Film Review: A cinematic exploration of the human instinct to defy and disobey

A still from ‘The River.’ (Image supplied)
Updated 28 October 2018

Film Review: A cinematic exploration of the human instinct to defy and disobey

TOKYO: The final movie in Emir Baigazin’s Asian trilogy after “Harmony Lessons” and “The Wounded Angel” is a compelling study of authority and rebelliousness, sparingly narrated. Screened at the 31st edition of the Tokyo International Film Festival last week, “The River” from Kazakhstan is far removed from the kind of cinema that modern generations are used to. Set in a remote Kazakh village, it is a powerful story about generational conflicts and the natural human instinct to defy and disobey.

In “The River,” or “Ozen,” the line of control is crystal clear, with the father standing tall and intolerant of even the slightest dissent from his five sons, who live in a dry, dusty landscape. The father (Kuandyk Kystykbayev) demands and receives unquestioning obedience from his children and he makes them slog, forcing them to sleep on hard wooden beds. They are hit hard if they err in their duties and he does all this to keep them safe from the wicked world outside their little gated existence.

But the sons see this as worse than slavery, crueler than the harshest of prisons. The father grooms his eldest son, Aslan (Zhalgas Klanov), to take over the reins of the family. Hidden behind Aslan’s almost emotionless face is a rebel — he takes his siblings to the river, a place strictly forbidden by his father, and the youngsters build a cross and hang a scarecrow in one of a few Biblical references in the film.

Then the monotony is broken by the visit of a mysterious distant cousin, Kanat (Eric Tazabekov), whose jazzy clothes — jolting against the bleached landscape of the boys’ village, created by thoughtful cinematography on Baigazin’s part — and electronic tablet imply that there is more to the world than the young boys previously believed.

Kanat’s technology brings with it conflicting news from the world beyond the village, which leads to shifting familial relations, tensions between the bothers and quickly dissolves the sibling’s warped sense of paradise in this raw exploration of freedom, family and dissent.

Bollywood actress Priyanka Chopra considers role in Arabic films

Updated 03 August 2020

Bollywood actress Priyanka Chopra considers role in Arabic films

DUBAI: Bollywood actress Priyanka Chopra Jonas revealed in an interview with Africa News this week that she would “love to” star in Arabic films.

“I just don’t speak the language,” said Chopra Jonas. “I think that I would love to be a part of the film industry anywhere. I love my job and I would learn a new language if I have to.”

The 38-year-old producer, who has a couple of Hollywood flicks under her belt, said she is working on an unscripted series with her husband, the American singer and songwriter Nick Jonas.

“I am developing a show with my husband which is for Amazon. It is based on the Indian tradition of sangeet (a music-filled pre-marriage ceremony),” she said.


Felt like wearing a saree. So I did...At home. Miss everyone. @nickjonas

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She is also working on a new series for Amazon, produced by the Russo brothers, and a “buddy comedy” with actress Mindy Kaling.

The UNICEF Goodwill Ambassador and the former Miss World has been using her social media platforms over the past few months to raise awareness about the coronavirus pandemic.



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Chopra Jonas, who started her career 20 years ago, has hosted an Instagram session with doctors and experts from the World Health Organization who answered frequently asked questions about the virus.