Naiza Khan’s ‘disrupted geography’ on display in Venice

Naiza Khan’s ‘disrupted geography’ on display in Venice
The Pakistan pavilion presented a solo exhibition of the conceptual, multi-disciplinary artist Naiza Khan. (Supplied)
Updated 11 July 2019

Naiza Khan’s ‘disrupted geography’ on display in Venice

Naiza Khan’s ‘disrupted geography’ on display in Venice
  • The Pakistani artist’s solo show marks her country’s first official appearance at the art show.

DUBAI: The 2019 Venice Biennale marked the first time that Pakistan has had a national pavilion at the world’s oldest and most prestigious contemporary art show.

The Pakistan pavilion presented a solo exhibition of the conceptual, multi-disciplinary artist Naiza Khan, who works between London and Karachi. Her experimental oeuvre reflects her thoughtful depiction and analysis of landscapes — her “disrupted geography” as she once called it — of her home country in the post-colonial era.

 

“When I came to Venice two years ago, I was very disappointed to see that Pakistan was not officially represented, so I went about changing that,” the pavilion’s curator and Foundation Art Divvy co-director Zahra Khan told Arab News. “I am not in any way trying to showcase all the art of the country or even showcase all of Pakistan’s multicultural current status. What we are trying to do is immerse the viewer in an island off the coast of Karachi called Manora and have the viewer see it through the lens of the artist. So, a very particular viewpoint is what we’re focusing on, then we’re using that as a jumping off point from which to consider the larger region of the global South.”

“Manora Field Notes” — on view until November 24 — is the title of Naira’s exhibition; a new body of work that reveals her research-driven artistry through a variety of mediums, including watercolors, sculpture, and film.

It is both historical and contemporary, presenting Khan’s subtle interpretation of Manora’s inevitable transformation — the “slow erasure of the island’s architectural history and natural ecology.” In addition, the exhibition draws interesting parallels between Venice and Manora. Both were, historically, major port cities situated on lucrative trade routes.

Manora — roughly 20 minutes by boat from the port of Karachi — is steeped in history. According to the curator, the island was written about by generals in Alexander the Great’s army. Encompassing a seemingly harmonious ecosystem, the island is home to several sites of worship, including Saint Paul’s Church, the Shrine of Yousuf Shah Ghazi, and a Hindu temple known as the Shri Varun Dev Mandir.

“I worked and lived in Karachi for about 25 years,” says Naiza to Arab News. “The context of Karachi, of course, being the city that it is — of 21 million people — full of interesting problems and conflicts, civil and social strife, and a sense of exploding urbanity — it’s a very restless kind of space. I think one of the reasons for being in Manora was that it offered a space to reflect and to think. I found that it was a place that was interesting, in terms of the community, the lived history, and its architecture. As an artist, I found it a generative space;­ a space with possibilities and ideas going beyond the island.”

In the first space of the exhibition, Khan creates a sensory experience entitled “Hundreds of Birds Killed” — a recording of a woman reading out the names of 11 cities, as observed through a 1939 copy of the “India Weather Review,” in which the British documented storms and cyclones in the Indian Ocean, and their effects on nature.

“The sense of hundreds of birds killed or two cattle dead was almost humorous and ironic,” said Naiza. “Because, right now when we think of climate change, we don’t think about hundreds of birds or a few cattle, we think about mass migration and starvation.”

Accompanying the soundscape is a selection of detailed sculptures (or “brass maps”) of the 11 cities, which today are no longer part of a unified India, but spread across three nations — reminding the viewer of the complexity of post-colonial geopolitics.  

In another space, Khan’s four-channel film installation “Sticky Rice and Other Stories” reveals footage of life on the island today — particularly its various artisanal communities. One of the film’s stories introduces a caretaker of vintage telescopes, who talks of his relationship to the local community, the landscape, the ocean, and politics through this instrument that represents a historical apparatus of power and warfare, which has now become a tool for tourists on the beach of Manora.

Visitors are also invited to look through a telescope in the pavilion’s courtyard, where one sees a film of the artist walking through the landscape of Manora.

“Walking has been a really important part of how I put my mark on that landscape,” she said. “If you tie a string to my leg and follow that string across the 10 years I’ve spent filming there, there’s a whole web of connections. I’ve been to many places and photographed them over and over again — there is a sense of the body, the artist, and my presence in the work.”


