny but had to reveal when the fallout spread into Europe. 

Adam Higginbotham’s Midnight in Chernobyl “is a gripping, miss-your-subway-stop read,” said Robert P. Crease in a review published in The New York Times.

“The details of the disaster pile up inexorably. They include worn control rod switches, the 2,000-ton reactor lid nicknamed Elena, a core so huge that understanding its behavior was impossible. Politicians lacked the technical knowledge to take action, while scientists who had the knowledge feared to provide it lest they lose their jobs or lives,” said the review.

Higginbotham “captures the nerve-racked Soviet atmosphere brilliantly, mostly through vivid details about the participants,” Crease added.


A poetic reflection on what it means to be Muslim in Europe

Updated 17 June 2019
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A poetic reflection on what it means to be Muslim in Europe

  • Rahmani is an Algerian-born writer, art-historian and academic
  • Her first novel in the series, “France,” was about her father — a Harki, an Algerian soldier in the Algerian War who fought for the French

CHICAGO: From France comes the second book in Zahia Rahmani’s trilogy, “Muslim: A Novel” Delving deep into identity loss, displacement, misrepresentation and monolithic labels, Rahmani’s book moves between Algeria and France and the political and societal pressures of being both Muslim and European. The circumstances of her birth and the past have always been dictated by conditions beyond her reach and have forced upon her the loss of language and her own history.  

In unadulterated lyrical prose, Rahmani grapples with the circumstances of her life. She writes, “I was forced to lose myself in the century of errors that came before me,” disclosing that her life has never been her own. She was “born in 1962 in a society between times.” After moving to France at the age of five, Rahmani realized her life had changed once she began to lose her language Tamazight, a Berber language spoken by the people of Kabylie in the Aures Mountains, one that was never written down.

Remembering Quranic stories, her mother’s folktales and her own memories, Rahmani draws parallels with her own life to try and understand her fate. She has spent most of her time imprisoned and mislabeled as an Arab, or French, or an immigrant — even though she identifies as none of these.

Rahmani’s language flows freely like water, despite the weight of her words and their inferences. Her writing is impactful and profound as she attempts to close the gaps in herself, trying to understand her own identity or, rather, one that has been forced upon her.

Rahmani is an Algerian-born writer, art-historian and academic. Her first novel in the series, “France,” was about her father — a Harki, an Algerian soldier in the Algerian War who fought for the French. After being exiled from their home, the family sought refuge in France but faced severe discrimination.

“Muslim: A Novel” was originally published in 2005 then translated by Matt Reeck, a poet and translator, from French into English and published by Deep Vellum in 2019.