Attack on Al-Ahsa mosque leaves several dead

Updated 01 February 2016

Attack on Al-Ahsa mosque leaves several dead

JEDDAH: An attack on a mosque in Al-Ahsa on Friday has left four worshipers dead and 18 others injured and a terrorist in police custody, the Interior Ministry said.
The ministry confirmed that two men carried out the attack on Al-Ridha Mosque in Mahasin district.
Security men spotted the attackers as they drove up to the mosque during the Friday congregational prayer. In the process of stopping the attackers from entering the mosque, one detonated his suicide belt and another was captured.
In the attack’s chaotic aftermath, police fired weapons into the air to drive away an angry mob that surrounded a police car holding the suspected attacker, according to a video shot from the scene.
A witness said security forces and ambulances quickly surrounded the mosque.
No one has yet claimed responsibility for the attack, but Daesh has previously carried out similar attacks in the Kingdom. Police have launched an investigation.
The attack was roundly condemned with senior scholars praising the diligent work of the security officials in helping to avert a bigger disaster. In a statement, the scholars said the attacks showed the keenness of citizens in “preserving consensus and unity under the leadership of the Custodian of the Two Holy Mosques King Salman.”
Bahrain’s Foreign Ministry said in a statement that such acts “will never succeed in undermining the Kingdom of Saudi Arabia’s security or igniting sedition or dispute among the Saudi people.”
Jordan’s government spokesman Mohammed Al-Momani said the attack on worshippers “reiterates once again that terrorism is blind and it that no one is excluded from its evils.”
Al-Ahsa is in the Eastern Province of Saudi Arabia, which last year saw two major mosque attacks.
Last May, a suicide bomber blew himself up during Friday prayers at a mosque in the village of Al-Qadeeh in eastern Saudi Arabia, killing 21 and wounding 100 others.
Days later, Khaled Al-Wahbi Al-Shemari, who was dressed as a woman, detonated the explosive belt he was wearing when challenged by security volunteers at the entrance of Al-Anoud Mosque in Dammam. The blast caused panic and chaos as worshippers rushed to get out of the building and several cars were set alight in the parking lot by the force of the explosion. Daesh claimed responsibility for both attacks.
The Interior Ministry said soon after they had detained 45 suspects in connection with the mosque attacks.


Film review: ‘Parkour(s)’ takes obstacle course through class conflict

The sport of parkour forms the backdrop of this Algerian film. Supplied
Updated 08 December 2019

Film review: ‘Parkour(s)’ takes obstacle course through class conflict

  • Fatma Zohra Zamoum’s “Parkour(s)” is set in a small city in Algeria
  • It screened at the recent Cairo International Film Festival

CHENNAI: The fast-paced sport of parkour — or negotiating obstacles in an urban environment by running, jumping and climbing — forms the backdrop of this Algerian film.

Fatma Zohra Zamoum’s “Parkour(s)” is set in a small city in Algeria, and it seems that the director has used the title to convey the kind of histrionics her characters indulge in. Take, for instance, Youcef (Nazim Halladja) — a sportsman playing parkour — literally cartwheeling through the urban landscape. His reckless antics also include threatening people with a gun and pleading with would-be bride Kamila (Adila Bendimered) to ditch her future husband, Khaled, (Mohamed Bounoughaz). 

The movie, which screened at the recent Cairo International Film Festival, unfolds during a day and takes us to the wedding and the assorted group of men and women gathered there. As we see these people making their way toward the occasion, we get to see that they are all motivated by different pulls and pressures.

The film unfolds during a day and takes us to a wedding and the assorted group of men and women gathered there. Supplied

Youcef is there to try to persuade Kamila from walking up the aisle. The kitchen help is set to make an extra buck. However, other characters have not been written with much conviction.

Zamoun says in a note: “The multi-character drama shows how a normal situation turns into major clashes reflecting the conflict between classes, ideas and generations in Algerian society, whose youth try to take control of their lives. But they are surrounded by those who try to handcuff them.” 

The movie is not convincing on this count. For example, how is the bride — who willingly prepares for the wedding (that was my impression, anyway) — “handcuffed?” The same can be said for other characters we encounter.

What comes across loud and clear, however, is the class difference. No clarity is lost when Khaled gives money to Youcef to buy a “decent” suit for the wedding and he is offended by Khaled’s arrogance. Youcef makes no bones about this to his friend — and perhaps he is taking his revenge when he tries to sow discord among his fellow characters. Also worthy of note is the performance by the young daughter of the kitchen help, Nedjma (Lali Mansour), who gives one of the most moving and natural sequences in “Parkour(s).”

The cinematography is nothing to rave about and Youcef’s parkour antics are rather intrusive and add little to the narrative.