Photographer Sebastião Salgado show opens in Jeddah

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Updated 05 May 2016

Photographer Sebastião Salgado show opens in Jeddah

Spending most of his time clicking epic photographs of gold mines, oil fields, and genocide, Brazilian photographer Sebastião Salgado has won several awards for his compassionate black and white images.
To showcase his most outstanding work, Hafez Gallery is hosting his solo exhibition that will run throughout the month of May.
Born on Feb. 8, 1944, in Aimorés in the state of Minas Gerais, Brazil, Salgado seeks out the most amazing and heartrending images of lifecycle on Earth. His photographs encapsulate and touch humanity. Instead of recording human victories, he took refuge in its flaws. He used all of his strength and energy to penetrate the worst parts of human life today and transform them into beautiful works of art that adorn museum walls and art connoisseurs’ walls.
“The boundless curiosity has not only helped me to bring diversity to my work, but also extended to the different cultures, people and places I have been to or explored throughout my photography career,” he said.
This is the first time Salgado’s work has been exhibited in Saudi Arabia. Commenting on his visit, he said, “I am so excited that my work is exhibited for the first time in the Kingdom and I am honored that it is being admired by a large number of people. I hope to leave an impact of my vision and experience.”
Most of Salgado’s work will show something incredible and unbelievable but yet absolutely genuine. All the images shot are bizarrely timeless and disorienting. Pictures like gold grubbers assembled in an opencast mine prove his piercing gaze and high sensitivity that allowed him to uncover beauty in the middle of ugliness. He discovered wisdom through pain, recording light where there are shadows.
Salgado studied economics until he got his master’s degree in 1967. He married Lélia Wanick in the same year and they both moved to Paris so that he can pursue his PhD in economics. In 1971, he was sent to Rwanda to study the agriculture production abilities of the country’s economy while working as an economist in the International Coffee Organization.
Describing his journey as a photographer, he said, “I borrowed my wife’s camera and used it during my trip to Africa.” He took his first picture in 1970. After coming back home, he discovered that the pictures he took described his vision of Africa much better than the written reports he did. This was the turning point of his life. That is when he decided to change careers, from economy to press photography. He started out as a freelance photographer for many photography agencies and got hired in the best one, Magnum Agency, working there for 15 years.
In 1994, he founded along with his wife Amazonas Images, a press agency dedicated to his works. Through it, he launched the beautiful series of artistic works that have had an impact on the world.
Moreover, Lélia and Salgado together have worked since the 1990’s on the restoration of a small part of the Atlantic Forest in Brazil. In 1998 they succeeded in turning this land into a nature reserve and created the Instituto Terra. The Institution is dedicated to a mission of reforestation, conservation and environmental education. However, it was able to plant more than two million trees, which completely revived the circle of life, especially in Minas Gerais.
Salgado says that he thinks he has found a solution to the climate change that the planet is suffering from through this project. He said, “We need to listen to the words of the people on the land. Nature is the earth and it is other beings and if we don’t have some kind of a spiritual return to our planet, I fear that we will be compromised.”
In addition to this, he highlighted the famine and emigration in Africa and poverty in South America, in one of the most important social projects ever under the title ‘Workers’ (1993). “In this project the main aim was to shed light on the way a man used to work with his hands before transitioning to the mechanized world,” he said.
Besides, he visited more than 100 countries in order to document the world of gold mining in Brazil, steel workers and solid workers in India and the petrol pipelines firefighters of Kuwait.
Working in black and white, his efforts depict great photography in the classic and humane tradition while expressing deep facts of life. He is a UNICEF Goodwill Ambassador, an honorary member of the Academy of Arts and Sciences in the United States, Comendador da Ordem de Rio Branco in Brazil, and Commandeur de l’Ordre des Arts et des Lettres in France.
Likewise, under a project named ‘Genesis’ he presents the unblemished faces of nature and humanity.
It consists of a series of photographs of landscapes and wildlife, as well as of human communities that continue to live in accordance with their ancestral traditions and cultures. This body of work is conceived as a potential path to humanity’s rediscovery of itself in nature.
By turning his lens on the planet, he is able to click incredible pictures such as of giant ice sculptures carved by sea water, penguins leaping into the ocean from an iceberg and a man praying in the middle of the desert.
The book ‘Genesis’ published by Taschen in six languages, came out in spring 2013. A touring exhibition is currently presented in several countries.
Furthermore, Salgado’s documentary named ‘The Salt of the Earth’ was an Academy Award nominee for Best Documentary Feature in 2015 and was also nominated in Cannes Film Festival in 2014.
Walking by the gallery, the audience is pulled up by every shot that seems like one of the best photographs ever taken.

