Gateway State explores the development of Hawai’i as a model for liberal multiculturalism and a tool of American global power in the era of decolonization. The establishment of Hawaii statehood in 1959 was a watershed moment, not only in the ways Americans defined their nation’s role on the international stage but also in the ways they understood the problems of social difference at home. Hawaii’s remarkable transition from territory to state heralded the emergence of postwar multiculturalism, which was a response both to independence movements abroad and to the limits of civil rights in the US.
Once a racially problematic overseas colony, by the 1960s, Hawaii had come to symbolize John F. Kennedy’s New Frontier. This was a more inclusive idea of who counted as American at home and what areas of the world were considered to be within the US sphere of influence. Statehood advocates argued that Hawaii and its majority Asian population could serve as a bridge to Cold War Asia — and as a global showcase of American democracy and racial harmony. Business leaders and policymakers worked to institutionalize and sell this ideal by capitalizing on Hawaii’s diversity.
Asian Americans in Hawaii never lost a perceived connection to Asia. Instead, their ethnic difference became a marketable resource to help other Americans navigate a decolonizing world.
Georges Chakra politicizes couture in an ode to Lebanon
The 47-piece offering was an extravagant ode to the Beirut-born designer’s home country of Lebanon, where nation-wide protests have been ongoing for the past couple of months
Updated 21 January 2020
PARIS: Lebanese Georges Chakra presented his Spring 2020 couture collection at Paris’ Petit Palace on Monday. The 47-piece offering was an extravagant ode to the Beirut-born designer’s home country of Lebanon, where nation-wide protests have been ongoing for the past couple of months.
Placed on each of the guest’s seats along with the show notes was a synthetic white rose accompanied by a note that read “un rose pour la liberte,” which translates to “one rose for freedom.”
The message? Fashion is an act of resistance. Chakra wanted to create the real-life looks that reflected the sophisticated and rebellious nature of Lebanese women. These included a show-stopping lineup of striking eveningwear in a burst of white, hot pink and blue color palettes.
The glimmer-creating Japanese app Kirakira, which turns anything sparkly into a disco ball–like reflection of shine and shimmer, was the preferred medium for capturing Chakra’s runway today — and rightly so. There were plenty of crystal and sequin embellished pieces on the runway that will surely hit the red carpet soon.
Standout looks included a pink, strapless satin duchesse dress that was short at the front and long at the back and boasted a violet floral print, an asymmetrical gown that featured dashes of sequins in varying hues of green, an icy blue sheath dress with an organza train and a hand-painted blue-grey gazar dress with a fan shaped neckline.
You can picture his longtime client US actress Janina Gavankar looking devastating on the red carpet wearing the bright pink slit dress with a criss-cross neckline and long train. Or his new client, actress Nina Kiri, who wore one of his creations to the 2020 Screen Actors Guild Awards on Jan. 20, in the strapless, aquamarine satin dress with a high slit.
As is customary, the last look was the bridal look. The off-the-shoulder wedding dress was accessorized with a glittering emerald and diamond necklace made by Lebanese jeweler Fawaz Gruosi. In addition to the striking sartorial lineup, the necklace will also be available for purchase, with a portion of the proceeds going to Beirut’s Children's Cancer Center of Lebanon and scholarships at the Ecole Saint Vincent de Paul.