Meet the Saudi designer using music to spark innovation

Al Johara Beydoun taught participants how to translate music into design. (Image supplied)
Updated 18 November 2018

Meet the Saudi designer using music to spark innovation

DUBAI: The fourth edition of Dubai Design Week wrapped up on Saturday, but not before innovative Saudi designer Al Johara Beydoun held a workshop on how to translate music into design.
Armed with a BA in interior design and an MA in urban design, Beydoun is the founder of Ink; — a Jeddah-based multidisciplinary design studio that merges art, design and science with a focus on urban design, architecture, interiors and furniture design.
Beydoun hosted Saturday’s class, which was held as part of Dubai Design Week’s 230 events.




Al Johara Beydoun. (Photo courtesy: Muhummad Bajniad) 


“The workshop aims to teach participants a new method of translating music into design and utilizing music as a concept generator tool,” she told Arab News before her session.
“Workshop participants will learn the process of creating a space inspired by the emotional journey a musical piece can evoke… participates will learn how to reflect, fragment and formulate a design from concept to a result,” she added.
Beydoun expanded further on what it means to be a good designer and the importance of seeking inspiration from a wide array of sources.
“To be a good designer is to be a good storyteller. We create design solutions based on visual stories and we create with a blend of art, science, mathematics and literature,” she said of her Saudi Arabia-based studio.
As one of only a handful of Saudi designers taking part in the fair, Beydoun recognized the inherent opportunity to fly the flag for her home country.




Participants were taught how to use music as a tool. (Image supplied)


“It’s important to show the world what Saudi Arabia has to offer. I believe that there are many talents that need to be in the spotlight and showcased, hence why I chose to participate in Dubai Design Week. In such events, we are not only showcasing our talent… but also the beauty of our beliefs and identity.”


REVIEW: Historical horror in Netflix’s ‘La Révolution’

Updated 23 October 2020

REVIEW: Historical horror in Netflix’s ‘La Révolution’

  • New drama reimagines French history, with added monsters

LONDON: Ever wondered if the French Revolution — a decade that rocked the country in the late 18th century and saw the abolition of the aristocratic Ancien regime in favor of a constitutional monarchy — had a more supernatural bent to it? If the uprising of the proletariat that led to many of the fundamental founding principles of democracy had less to do with a quest for liberty and equality and more to do with the fear of being quite literally eaten?

Well, even if such thoughts had never crossed your mind before, you’re in luck. Netflix’s new French-language supernatural series reimagines the pivotal historical uprising and takes some, shall we say, liberties with the finer details. “La Révolution” certainly looks the part, full of sumptuous costumes and lavish palaces that are painted in stark contrast to the gritty city and impoverished slums.

“La Révolution” is on Netflix. (Supplied)

When prison doctor Joseph Guillotin investigates a series of grizzly murders, he uncovers evidence of a strange affliction that turns the blood of its victims blue. As the young physician delves deeper, he becomes embroiled with a band of plucky rebels set on fighting back against the elite upper classes — not just because of the power imbalance of French society and the horrific conditions forced on the peasantry, but because, as it turns out, the blue blood is sweeping through the aristocracy and causes a penchant for cannibalism.

Your enjoyment of “La Révolution” will rely on a willingness to overlook historical inaccuracy and a relatively strong stomach — the show is certainly not beholden to anything as trivial as facts, and there’s some pretty gruesome violence. If you’re willing to suspend your disbelief, however, there’s an enjoyable show here. It’s a little schlocky and heavy-handed at times, but the cast (headed by an earnest Amir El-Kacem as Joseph and Marilou Aussilloux as the spirited Elise de Montargis) confront the fanciful premise head on. And the show is all the better for it. This is not high drama, and the show butts up against its own far-fetched concept on a semi-regular basis. But it is entertaining, and there’s a lot to be said for that.