Dior is set to stage its first exhibition in the Middle East

Dior is set to stage its first exhibition in the Middle East
The "Christian Dior: Designer of Dreams" exhibition at Victoria & Albert Museum in London. Getty Images
Updated 04 August 2021

Dior is set to stage its first exhibition in the Middle East

Dior is set to stage its first exhibition in the Middle East

DUBAI: “Christian Dior: Designer of Dreams” is a new fashion exhibition coming to Doha, Qatar, later this year. Designed specifically for the Middle East, the forthcoming exhibition is a celebration of the Parisian maison, which is turning 75 in December.

Mark your calendars, for the exhibition will take place from November 2021 until March 2022 at Doha’s M7 art center following successful stops in Paris, London and Shanghai.

The iconic Dior Bar suit. Getty Images

With special curation by Olivier Gabet, the Director of the Musée des Arts Décoratifs, the hotly-anticipated exhibition will feature a lineup of memorable pieces that have defined the heritage fashion house, such as the iconic Bar Jacket, an iconic garment instantly-recognizable by its cinched waist from Monsieur Dior’s revolutionary 1947 collection as well as other objects that fashion enthusiasts will revel in.

Also on display will be original sketches by the legendary designer for his couture collections, a baccarat blue crystal limited edition Miss Dior perfume bottle from 1947 and haute couture creations by succeeding Dior creative directors such as John Galliano, Raf Simons and Yves Saint Laurent.


Jessica Alba, Zac Efron star in new Dubai Tourism campaign

Jessica Alba, Zac Efron star in new Dubai Tourism campaign
Jessica Alba and Zac Efron co-star in the spoof action film. Instagram
Updated 04 August 2021

Jessica Alba, Zac Efron star in new Dubai Tourism campaign

Jessica Alba, Zac Efron star in new Dubai Tourism campaign

DUBAI: US actors Jessica Alba and Zac Efron are the most recent superstars to be tapped by Dubai Tourism for its latest tourism campaign and short film. 

The ad, which is a spoof of an action film, features Alba and Efron fighting off enemies in well-known landmarks across the city, such as the Burj Khalifa and the Museum of the Future. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Zac Efron (@zacefron)

The ad campaign also sees the Hollywood duo skydive off a helipad on the Burj Al-Arab, dine at Pierchic and navigate through the historic neighborhood of Al-Fahidi on scooters. 

The action-filled clip begins with the pair at Burj Al-Arab’s SAL restaurant, while a voiceover of Alba can be heard saying, “You’re just always putting work first.”

“Look I don’t want to fight with you,” responds Efron as the on-screen couple dine at Pierchic.  “He might,” he adds after a motorbike blasts through the restaurant.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Zac Efron (@zacefron)

Also featured in the ad is Caroline Labouchere, a Dubai-based model.

Efron posted the trailer on his Instagram page, alongside the cheeky caption: “She’s always getting me out of trouble.”

Alba, 40, also posted the trailer with the caption, “He’s always getting me into more trouble…”

Efron and Alba offered a glimpse of their project with Dubai Tourism earlier this week on Instagram.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Jessica Alba (@jessicaalba)

The “High School Musical” actor posted a behind-the-scenes still to his Instagram account, tagging Craig Gillespie, the Australian director who has worked on films including “I, Tonya” and, most recently, “Cruella.”

The ad was reportedly shot in the emirate in February.

At the time, images circulated on social media of the “Baywatch” star surrounded by film crew members on the beach in Jumeirah, close to the Burj Al-Arab.

Dubai Tourism is no stranger to recruiting A-listers to feature in promotional videos. 

Past stars to feature in campaigns include Bollywood star Shah Rukh Khan and US actress Gwyneth Paltrow.

In 2019, Khan invited Paltrow to Dubai as part of his #BeMyGuest campaign.

Later that year, the Goop founder returned to Dubai to film a tourism campaign and short film, “A Story Takes Flight,” alongside Hollywood stars Zoe Saldana and Kate Hudson. 


Why this retired engineer is a ‘model’ Saudi citizen

The models include typical houses and traditional shops that served fava beans, barbecued meat, kebabs and mabshoor, a traditional Arab dish of bread in a meat or vegetable broth. (Photos/Huda Bashatah)
The models include typical houses and traditional shops that served fava beans, barbecued meat, kebabs and mabshoor, a traditional Arab dish of bread in a meat or vegetable broth. (Photos/Huda Bashatah)
Updated 04 August 2021

Why this retired engineer is a ‘model’ Saudi citizen

The models include typical houses and traditional shops that served fava beans, barbecued meat, kebabs and mabshoor, a traditional Arab dish of bread in a meat or vegetable broth. (Photos/Huda Bashatah)
  • Abdul Aziz Taher Al-Hebshi aims to preserve the history of social and cultural life in Saudi Arabia
  • Makkah in those days was a beacon for writers, poets and scientists

MAKKAH: A Saudi agricultural engineer is spending his retirement years helping to preserve the Kingdom’s architectural and cultural history — in the form of extremely accurate models of important buildings and sites in Jeddah and Makkah.

