Hero for hire: Meet Saud Al-Hazzani, Saudi Arabia’s first professional cosplayer

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Saud Al-Hazzani as Prince of Persia. (Image supplied)
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Saud Al-Hazzani as Gambit, from ‘X-Men.’ (Image supplied)
Updated 13 April 2019
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Hero for hire: Meet Saud Al-Hazzani, Saudi Arabia’s first professional cosplayer

  • The basic gist, Al-Hazzani explains, is that you pick a character you like and ‘become’ them
  • Just as important as the creative side of cosplay for Al-Hazzani, though, is the sense of community among its participants

DUBAI: “Being creative in general, I think, kind of fades out as you grow up. It’s there, still, but it’s untouched.”

Saud Al-Hazzani is discussing his, let’s say ‘niche,’ hobby —  cosplay —  and the reason why, in his early thirties, he quit his job to focus on making a living doing something that, to all intents and purposes, is what —  if he were a child —  would be called ‘playing dress-up.’

Al-Hazzani, born and raised in Riyadh and now based in the UAE, is a professional cosplayer (under the moniker VEGA Cosplay) —  to the best of his knowledge, he’s the only full-time pro in the GCC.

Cosplay is a hybrid of ‘costume’ and ‘play.’ The basic gist, Al-Hazzani explains, is that you pick a character you like and ‘become’ them. Could be someone from a movie, a cartoon, a videogame, a TV show, a comic book (Japanese anime is particularly popular), or any other fantasy world.

“It’s similar to Halloween, I guess,” Al-Hazzani says. “But you can do it every day.”

Al-Hazzani was a fan of Japanese anime growing up (and as an adult), so he “had some idea” what cosplay was. But, he says, “I never thought it would happen in the GCC.” Sitting in his office one day in 2011, however, aged 25, he saw an ad for an event in Bahrain.

“I got excited,” he says. “Bahrain’s, like, a three-hour drive. I invited my friend who I thought would enjoy trying this new thing that we knew about but never thought would actually happen here. We picked a couple of characters, made our costumes and went to the event. We went there not expecting, or knowing, anything. But we got hooked straight away.”

For that first event, he went as Ace, a character from the wildly popular anime “One Piece.” Ace is always shirtless, wearing a pirate hat and with a pirate tattoo on his back and a beaded necklace.

“So I got some shorts and a hat and painted them, I got some small toy balls and painted them. I tried to get as much detail as possible —  with the knowledge I had then,” he says. “It was more assembled than made. But it was done properly, I can tell you.”

He went to that event “anonymously,” he explains. “I didn’t tell anyone about it at first. Even people taking my picture, I didn’t tell them my name. I was hoping it was secret, but then somebody tagged me somewhere on Facebook. Then everybody knew.”

Cosplay, for those who aren’t into it, can seem like kind of a weird hobby for adults. A bit like taking part in historical re-enactments of the American Civil War, perhaps. Or taking role-playing games like “Dungeons and Dragons” seriously. It seems like a lot of time and effort to invest in something for anyone who’s not into that thing themselves.

“I couldn’t really explain it to family and friends, or (colleagues),” Al-Hazzani admits. “It was the first time they’d even seen me shirtless, obviously, let alone in costume. So it was double-weird. They really didn’t understand it —  it wasn’t bad or anything, it was just confusing for them. I mean, I wasn’t under any pressure, it was just hard to explain. But in time they understood it.”

After that first event in Bahrain, Al-Hazzani discovered more and more opportunities to indulge in his newfound passion. Like most dedicated cosplayers, he makes his own costumes and accessories. And that is where he has rediscovered the creativity that was such a large part of his childhood, but which “was shut down in my teenage years.”

“I used to love experimenting (as a kid). I did a lot of random stuff. I’d open up anything electronic and try to fix it, or come up with new inventions,” he says.

He cites a sixth-grade inter-school science competition as an example. He created, he says, a “thing that could cut glass with electricity” by repurposing a machine that killed bugs. “I opened it up, rewired it and built a base. It was similar to a taser gun, I guess, but it cut glass.”

That sounds kind of dangerous for a sixth-grader, I say. He laughs.

“It was. I don’t even know how I was allowed to make it. I suppose no one actually knew what I was making (until the competition).”

His love of working with his hands and found material now finds an outlet in cosplay. “That creativity has somehow resurfaced,” he says. “Cosplay allows you to do everything, if you want —  you can sew, you can paint, you can use wood, you can use electronics. There are no limits. Just your choices of character.”

It was this that convinced Al-Hazzani to quit his job two years ago and dedicate himself to making a living from cosplay.

“When the time was right, I just decided ‘This is it. I have to invest all my time.’ It’s very exciting, because there are so many options,” he says. “There’s no particular way of doing things. You have to create your own market — especially in this region. So I’m trying different stuff like production or making a costume for a commercial, or organizing cosplay competitions. The last two years, I’ve been investing in all these fields.

