Highlights from ‘The Shortest Distance Between Us’

‘Live, Love, Refugee’ by Omar Imam. (Supplied)
Updated 11 February 2019

Highlights from ‘The Shortest Distance Between Us’

DUBAI: The headline exhibition for Gulf Photo Week 2019 features work from seven photographers awarded grants by the Arab Documentary Photography Program.

‘Live, Love, Refugee’
Syrian photographer and filmmaker Omar Imam takes an ironic, conceptual approach to document the violence in his homeland — and its effect on his countrymen. In this project, Imam examines the mental state of Syrian refugees in Lebanon. “I chose to make complex photographs, employing symbolism and surrealism, in an attempt to approach the psychological situation of my subjects,” he explained in his project description. Each image is accompanied by poignant — but often humorous — quotes from his subjects. This one, for example, features the following insight: “Now that we’re in the camp, she brings home the food. Our testicles are in danger.”

Hicham Gardaf’s project focuses on the recent rapid urban expansion in his homeland of Morocco. “This project explores city fringes and borders, where the coexistence of contemporary society with nature is best characterized by the constant push of urban space into the land,” he wrote. “Aside from this physical evolution, there is the invisible dimension of ideological and cultural transformation.”

‘West of Life’
Tunisian artist Zied Ben Romdhane looks at Gafsa, a phosphate mining region in Tunisia and the impact this economically crucial industry has had on local villages, which — despite their rich resources — have, he says, been “marginalized by the government.” “They remain poor and polluted — a conduit for wealth. Meanwhile, coastal towns prosper.” The project, he says, is a testimony to Gafsa’s “harshness,” but “balanced, I hope, by the humor of the inhabitants and my affection for them.”

‘Moon Dust’
Mohamed Mahdy’s project documents Wadi El Qamar — aka Moon Valley. This area of western Alexandria is home to 60,000 people whose lives are blighted by the toxic dust expelled by the nearby cement factory, which causes numerous health issues. “The conflict in zoning is having grave effects on a large population,” writes the Egyptian photographer, “and it is unclear what is being done to address the problem.”

‘Infertile Crescent’
Jordanian photographer Nadia Bseiso examines “the reality of what was once called the cradle of civilization.” She writes: “Once considered ‘fertile,’ the crescent is now burning in turmoil.” Her project focuses on the route of the 180-km Two Seas Canal pipeline. It is, she says, “an old wives tale, on the construction of a pipeline, where a geologist and a village idiot agree: The next war will be a water war.”

Multimedia artist Heba Khalifa’s project began when she created a private Facebook group for women to share feelings and personal stories. She then visualized how the image of each story might look “and together we constructed a photograph.” This image is accompanied by text explaining that the girl pictured was beaten by her father: “He used to cry every time he hit me and say, ‘I didn’t mean to call you a whore … I am your father, I am trying to protect you.’” The whole thing was inspired by Khalifa’s reaction to a “demeaning” phrase that, she says, “summarizes my life and my relationship with my body.” That phrase? “Be careful, you’re a girl.”

‘Stranded: On Life After Imprisonment’
This project, from Lebanese photographer Elsie El-Haddad, follows ex-convicts “in their struggle to rebuild their lives” after their release from jail. It was inspired by a chance meeting on a beach with a group of ex-convicts in 2012. “Getting to know these men made me reflect on the psychological effects of incarceration and what that meant for their re-entry to society,” El-Haddad writes. One of the men she photographed told her: “Sometimes I believe that I was much happier when I was in prison. In prison, there is more honesty. There’s nothing to hide … everything is on the table.”


Nasab club to provide 30 businesses with complimentary workspaces

Updated 13 July 2020

Nasab club to provide 30 businesses with complimentary workspaces

  • Dubai’s sleek, creative workspace launches the Nasab Recovery Programme to help local businesses in a post-COVID environment

DUBAI: Located in the lush environs of Al Barari, a twenty-minute drive from Downtown Dubai, Nasab by KOA is an artfully designed workspace and social club with a vision to change the way creatives work and innovate. Founded by Mohammed Zaal, CEO of real estate company KOA, Nasab launched in February 2019, back when the current turmoil wrought globally by the coronavirus disease (COVID-19) was unthinkable.

Designed by architect Tarik Al-Zaharna and featuring the sleek interiors of British designer Fran Hickman, an office at Nasab provides business owners with an inspiring place to work, surrounded by nature, along with a host of creative initiatives allowing them to connect easily with like-minded individuals.

Nasab by Koa was designed by architect Tarik Al-Zaharna and features the sleek interiors of British designer Fran Hickman. Supplied

“We have spent the last few weeks liaising with our members on a one-to-one basis, as we believe that it is businesses who take care of their customers that will survive this most difficult of times,” said Zaal to Arab News. “We know that what is in our control is how we extend practical compassion, warmth and support to the wider entrepreneurial community.”

The COVID-19 situation has had a devastating impact on the UAE’s business community. To counter the negative impact, the Nasab Recovery Programme provides up to 30 eligible businesses with complimentary offices and workspaces for 6 months.

An office at Nasab provides business owners with an inspiring place to work, surrounded by nature. Supplied

“Our main aim throughout the development of Nasab has been to provide a space where creatives, entrepreneurs and like-minded individuals have a place to set up homes-away-from-home,” Zaal said. “We want to keep this spirit alive through the Nasab Recovery Programme. Our hope is that the program provides a much-needed space for those who shape and contribute to the creative industry: entrepreneurs, leaders in tech, art, design and fashion. The team have worked extraordinarily hard to create an incredible space; we can’t wait to now see the community grow within it.”

Nasab believes that growth of the UAE’s economic and cultural fabric is dependent on homegrown businesses.

Nasab by KOA is an artfully designed workspace and social club with a vision to change the way creatives work and innovate. Supplied

“We were the first members club to close down, having done so voluntarily before the full stay-at-home order,” added Zaal. “We were more cautious than others, and we feel it was the right thing to do, to put people over profits.”

Applications for the program are now open and should be submitted by July 15, 2020. Please visit: https://nasabdubai.com/recovery/