Now Abdul Aziz Taher Al-Hebshi has turned his house in Jeddah’s Al-Rawdah neighborhood into an exhibition space to showcase his models, which represent a fascinating record of daily social and cultural life in the cities in the early-to-mid 20th century.
A good example of this is his model of a “writer’s cafe” in the Misfalah neighborhood of Makkah that was once popular with writers, intellectuals and poets. Through it, he said, he aims to immortalize the role these figures played in the development of literature in Saudi Arabia and the country’s cultural history.
“Knowledgeable people told me that the cafe where Makkah’s writers, poets and intellectuals used to go to was Saleh Abdulhay Cafe, located next to Bajrad Cafe,” 72-year-old Al-Hebshi told Arab News. “Similar cafes were found throughout Makkah’s Misfalah neighborhood in the past.”
He said culture and literature thrived in Makkah in those days, along with the study of science and the quest for knowledge. The city was therefore a beacon for writers, poets and scientists, and the Saleh Abdulhay Cafe was one of the places where they could gather for intellectual and cultural discussions.
“Among the cultural and intellectual figures that used to go to the writer’s cafe … was the Saudi Minister of Culture Mohammed Abdu Yamani,” he said, adding that such venues were the country’s first literary and cultural forums, where people could gather to discuss literary and intellectual issues.
With his models and exhibition, Al-Hebshi said he wants to depict and preserve this history of day-to-day life and culture in Makkah and Jeddah in days gone by. In addition to the cafe, his models include typical houses and traditional shops that served fava beans, barbecued meat, kebabs and mabshoor, a traditional Arab dish of bread in a meat or vegetable broth.
In particular, he said he wants to immortalize the lives of the intellectuals and writers of the era by documenting their daily lives, the ways in which people interacted with them and how neighborhoods such as Misfalah developed as important cultural centers.
So far he has spent three years building his models of cafes, shops, houses and public squares. He has completed four and is working on a fifth. The task requires hard work and patience, he said. For example, it requires great effort to accurately recreate in miniature the rawasheen, the elaborately patterned wooden window frames found in old buildings in Makkah and Jeddah that maximize natural light and air flow. Great accuracy is required throughout the model making process when it comes to the sizes, dimensions and scale.
“One meter in real life is 10 centimeters in the models,” Al-Hebshi said, which represents a scale of one-to-10. “This measure seeks to maintain, as much as possible, the space’s real dimensions.”
The contents of rooms must also be in scale with the building and each other, he explained: “A bottle of Coca-Cola cannot be bigger than a watermelon and so on.” These are all important details in his models, he added, which ensure they are accurate and consistent.
Given the incredible detail and quality of the models, you would be forgiven for thinking Al-Hebshi is a trained carpenter; in fact he is an enthusiastic amateur with a true passion for the craft. Such is his dedication that even hand injuries — and the need for surgery after damaging a finger with a drill — have not kept him from his work for long.

HIGHLIGHT

Abdul Aziz Taher Al-Hebshi says he was inspired by Jeddah’s Old Town and its magnificent Hijazi buildings with rawasheen, beautifully crafted doors, ornate engravings and delicate details, along with the beauty of its landscape and old streets.

He said his model making began after he found some tools that had been abandoned in a carpentry shop, and for materials he used wood and discarded kaftans he found in stores he shopped at. Wood cutting requires great skill, he added, and while he makes most parts of his models, he said he imports some items from abroad to ensure the highest levels of accuracy. For example he buys miniature signs advertising popular international brands such as Pepsi, Miranda and 7-Up, which are difficult to recreate through woodworking.
Al-Hebshi was director of the Agricultural Bank in Jeddah when he was forced to retire in 2006 as a result of a back injury, and he found himself wondering what he could do with his time. A few years earlier he had developed an interest in woodworking but the demands of his job left him with little time to pursue it. A friend who was aware of this suggested he do something with the wood from a large felled neem tree that had been dumped in Jeddah.
“That tree turned out to be the start of me professionally building models,” he said. He added that he was inspired by Jeddah’s Old Town and its magnificent Hijazi buildings with rawasheen, beautifully crafted doors, ornate engravings and delicate details, along with the beauty of its landscape and old streets. The Saudi leadership has put a special focus on the area to showcase its history and splendor and Al-Hebshi said that this has helped him research his detailed designs.
He added that he welcomes all those who wish to visit his house, in Al-Rawdah neighborhood 3, to see his models. He plans to build more to add to his incredible picture of past life in the Kingdom, and the people who helped the country become the nation it is.


