REVIEW: 'Stranger Things' season three

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Finn Wolfhard (Mike Wheeler), Caleb McLaughlin (Lucas Sinclair), Charlie Heaton (Jonathan Byers), Sadie Sink (Max Mayfield), Noah Schnapp (Will Byers), Natalie Dyer (Nancy Wheeler) and Millie Bobby Brown (Eleven/Jane Hopper). (Netflix)
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Gaten Matarazzo (Dustin Henderson), Joe Keery (Steve Harrington) and Maya Hawke (Robin Buckley). (Netflix)
Updated 21 July 2019

REVIEW: 'Stranger Things' season three

  • Hit series returns, funnier and freakier

DUBAI: Netflix’s “Stranger Things” crossed the line from hit series to cultural phenomenon pretty early on with its mix of Eighties nostalgia, sweetly humorous kids-coming-of-age story, sci-fi thrills and genuinely spooky scenes.

After a second season that brought a darker, more dangerous vibe but lost some of the fun, showrunners the Duffer Brothers seem to have struck a better balance between the two in the third season, released last week.

Set in the summer of 1985, the central gang of kids: Mike Wheeler, Will Byers, Lucas Sinclair, Max Mayfield, Dustin Henderson and telepath Eleven (or El — or Jane Hopper as she’s now the legal adoptive daughter of Sherrif Jim Hopper) are on school vacation, and it’s that awkward summer when the boys start to take more interest in girls than in Dungeons & Dragons, much to Will’s chagrin. Mike and Lucas are (at the start of the series at least) bumbling their way through relationships with El and Max respectively. The Duffers mine these awkward ‘first-love’ scenarios for rich humor and some genuinely touching moments, as well as some realistic takes on how the complications of love interests affects the tight-knit gang of boys we met in the first series. And of how they enable Max and El to bond. It’s great to see El relax into hanging out with her first real girlfriend (in the platonic sense).

There’s plenty of humor too in the double-act of Dustin and Steve Harrington — formerly the high-school heartthrob, but now struggling to retain his ‘cool’ edge while working in an ice-cream parlor in the town’s new social hotspot, the Starcourt Mall. New arrival Robin is his co-worker — and thorn in side, constantly puncturing his ego.

Of course, there’s a darkness stirring too. The sinister, otherworldly monster defeated by El at the end of season two is not, it seems, as gone as everyone thought. Strange power fluctuations trigger Will’s awareness of his nemesis, and the kids quickly realize that their summer holidays aren’t going to be as carefree as they’d hoped. There’s the issue of exploding rats, for starters, and Max’s older brother, Billy, is acting very, well, strange.

Everything that made “Stranger Things” so wildly popular, then, is still in place, including stellar performances from the ensemble cast and the eye-catching attention to Eighties pop culture (new Coke, Phoebe Cates and Ralph Macchio, for example), to — of course — the unsettling notion of something very wrong happening just beneath Hawkins’ shiny, happy surface.


Stars of the 'The Kitchen' movie talk to Arab News

“The Kitchen,” stars Melissa McCarthy, Elisabeth Moss, Tiffany Haddish and Domhnall Gleeson. (Supplied)
Updated 22 August 2019

Stars of the 'The Kitchen' movie talk to Arab News

DUBAI: “The Kitchen,” starring Melissa McCarthy, Elisabeth Moss, Tiffany Haddish and Domhnall Gleeson, is an ode to the ever-popular gangster movie, but also a reimagining. Three women who can’t pay the bills after their mobster husbands go to prison decide to take over the organization themselves — becoming violent criminals in the process. Gone is the Don, in his place are the Donnas.

“I love mobster movies, they’re some of my favorite movies, but I think I always watched them and thought, ‘Where am I in that story? Where am I represented?’ I never am. The opportunity to put those two things together — a real authentic, gritty mob story that has interesting, flawed, human women at the center of it felt like an incredible opportunity,” writer/director Andrea Berloff tells Arab News.

Andrea Berloff at the premier of "The Kitchen" in Hollywood. (AFP)

In casting, Berloff went against type — McCarthy and Haddish are best-known for comedic roles, and Gleeson’s roles in “Star Wars” and the Oscar-nominated “Brooklyn” suggested anything but a gangster.

“If I’d read the script I wouldn’t have thought of me for the role, so I was thrilled that Andrea for some reason thought that I could do a good job. The good ones are a surprise to you as opposed to something you track down — or that’s the way it’s been for me so far. I never thought I’d really want to play a killer in a mob movie. When this script came along, that’s what I found a bit scary and interesting,” says Gleeson.

Domhnall Gleeson at the premier of "The Kitchen" in Hollywood. (AFP)

Like Berloff, Moss has always loved the genre — especially the women in legendary projects such as “The Godfather” and “The Sopranos.” While the women of “The Kitchen” are different in many ways from those groundbreaking characters, they carry on their spirit.

“It’s something that we’ve seen in various mobster projects. With Diane Keaton and Edie Falco, and these incredible portrayals, I always find them the most interesting parts of those projects — to see the effect that that lifestyle has on women is really interesting,” Moss tells Arab News.

Elisabeth Moss loved the genre of the movie. (AFP)

McCarthy wasn’t as focused on the history of women in crime fiction as her co-star. Instead, the character and the script were rich enough that she was able to link it to her own life quite easily.

“I didn’t reference other movies,” she says. “For me, when a script it that good, and that complete, and that fully realized, I try to delve into the character itself. I thought about how I related as a mother of two, and what does that mean when you’re just trying to survive and try to take care of your kids. I don’t look to other movies as a guide — I’m a big movie fan, but I prepare a little more solo.”

Tiffany Haddish at the premier of "The Kitchen" in Hollywood. (AFP)

“I’m the same way,” says Haddish.

“It just seemed easy. It’s that great thing. Especially with Andrea running the ship, we all saw the same movie, which was really great, and we all naturally get along,” says McCarthy.

 Melissa McCarthy at the premier of "The Kitchen" in Hollywood. (AFP)

This is Berloff’s debut as a director (she was nominated for an Oscar for writing the 2016 hit “Straight Outta Compton”) and she hadn’t originally planned on helming the movie herself. But she found she felt so passionate about the story that she wanted to oversee the whole project.

“There are times when I write a script and I’m happy to hand it off to someone else and let them run with it, but in this case I felt like I had so much more to say about these characters, and this world, and these themes,” she explains. “I went in to pitch as a director and started saying to them, ‘Here’s what’s not in the script that you don’t know.’”