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Rocket men: Star Steve Carrell and creator Greg Daniels talk ‘Space Force’

Steve Carrell (front) plays General Mark Naird in 'Space Force.' (Netflix)
Updated 31 May 2020

Rocket men: Star Steve Carrell and creator Greg Daniels talk ‘Space Force’

  • Daniels and Carrell reunite for the first time since the success of ‘The Office’ in new comedy about the US military’s latest division
DUBAI: Things are very different from the time that Greg Daniels and Steve Carrell first got together. In 2005, Carrell was auditioning in front of Daniels to see whether he could fill the shoes of Ricky Gervais for an American remake of Gervais’ UK hit “The Office.” Daniels had already written for, or created, classic series such as “The Simpsons” and “King of the Hill,” but Carrell was still a respected supporting player, unproven as a leading man. Fifteen years later, Carrell is one of the most venerated leads of his generation in film and television — due in no small part to the magic that the two created on the small screen. What would bring them back together? As it turns out, all it took was two words — “Space Force.” When US President Donald Trump announced his intention to establish a new division of the American military in 2018, Carrell couldn’t get the name out of his head. He called up his old collaborator Daniels to talk about it. “There was no show. There was no idea. It was really based on nothing except a name that made everybody laugh,” says Carrell. The two met up at Carrell’s house to brainstorm whether those two words would be enough for a TV show. What interested them most was imagining the man who would have to lead it. They came up with General Mark Naird — a career Air Force man who was hardened and serious about everything that he did, nothing like Michael Scott in “The Office.” “We definitely did not want to repeat Michael Scott at all. It’s been at least 12 years since Steve played Michael Scott, and he just physically doesn't look the same. The haircut's different, the mannerisms are different. Michael Scott is an iconic character, but I actually think General Mark Naird has got more Hank Hill from “King of the Hill” in him than Michael Scott,” says Daniels. “Mark’s definitely a stronger character, more used to command, more capable than Michael Scott ever was. His issues are different. Michael would do anything to please others, he would (bend) in the wind in any direction. Mark is very inflexible and it’s hard to change his mind about anything. They're very different people.” “Space Force,” which launched on Netflix May 29, is a deliberate departure from “The Office” in many ways. It’s not a mockumentary — a style that served Daniels so well in both “The Office” and “Parks and Recreation.” It’s not about mostly incompetent people who don’t care about their jobs — in fact, it’s the opposite. But like “The Office,” it relies on a strong supporting cast — headlined by Academy Award-nominee John Malkovich, Ben Schwartz and Lisa Kudrow — and is ultimately about what those people create together, rather than just one man’s goals. The comedy, then, comes in watching fiercely smart and talented people try to do something that no one has ever done before: move the military into space. “Like many people in the world — and (this is) something I think most people can relate to on even a day-to-day basis, even people who are very successful in their field — you just may not be qualified to do what's being asked of you. There is a lot of comedy in that, because there's also a lot of pain in that. Pain and comedy tend to go hand in hand, or at least hand in glove,” says Malkovich, who plays Dr. Adrian Mallory. In fact, “Space Force” — perhaps contrary to expectations — is a show that affirms the creation of this new military division much more than it discourages it. While it finds much to satirize, it takes the nobility of its characters and what they are trying to achieve seriously, despite the silliness of its premise, ultimately justifying — almost romanticizing — the division’s goals. “(Naird) makes really good decisions because he understands people and he's a good leader, but he also sometimes steps in it because he oversimplifies things and he doesn't fully understand what's going on around him. He has to try and figure out who's giving him good advice and who isn't. But we gave him a good value system at his center. We wanted to make sure that we were being accurate and more than respectful — I would say complimentary — of the military virtues that Mark Naird holds,” says Daniels.