‘Game of Thrones’ premiere sets a viewership record for HBO

HBO said 17.4 million people watched the first episode of the final season of the ‘Game of Thrones’ saga. (HBO via AP)
Updated 17 April 2019

‘Game of Thrones’ premiere sets a viewership record for HBO

  • The Nielsen company said 17.4 million people watched the Sunday opener to the show’s final season
  • The numbers are likely to keep going up; HBO estimates that 32.8 million people watched each episode of the show last season

NEW YORK: HBO’s “Game of Thrones” lived up to the hype. This past weekend’s season premiere stands as the most-watched one-day event in the history of the cable network that began in 1978.
The Nielsen company said 17.4 million people watched the Sunday opener to the show’s final season, either live on the network at 9 p.m., streamed, through HBO’s on-demand service or during two reruns that aired later that night. Nielsen can’t account for people who watched more than once.
HBO’s previous high-water mark was last season’s finale of “Game of Thrones,” making it likely that this new HBO record will be eclipsed when the series ends on May 19.
Nielsen said that 11.8 million people watched the season premiere traditionally, meaning when it first aired on the network at 9 p.m.
The numbers are likely to keep going up; HBO estimates that 32.8 million people watched each episode of the show last season. That includes people who watched weeks after it first aired and repeat viewers.
Viewership for the show is more impressive when you consider that HBO is a service that people have to specifically pay for. It is available in around 35 million households in the United States, or roughly a third of the number of homes that can see CBS, NBC and ABC.
Tiger Woods’ stirring comeback in the Masters gave CBS its biggest audience for that marquee golf tournament in six years, Nielsen said. Sunday’s final round, which was moved up several hours due to the threat of bad weather in Georgia, averaged 10.8 million viewers. The broadcast’s peak came when Woods won shortly after 2 p.m. ET, with 18.3 million viewers.


REVIEW: Second season of Sacred Games mirrors the ills of today's India

Updated 49 min 46 sec ago

REVIEW: Second season of Sacred Games mirrors the ills of today's India

CHENNAI: The first season of “Sacred Games” last year was a hit, and the second edition, which began streaming on Netflix on Aug. 15, may be even more so.

The eight episodes explore some of India's most pressing current issues such as a nuclear threat, terrorism and inter-religious animosity dating back to the country's 1947 partition. It. It also addresses how religious men can indulge in the most unholy of acts, including helping corrupt politicians.

Some of the greatest films have had conflict and war as their backdrop: “Gone with the Wind,” “Casablanca,” “Ben-Hur” and “Garam Hawa,” to mention a few. The second season of “Sacred Games” also unfolds in such a scenario, with terrorism and inter-communal disharmony having a rippling effect on the nation.

Directed by Anurag Kashyap (“Gangs of Wasseypur,” “Black Friday”) and Neeraj Ghaywan (“Masaan,” which premiered at Cannes in 2015), the web series, based on Vikram Chandra's 2006 novel, unfolds with Ganesh Gaitonde (played by Nawazuddin Siddiqui) escaping from prison and finding himself in Mombasa. He has been carted there by an agent of India's

Research and Analysis Wing, Kusum Devi Yadav (Amruta Subhash), who forces him to help find Shahid Khan (Ranvir Shorey), the mastermind behind bomb blasts and terror attacks.

In Mumbai, police inspector Sartaj (Saif Ali Khan) has just two weeks to save the city from a nuclear attack, which Gaitonde had warned him about. Both men love Mumbai and do not want it to be destroyed. But religious extremist Khanna Guruji (Pankaj Tripathi) and his chief disciple Batya Ableman (Kalki Koechlin) believe that only such a catastrophic destruction can help cleanse society and bring a cleaner, saner new order.

A narrative of deceit, betrayal, love and longing, the second season has a plodding start, but picks up steam from the fourth episode, with Sartaj and his men racing against time to find a nuclear time bomb that could wipe out Mumbai. Crude dialogue and a constant doomsday atmosphere could have been avoided, but riveting performances by the lead pair – Khan and Siddiqui (though he is getting typecast in this kind of role) – and nail-biting thrills make this Netflix original dramatically captivating.