“Money isn’t great,” he continues. “I’ve been struggling. But I know that I’m at the start. If it’s going to work out, I knew I’d have to suffer for a few years. And, you know, no risk no reward, right? Nobody’s going to give it to you. Nobody’s going to say, ‘Yeah, go do what you want.’ You have to do it yourself.”

Just as important as the creative side of cosplay for Al-Hazzani, though, is the sense of community among its participants. Particularly at Middle East Film & Comic Con, which is taking place this weekend in Dubai.

“It’s the most important event. And I’ve attended every cosplay event in the GCC since I started. So I know how much MEFCC has impacted the region,” he says. “It grew pop culture tenfold. It somehow initiated pop culture in the region. It’s almost like a cult —  something I have to attend. I met most of my friends in the GCC at MEFCC. I’m talking about cosplayers, artists, gamers, booth owners, photographers… a huge amount of friends that I’ve made at this event over the past seven years.”

He even met his fiancée, Sumi Aya, through cosplay. She’s also a judge at Comic Con this year.

“She saw a small event that had a picture of cosplayers. She didn’t know events like that existed. She saw my name tagged on the picture, so she messaged me. ‘What’s the deal? How come this is happening in the UAE and I didn’t know about it?’ Stuff like that,” Al-Hazzani explains. “I helped her, told her about some of the events, gave her a basic guide about how to start with costumes. And then we met at the next event, for the first time. I introduced her to people. And it became a thing, you know? We’d go to the events together. And feelings developed. And we shared those feelings and committed.”

So cosplay has helped Al-Hazzani find a career he loves, numerous long-lasting friendships, and his future wife. Not bad for a game of dress-up.

Decoder


Lefaucheux revolver ‘Van Gogh killed himself with’ up for auction

Updated 17 June 2019
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Lefaucheux revolver ‘Van Gogh killed himself with’ up for auction

  • Van Gogh experts believe that he shot himself with the gun near the village of Auvers-sur-Oise north of Paris
  • The seven-millimeter Lefaucheux revolver is expected to fetch up to $67,000

PARIS: The revolver with which Vincent van Gogh is believed to have shot himself is to go under the hammer Wednesday at a Paris auction house.
Billed as “the most famous weapon in the history of art,” the seven mm Lefaucheux revolver is expected to fetch up to $67,000 (€60,000).
Van Gogh experts believe that he shot himself with the revolver near the village of Auvers-sur-Oise north of Paris, where he spent the last few months of his life in 1890.
Discovered by a farmer in 1965 in the same field where the troubled Dutch painter is thought to have fatally wounded himself, the gun has already been exhibited at the Van Gogh Museum in Amsterdam.
While Art Auction, who are selling the gun, say there is no way of being absolutely certain that it is the fatal weapon, tests showed it had been in the ground for 75 years, which would fit.
The Dutch artist had borrowed the gun from the owner of the inn in the village where he was staying.
He died 36 hours later after staggering wounded back to the auberge in the dark.
It was not his first dramatic act of self-harm. Two years earlier in 1888, he cut off his ear before offering it to a woman in a brothel in Arles in the south of France.
While most art historians agree that Van Gogh killed himself, that assumption has been questioned in recent years, with some researchers claiming that the fatal shot may have been fired accidentally by two local boys playing with the weapon in the field.
That theory won fresh support from a new biopic of the artist starring Willem Dafoe, “At Eternity’s Gate.”
Its director, the renowned American painter Julian Schnabel, said that Van Gogh had painted 75 canvasses in his 80 days at Auvers-sur-Oise and was unlikely to be suicidal.
The legendary French screenwriter Jean-Claude Carriere — who co-wrote the script with Schnabel — insisted that there “is absolutely no proof he killed himself.
“Do I believe that Van Gogh killed himself? Absolutely not!” he declared when the film was premiered at the Venice film festival last September.
He said Van Gogh painted some of his best work in his final days, including his “Portrait of Dr. Gachet,” the local doctor who later tried to save his life.
It set a world record when it sold for $82.5 million in 1990.
The bullet Dr. Gachet extracted from Van Gogh’s chest was the same caliber as the one used by the Lefaucheux revolver.
“Van Gogh was working constantly. Every day he made a new work. He was not at all sad,” Carriere argued.
In the film the gun goes off after the two young boys, who were brothers, got into a struggle with the bohemian stranger.
Auction Art said that the farmer who found the gun in 1965 gave it to the owners of the inn at Auvers-sur-Oise, whose family are now selling it.
“Technical tests on the weapon have shown the weapon was used and indicate that it stayed in the ground for a period that would coincide with 1890,” it said.
“All these clues give credence to the theory that this is the weapon used in the suicide.”
That did not exclude, the auction house added, that the gun could also have been hidden or abandoned by the two young brothers in the field.
The auction comes as crowds are flocking to an immersive Van Gogh exhibition in the French capital which allows “the audience to enter his landscapes” through projections on the gallery’s walls, ceilings and floors.
“Van Gogh, Starry Night” runs at the Atelier des Lumieres in the east of the city until December.