Bong d’Or: Korean director wins Cannes’ top prize

1 / 2
Korean director Bong Joon-ho, Palme d'Or award winner for his film "Parasite" (Gisaengchung), and  Song Kang-ho, at the 72nd Cannes Film Festival photocall after the closing ceremony in Cannes, France, on May 25, 2019. (REUTERS/Jean-Paul Pelissier)
2 / 2
Director Bong Joon-ho, Palme d'Or award winner for his film "Parasite" (Gisaengchung) poses with Song Kang-ho during the photocall at the 72nd Cannes Film Festival after the closing ceremony on May 25, 2019. (REUTERS/Regis Duvignau)
Updated 25 May 2019
0

Bong d’Or: Korean director wins Cannes’ top prize

  • French-Senegalese director Mati Diop’s “Atlantics" wins festival’s second place award, the Grand Prize
  • Belgian brothers Jean-Pierre and Luc Dardenne shared the best director for “Young Ahmed”

CANNES, France: South Korean director Bong Joon-ho’s social satire “Parasite,” about a poor family of hustlers who find jobs with a wealthy family, won the Cannes Film Festival’s top award, the Palme d’Or, on Saturday.
The win for “Parasite” marks the first Korean film to ever win the Palme. In the festival’s closing ceremony, jury president Alejandro Inarritu said the choice had been “unanimous” for the nine-person jury.
The genre-mixing film had been celebrated as arguably the most critically acclaimed film at Cannes this year and the best yet from the 49-year-old director of “Snowpiercer” and “Okja.”
It was the second straight Palme victory for an Asian director. Last year, the award went to Japanese filmmaker Hirokazu Kore-eda’s “Shoplifters.”
Two years ago, Bong was in Cannes’ competition with “Okja,” a movie distributed in North America by Netflix. After it and Noah Baumbach’s “The Meyerowitz Stories” — another Netflix release — premiered in Cannes, the festival ruled that all films in competition needed French theatrical distribution. Netflix has since withdrawn from the festival on the French Riveira.
The festival’s second place award, the Grand Prize, went to French-Senegalese director Mati Diop’s “Atlantics.” Diop was the first black female director in competition at Cannes.
Belgian brothers Jean-Pierre and Luc Dardenne shared the best director for “Young Ahmed.”
Best actor went to Antonio Banderas for Pedro Almodovar’s “Pain and Glory,” while best actress was won by British actress Emily Beecham for “Little Joe.”
Although few quibbled with the choice of Bong, some had expected Cannes to make history by giving the Palme to a female filmmaker for just the second time.
Celine Sciamma’s period romance “Portrait of a Lady on Fire” was the Palme pick for many critics this year, but it ended up with best screenplay.
In the festival’s 72-year history, only Jane Champion has won the prize in 1993, and she tied with Chen Kaige’s “Farewell My Concubine.”

 


UAE gift helps French palace reopen ‘forgotten theater’

Updated 18 June 2019
0

UAE gift helps French palace reopen ‘forgotten theater’

  • Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi
  • The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017

FONTAINEBLEAU: An exquisite 19th-century French theater outside Paris that fell into disuse for one and half centuries has been restored with the help of a €10 million donation from oil-rich Abu Dhabi.
The Napoleon III theater at Fontainebleau Palace south of Paris was built between 1853 and 1856 under the reign of the nephew of emperor Napoleon I.
It opened in 1857 but was used only a dozen times, which has helped preserve its gilded adornments, before being abandoned in 1870 after the fall of Napoleon III.
But during a state visit to France in 2007, Sheikh Khalifa, ruler of Abu Dhabi and president of the United Arab Emirates, was reportedly entranced by the abandoned theater and offered €10 million ($11.2 million) on the spot for its restoration.
After a project that has lasted 12 years the theater is now being reopened.
An official inauguration is expected soon, hosted by French Culture Minister Franck Riester and attended by UAE Foreign Minister Abdullah bin Zayed Al-Nahyan.
Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi.
The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017, the first foreign institution to carry the name of the great Paris museum.
For all its ornate beauty, the theater has hardly ever been used for its orginal purpose, hosting only a dozen performances between 1857 and 1868, each attended by around 400 people.
“While it had been forgotten, the theater was in an almost perfect state,” said the head of the Fontainebleau Palace, Jean-Francois Hebert.
“Let us not waste this jewel, and show this extraordinary place of decorative arts,” he added.
According to the palace, the theater is “probably the last in Europe to have kept almost all its original machinery, lighting and decor.”
Having such a theater was the desire of Napoleon III’s wife Eugenie. But after the defeat, his capture in the Franco-Prussian war in 1870 and the declaration of France’s Third Republic, the theater fell into virtual oblivion.
Following the renovation, the theater will mainly be a place to visit and admire, rather than for regularly holding concerts.
“The aim is not to give the theater back to its first vocation” given its “very fragile structure,” said Hebert.
Short shows and recitals may be performed in exceptional cases, under the tightest security measures and fire regulations. But regular guided tours will allow visitors to discover the site, including the stage sets.
The restoration aimed to use as little new material as possible, with 80 percent of the original material preserved.
The opulent central chandelier — three meters high and 2.5 meters wide — has been restored to its original form.