Iraq gets back looted ancient artifacts from US, others

Iraq gets back looted ancient artifacts from US, others
Updated 03 August 2021

Iraq gets back looted ancient artifacts from US, others

Iraq gets back looted ancient artifacts from US, others
  • The majority of the artifacts date back 4,000 years to ancient Mesopotamia and were recovered from the US in a recent trip by PM Mustafa Al-Kadhimi
  • Iraq’s antiquities have been looted throughout decades of war and instability since the 2003 US-led invasion that toppled Saddam Hussein

BAGHDAD: Over 17,000 looted ancient artifacts recovered from the United States and other countries were handed over to Iraq’s Culture Ministry on Tuesday, a restitution described by the government as the largest in the country’s history.
The majority of the artifacts date back 4,000 years to ancient Mesopotamia and were recovered from the US in a recent trip by Prime Minister Mustafa Al-Kadhimi. Other pieces were also returned from Japan, Netherlands and Italy, Foreign Minister Fuad Hussein said in a joint press conference with Culture Minister Hasan Nadhim.
Nadhim said the recovery was “the largest in the history of Iraq” and the product of months of effort between the government and Iraq’s Embassy in Washington.
“There’s still a lot of work ahead in this matter. There are still thousands of Iraqi artifacts smuggled outside the country,” he said. “The United Nations resolutions are supporting us in the international community and the laws of other countries in which these artifacts are smuggled to are on our side.”
“The smugglers are being trapped day after day by these laws and forced to hand over these artifacts,” he added.
The artifacts were handed over to the Culture Ministry in large wooden crates. A few were displayed but the ministry said the most significant pieces will be examined and later displayed to the public in Iraq’s National Museum.
Iraq’s antiquities have been looted throughout decades of war and instability since the 2003 US-led invasion that toppled Saddam Hussein. Iraq’s government has been slowly recovering the plundered antiquities since. However, archaeological sites across the country continue to be neglected owing to lack of funds.
At least five shipments of antiquities and documents have been returned to Iraq’s museum since 2016, according to the Foreign Ministry.


Mideast, North Africa region to get 50 Best Restaurants list in 2022

Mideast, North Africa region to get 50 Best Restaurants list in 2022
50 Best Restaurants lauds Trèsind as one of the best dining establishments in Dubai. Courtesy
Updated 03 August 2021

Mideast, North Africa region to get 50 Best Restaurants list in 2022

Mideast, North Africa region to get 50 Best Restaurants list in 2022

DUBAI: In February 2022, some of the most lauded restaurateurs, fine chefs and food lovers will congregate in the UAE for the reveal of the 50 top restaurants in the region.  

It’s been announced that The World's 50 Best Restaurants, owned and run by William Reed Business Media and established in 2002, is launching a new regional restaurants list and awards program that will be hosted in Abu Dhabi early next year.

It will be the first time that a Middle Eastern country will play host to the prestigious event, which is informally known as the Oscars of fine dining.

“We are delighted that Abu Dhabi will be playing host to the awards ceremony, as the UAE capital has been establishing itself as a culinary force over recent years,” William Drew, Director of Content for 50 Best, said in a released statement.

Middle East & North Africa’s 50 Best Restaurants is the latest regional restaurants list and awards program since 2013, when both Asia’s 50 Best Restaurants and Latin America’s 50 Best Restaurants were established. 

The list, which was born out of the magazine pages of Britain’s “Restaurant” is now widely regarded as the most highly influential ranking of its kind.

The inaugural Middle East & North Africa’s 50 Best Restaurants list will be revealed in a live countdown, along with a series of special awards, culminating in the announcement of The Best Restaurant in the Middle East & North Africa 2022. 

“The diversity of cuisines and restaurants across this wide region will ensure this new list is a vital addition to the international gastronomic landscape,” added Drew.

The ranking will be determined by 250 voters, made up of anonymous restaurant experts from 19 countries across the region, based on their best restaurant experiences. Dining establishments cannot apply to be on the list.

Meanwhile, a program of events, including a forum, chef masterclasses and dining events, will be hosted in the UAE capital in partnership with the Department of Culture and Tourism – Abu Dhabi from Feb. 4-11, as part of the Abu Dhabi Culinary Calendar.

Some events will be open to the public on a ticketed basis, with details to be revealed later.

The gala awards ceremony is set to take place on Feb. 7.