Bella and Donatella star in new Versace campaign

Bella Hadid walking in a Versace show earlier this year. (AFP)
Updated 19 December 2018

Bella and Donatella star in new Versace campaign

DUBAI: US-Palestinian model Bella Hadid stars in a new ad campaign for Italian fashion house Versace — and it’s interesting to say the least.

The model stars alongside chief designer Donatella Versace in the campaign for the luxury label’s Spring/Summer 2019 women’s collection.

In a video, which Donatella teased on Instagram on Tuesday, the designer can be seen giving Bella a tattoo of the word “Versace,” while Tchaikovsky’s “Swan Lake” music plays to dramatic, almost unnerving, effect. The camera pulls out to show Bella, in a blue mini dress, being inked up by a black-clad Donatella, before the 22-year-old model stares at the camera as it zooms back in.

While the tattoo is almost certainly fake, the model’s dedication to Versace is seemingly quite real — she has walked the runway for the high-end brand on more than one occasion and has featured in a number of adverts for the Italian fashion giant.

The theatrical campaign video is just one part of the push to promote the new collection, with Hadid being joined by the likes of model Irina Shayk and 1990s supermodel Shalom Harlow in a series of photographs.

The collection is marked by bold prints, patchwork and leather and was first unveiled during Milan Fashion Week in September.

In the show, Hadid wore a tight one-shouldered mini dress in yellow leather and matching sneakers.

Some of the prints used in the collection include colored stripes, bright flowers over pinstripes, checks, roses and small flowers mimicking animal prints.

“The style of the Versace woman is so recognizable that it need not be explained. She is not afraid of showing her personality and she is extremely feminine and confident,” read a style note by the fashion house, known for its daring designs.

Close-fitting silhouettes, flared trousers and layered looks feature in the collection that is distinguished by its use of orange, violet and lime colors.

The line also features big boxed bags that echo old-fashioned travel trunks and large PVC shopping bags emblazoned with Versace writing. In terms of footwear, chunky sneakers, college shoes, or square-heeled sandals are currently favored by the fashion house.

The brand with the famed Medusa logo said that her “mystic powers and ever-powerful persona are evident now more than ever,” according to the show notes in September.

Fake snakeskin, flowers, polished leather and layer upon layer, the Versace collection has been hailed as eclectic and refined by AFP.


Lack of spirit leaves World War II saga hanging midway

Roland Emmerich’s just-opened “Midway” comes nowhere close to the 1950s and 1960s war adventures. (Supplied)
Updated 14 November 2019

Lack of spirit leaves World War II saga hanging midway

CHENNAI: Movies on World War II have delighted cinema audiences for years. Nobody can forget the daring Allied escape in the 1965 “Von Ryan’s Express” with Frank Sinatra and Trevor Howard driving a train through Nazi-occupied territory.

There were others in that decade and earlier such as David Lean’s “The Bridge on the River Kwai” about British prisoners of war building a railway in malaria-infested Burma (now Myanmar). These were great classics, but recent efforts have not been as memorable.

(Supplied)

Roland Emmerich’s just-opened “Midway” comes nowhere close to the 1950s and 1960s war adventures. Despite audiences still being thirsty for WWII sagas and a star-studded cast (Patrick Wilson, Woody Harrelson, Mandy Moore, Ed Skrein and Nick Jonas), the film is unmoving, mainly because of the shallow characters. If the dialogues are stiff, the dramatic potential – including the relationship among the men – appears to have been left midway.

The film begins with Japan’s December 1941 air attack on the US naval base in Pearl Harbor, Honolulu, which dragged America into the conflict, and the flick follows America’s revenge mission culminating in the June 1942 Battle of Midway.

(Supplied)

For the US, it was a victory against all odds giving them control of the Pacific’s Midway atoll. It was also a major triumph of human spirit, but the film does not quite capture it.

Most of the exploits relate to real-life fighter pilot Dick Best (Skrein), whose devil-may-care attitude earns him the title “cowboy.” His wife Ann (Moore), the only female character, urges him on but seems a washed-out figure. However, there is plenty of action in the air with dog fights, bombings and pilots ejecting from burning planes high above the ground.

(Supplied)

For fans of singer Jonas, his small but significant part may appeal. He is sailor Bruno Gaido whose spontaneous and heroic action during a Japanese raid earns him promotion.

“Midway” plays at three levels, including one about Japanese military officers, and was shot in Hawaii and Montreal with a lot of computer graphics thrown in. The camera work (Robby Baumgartner) is impressive, but somewhere the soul is missing, and the characters fail to come across as real people.

Despite this, the film opened atop the North American box office last weekend with a reported $17.5 million in ticket sales.