Guy Fawkes mask defies the ban

Updated 18 June 2013

Guy Fawkes mask defies the ban

Guy Fawkes masks popularized in the movie ‘V for Vendetta’ are still sold on Jeddah’s streets near traffic lights and on sidewalks despite the ban of the Ministry of Commerce on selling and importing the masks.

Last month local newspaper Al-Madina reported that the Ministry of Islamic Affairs, Endowments, Call and Guidance requested that imams at mosques and educators should caution youths from wearing these masks.

The Ministry of Interior had also urged the Ministry of Commerce to confiscate and ban importing the plastic masks for the Saudi market. The masks are sold for between SR 10 and SR 20.
Street sellers denied knowing anything about the ban. “I was never aware of this ban, I have been selling this item for more than a year. No one has stopped either me or any of my colleagues on the streets,” one street seller said.

Another seller told Arab News he did not know anything about the significance of the mask nor had he actually seen the movie or read the graphic novel by Alan Moore by the same name, in which the Guy Fawkes character features.

“This mask is popular with the young crowd. Sometimes I run out of these masks, particularly during weekends and during football finals, when young guys go to the street to celebrate after a winning game,” a seller said.


Culture documentation by Saudi ministry to help dispel misconceptions

Updated 22 October 2020

Culture documentation by Saudi ministry to help dispel misconceptions

  • Dia hopes the documenting process will be done professionally and without bias

JEDDAH: Saudi artists welcomed the Ministry of Culture’s first-of-its-kind 16/13 initiative, documenting the diversity of Saudi culture and art through a visual library.
The library will display 16 aspects of culture and heritage through photography and videography that represent the 13 regions of the Kingdom.
Researchers will go around Saudi Arabia to meet creatives, and study their work, for inclusion in the initiative.
“This is an important step for the Kingdom, and it’s a global one to document visual art, whether works of art or cinema,” Dia Aziz Dia, Saudi artist and sculptor, told Arab News.
He added: “It’s important because this creates a database and can be used as a reference to study and compare paintings, photography, sculpting and various types of art, how they differ from one region to the next.”
It could also let government bodies discover art worthy of being put into museums for display, said Dia.
“It’s a good way to document history as well, and to study works of art and the standards of art here,” he said. “It’s on a global level and it’s done everywhere in the world, from England to the US.”
Dia hopes the documenting process will be done professionally and without bias.
He also said it was not easy to compile these works. “It’s an elaborate process to be able to get hold of all the works across the Kingdom. It’s an operation that requires organization, extensive studying and the cooperation of the Society of Culture and Arts and artists as well.”
Saad Tahaitah, documentary filmmaker and photographer, told Arab News that the initiative was promising. He was exposed to it through Saudi photographer Nawaf Al-Shehri, who has been traveling to help with the documentation process.
“The ministry’s been doing an incredible job; they’re (Nawaf and his team) going around the Kingdom and filming content for an actual library,” he said.
Tahaitah has worked on numerous short films on his own to depict the culture and heritage of Asir region, in the southwest of the country. He said he would not trade it for any other place and wished only to film in his hometown.
“I got into documentaries because I wanted honest storytelling. I didn’t want to write a script and hire actors, although that works for some,” he said. “The way I’ve been doing film is to let the person I’m filming go about their day and I let my camera roll.”
Tahaitah started documenting Asir because he wanted to dispel the misconceptions about it, and the stereotypes created through media like “Tash Ma Tash,” the famous Saudi comedy show.
“Asir is full of natural beauty and scenery to capture. It’s diverse in its sights and the people who live in it. Every once in a while, I realize there’s a thing I never noticed before and I film it, and I’ve lived here all my life. The way of life here, simply, can inspire you,” he said.
He added: “We don’t have one particular dance or only sit and dine in a huddle. In a way, I just wanted to showcase the reality of Asir because I love it.”
He said that this initiative could correct inaccuracies shared about certain areas in the Kingdom.