Georges Hobeika steals the show at Paris Couture Week

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Highlights included a lilac, 1950s-style dress. (AFP)
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A rainbow-toned gown dazzled onlookers. (AFP)
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Cindy Bruna modelled a sugar pink outfit. (AFP)
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The designer created a dramatic tangerine-colored gown. (AFP)
Updated 22 January 2019

Georges Hobeika steals the show at Paris Couture Week

DUBAI: Lebanese fashion house Georges Hobeika sent models down the runway in a dreamy collection of gowns on Monday as part of Paris Couture Week.

The elite fashion week, which kicked off on Jan. 21, features four designers from the Arab world — Maison Rabih Kayrouz, Georges Hobeika, Elie Saab and Zuhair Murad — who are showing off their latest couture collections alongside the fashion industry’s most sought-after labels. 

The Lebanese labels are joined on the fashion week schedule by the likes of Christian Dior, Jean Paul Gaultier and Ralph & Russo in the four-day showcase that will wrap up on Jan. 24.

Hobeika’s spring/summer haute couture collection went on show at Paris’s National Theater of Chaillot and saw models, including French star Cindy Bruna and Angolan Maria Borge, strut down the catwalk in a line-up of regal evening wear.

Pastel shades, sequins and feathers were interspersed with dramatic dark gowns, with A-line skirts and bare shoulders on show.

Highlights included a lilac, 1950s-style dress with a tea-length skirt and boxy jacket with a square neckline. The look was completed with fingerless gloves, which looked more chic than punk due to the fine embellishment on show.

A galactic gown dazzled onlookers with its rainbow-toned palette and glinting sequin work that created the overall effect of a multi-hued milky way drifting down the runway.

The couturier employed a range of rich fabrics in the collection, such as silk, duchesse satin and chiffon and even presented a bridal gown that was encrusted in crystal work with a semi-sheer bodice and wide, train-heavy skirt.

Lebanese designers Elie Saab and Zuhair Murad will round out the Arab offerings at Paris Couture Week with their shows, both of which will be held on Wednesday.


Elle Fanning poses in fairytale Reem Acra gown

Elle Fanning stars in ‘Maleficent: Mistress of Evil.’ (Getty)
Updated 23 October 2019

Elle Fanning poses in fairytale Reem Acra gown

DUBAI: Hollywood actress Elle Fanning, the star of Disney’s latest fairytale flick “Maleficent: Mistress of Evil,” just posed for a photoshoot in an ethereal gown by Lebanese designer Reem Acra.

The star posed alongside Angelina Jolie for People magazine wearing a blush gown by the designer.

In the series of playful images, Fanning wears a horned headpiece — usually worn by Jolie’s character, Maleficent — and a gown with a sweetheart neckline and beaded bodice. The geometric beading runs across the length of the gown, which also features a barely-there belt to cinch in the waist and a spray of tulle at the hip.

“Fairytale magic. @ElleFanning wears #ReemAcraBohemianDisco while promoting her latest film #Maleficent2,” the Lebanese fashion house posted on its Instagram account.

In “Maleficent: Mistress of Evil,” the sequel set six years later, Maleficent hardly lives up to that title, but rumor would have it otherwise. The story of the sleeping beauty Aurora (Fanning) has spread across the land, painting Maleficent as the villain, rather than the one whose love saved her. Now, as Aurora plans to marry Prince Phillip (Harris Dickinson), Maleficent must meet the neighboring Queen Ingrith (Michelle Pfeiffer), who wishes to destroy Maleficent and her magical world.

While the film features a lot of violent spectacle, the inner conflict of the lead characters themselves is whether they are strong enough to resist becoming violent, rather than the inverse.

“That’s something that isn’t portrayed a lot on screen — a lot of princesses grew up and they said, ‘Well, we’re going to make her a strong princess, and we’re going to make her tough, so we’re going to make her fight!’ Is that what being a strong woman means? We’re going to have to have a sword and armor on and fight? Aurora can do that in a different way, in a pink dress. It’s beautiful that she keeps her softness and vulnerabilities as her strengths,” Fanning told Arab News in a previous interview.

“Maleficent: Mistress of Evil” debuted atop the North American box office at the weekend, but the big-budget fantasy flick fell far short of expectations, industry figures showed Monday.

The film took in $36.9 million, but that was well shy of projections that it would earn $45 million and a sharp drop-off from the first film’s $69.4 million launch in 2014.