UAE gift helps French palace reopen ‘forgotten theater’

The Napoleon III theater at Fontainebleau Palace south of Paris was built between 1853 and 1856 under the reign of the nephew of emperor Napoleon I. (AFP)
Updated 18 June 2019
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UAE gift helps French palace reopen ‘forgotten theater’

  • Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi
  • The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017

FONTAINEBLEAU: An exquisite 19th-century French theater outside Paris that fell into disuse for one and half centuries has been restored with the help of a €10 million donation from oil-rich Abu Dhabi.
The Napoleon III theater at Fontainebleau Palace south of Paris was built between 1853 and 1856 under the reign of the nephew of emperor Napoleon I.
It opened in 1857 but was used only a dozen times, which has helped preserve its gilded adornments, before being abandoned in 1870 after the fall of Napoleon III.
But during a state visit to France in 2007, Sheikh Khalifa, ruler of Abu Dhabi and president of the United Arab Emirates, was reportedly entranced by the abandoned theater and offered €10 million ($11.2 million) on the spot for its restoration.
After a project that has lasted 12 years the theater is now being reopened.
An official inauguration is expected soon, hosted by French Culture Minister Franck Riester and attended by UAE Foreign Minister Abdullah bin Zayed Al-Nahyan.
Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi.
The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017, the first foreign institution to carry the name of the great Paris museum.
For all its ornate beauty, the theater has hardly ever been used for its orginal purpose, hosting only a dozen performances between 1857 and 1868, each attended by around 400 people.
“While it had been forgotten, the theater was in an almost perfect state,” said the head of the Fontainebleau Palace, Jean-Francois Hebert.
“Let us not waste this jewel, and show this extraordinary place of decorative arts,” he added.
According to the palace, the theater is “probably the last in Europe to have kept almost all its original machinery, lighting and decor.”
Having such a theater was the desire of Napoleon III’s wife Eugenie. But after the defeat, his capture in the Franco-Prussian war in 1870 and the declaration of France’s Third Republic, the theater fell into virtual oblivion.
Following the renovation, the theater will mainly be a place to visit and admire, rather than for regularly holding concerts.
“The aim is not to give the theater back to its first vocation” given its “very fragile structure,” said Hebert.
Short shows and recitals may be performed in exceptional cases, under the tightest security measures and fire regulations. But regular guided tours will allow visitors to discover the site, including the stage sets.
The restoration aimed to use as little new material as possible, with 80 percent of the original material preserved.
The opulent central chandelier — three meters high and 2.5 meters wide — has been restored to its original form.


Writing’s on the wall for unsightly graffiti in 36 Saudi cities

Updated 21 July 2019
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Writing’s on the wall for unsightly graffiti in 36 Saudi cities

  • 5,700 students tapped to replace graffiti with traditional art
  • The massive spruce-up operation will take place in southwest region of Asir

RIYADH: An initiative to clear unsightly graffiti from the walls of 36 Saudi cities and replace it with traditional art has been officially launched.

A 5,700-strong army of students will be drafted for the massive spruce-up operation to take place over a period of 36 hours across the Kingdom’s southwest region of Asir.

Once the walls have been cleaned, the second phase of the project will involve raising awareness about the importance of maintaining public spaces, with the city of Abha the first to benefit. There, a length of wall covering more than 2,000 square meters, will be decorated.

The scheme is partly aimed at encouraging Asir youth to become proactive citizens in their own cities, and role models for other provinces.

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The scheme aims to encourage Asir youth to become proactive citizens in their own cities, and role models for other provinces.

Students from seven education administrations in the region will clean walls on main and side roads, and also suburbs, in 36 cities.

An official statement issued by Asir regional authorities, said the objectives behind the Asir campaign were “to encourage social responsibility among its citizens, empower youth to participate in activities that bring out their potential, and to increase awareness of responsibility toward public ownership.”

Students from seven education administrations in the region will clean walls on main and side roads, and also suburbs, in 36 cities.

Many of the walls will then be decked out with art works including Al-Qatt Al-Asiri, a traditionally female interior wall decoration. In 2017, the ancient art form was added to the UNESCO List of the Intangible Cultural Heritage of Humanity.

The statement added that Asir had been embracing cultural art for decades, and Al-Qatt Al-Asiri was now identified with the Asir region around the world. The British Museum and other major international exhibition centers have been acquiring the work of Asir artists in recent years.

Attending the launch of the initiative in Abha, Dr. Walid Al-Humaidi, the secretary of Asir region, said: “This initiative is part of objectives to improve the urban landscape, which is one of the most important programs of national transformation in the municipal sector in line with the Kingdom’s Vision 2030.”

He added that the second part of the project aimed to increase awareness about the value of artwork and its role in developing a sense of human belonging.