Mariah Idrissi spotted at ‘The Lion King’ London premiere

Mariah Idrissi spotted at ‘The Lion King’ London premiere
The model wore a simple white, button-down dress and a black turban — her signature hijab style. (AFP)
Updated 15 July 2019

Mariah Idrissi spotted at ‘The Lion King’ London premiere

Mariah Idrissi spotted at ‘The Lion King’ London premiere

DUBAI: British-Moroccan model and influencer Mariah Idrissi walked the red carpet at the European premiere of “The Lion King” in London on Sunday, and took to Instagram to share her excitement.

The model wore a simple white, button-down dress and a black turban — her signature hijab style. She took to social media to share photographs from the premiere, including a snap of the star-studded cast on stage.  

“Anyone who spends five minutes with me is witness to how much I love @disney lol. This movie is part of so many childhoods, so need I say more about going to see it when it’s out! Huge thank you to @asos and @disneystudiosukfor having me tonight (sic),” Idrissi captioned the trio of shots on Instagram.

Born and raised in London, Idrissi is of Moroccan-Pakistani descent and made headlines in 2015 when she became the first model to wear a hijab in a major international fashion campaign, starring in H&M’s “Close the Loop” adverts.
Since then, the 26-year-old has been at the forefront of the modest fashion movement, stylishly representing contemporary Muslim women and working with major retailers including MAC cosmetics and ASOS. She also featured in Rihanna’s Fenty Beauty campaign.

She was one of a number of influencers to attend the European premiere of the highly anticipated Disney flick and was joined on the red carpet by stars such as Beyonce and Jay-Z, as well as Meghan Markle and Prince Harry.

With a star-studded voice cast including Beyonce and estimated $250 million budget, Hollywood’s reigning hitmaker has spared no expense bringing arguably its most beloved source material roaring to photo-realistic life in “The Lion King,” the AFP reported.




(Instagram)

Expectations are sky-high for the film about young lion cub Simba avenging his father’s death to emulate the commercial success of “The Jungle Book” (2016), “Beauty and the Beast” (2017) and “Aladdin” (2019).

A trailer for the new “Lion King” was watched by 225 million people in its first 24 hours in November, shattering Disney’s record.

But while the film — set for release Friday — is being billed as the Mouse House’s latest “live-action” movie, it is in fact a different beast altogether.

With no human characters in sight, almost every shot — from the pixel-perfect hairs of Mufasa’s glistening mane to the eerily realistic hyena eyes piercing through the Elephant Graveyard gloom — was conjured from scratch using computer-generated imagery.

And yet “The Lion King” is not strictly a 3D animation either, in any conventional sense.

It is instead something totally new, said director Jon Favreau — a film shot by a traditional camera crew, but entirely inside a virtual reality 3D world.

Filmmakers and actors at the studio were able to don digital headsets and “step into” a video game-style African savannah to film — or simply watch — rough computer-generated versions of Simba and his pals cavorting through the Pride Lands.

“The crew would be able to put on the headsets, go in and scout and actually set cameras within VR,” Favreau told journalists in Beverly Hills this week.


Sotheby’s to auction unseen sculptures by Egyptian pioneer Mahmoud Mokhtar

Sotheby’s to auction unseen sculptures by Egyptian pioneer Mahmoud Mokhtar
Updated 54 min 40 sec ago

Sotheby’s to auction unseen sculptures by Egyptian pioneer Mahmoud Mokhtar

Sotheby’s to auction unseen sculptures by Egyptian pioneer Mahmoud Mokhtar

DUBAI: Auction house Sotheby’s announced on Tuesday that it is auctioning two sculptures by Egyptian pioneer Mahmoud Mokhtar this month.

The artworks have never been auctioned. 

They were bought directly from the artist, who died in 1934 the age of 43, by illustrious collector Hafez Afifi Pasha – an influential politician and the first Egyptian delegate to the United Nations – and have remained in the same family for decades, unseen by the public until now.

Mahmoud Mokhtar, “Ibn El-Balad,” 1910, bronze. (Supplied)

Embedded in Egypt’s cultural sphere, Afifi was one of Mokhtar’s great patrons – funding him for his most famous sculpture “Egypt Awakened,” also known as “Nahdat Misr,” a triumphant representation of Egypt’s past and present, as well as founding the Friends of Mahmoud Mokhtar Foundation after the artist’s death.

The first sculpture, titled “Ibn El-Balad” (estimated at around $107,000- 131,000) was Mokhtar’s university graduation project. 

Mahmoud Mokhtar, “Arous El-Nil,” 1929, bronze. (Supplied)

Dating to 1910, it was among the first sculptures he created, and marks the pivotal moment that he evolved into the artist he is renowned as today. 

The second, “Arous El-Nil,” from 1929 is a Pharaonic head of a woman, a marriage between Ancient Egyptian aesthetics and Art Deco (estimated at around $143,000-214,000). It is the bust of a full-length sculpture in the collection of Paris’ Musée du Jeu de Paume. 

The bidding will be online and will go live from March 23-30.


Luxury e-tailer Farfetch launches Ramadan capsule collections

Oscar de la Renta for the Farfetch Ramadan collection. Supplied
Oscar de la Renta for the Farfetch Ramadan collection. Supplied
Updated 56 min 4 sec ago

Luxury e-tailer Farfetch launches Ramadan capsule collections

Oscar de la Renta for the Farfetch Ramadan collection. Supplied

DUBAI: In anticipation of Ramadan, luxury e-commerce platform Farfetch has launched an exclusive edit featuring  30 regional and international designers and brands.

The modest edit includes designs from homegrown talents like Shatha Essa, Sem Sem, Bambah and Sandra Mansour, in addition to renowned global brands such as Marchesa, Oscar de la Renta, Off-White and Tory Burch, among others.

The pieces, which include fluid kaftans, flowy jumpsuits, printed long-sleeved maxi dresses and embellished heels, are all exclusive to Farfetch.

Speaking of the launch, Edward Sabbagh, managing director of Farfetch Middle East, said in a statement: “For the coming Ramadan season we wanted to ensure we could deliver a take on modesty with an Only on Farfetch angle by working with a variety of global and local brands across core categories that we know to be in demand during the period.”

The Ramadan campaign will run across Farfetch’s platforms globally, with items available for purchase around the world.


Shoe maven Amina Muaddi teams up with Net-a-Porter for good cause

Amina Muaddi created a charitable t-shirt for Net-a-Porter. Instagram
Amina Muaddi created a charitable t-shirt for Net-a-Porter. Instagram
Updated 09 March 2021

Shoe maven Amina Muaddi teams up with Net-a-Porter for good cause

Amina Muaddi created a charitable t-shirt for Net-a-Porter. Instagram

DUBAI: March 8 marked annual International Women’s Day, a day that celebrates and champions the social, economic, cultural and political achievements of women around the world and also highlights what still needs to be done in the ongoing fight for women’s rights and equality.

To celebrate the occasion, many brands, designers and retailers introduced Women’s Day-themed collections and cause-driven products that see all profits go towards charities and organizations that advocate for women and girls, including Net-a-Porter.

The luxury e-tailer, which launched a localized platform in the Middle East this week, teamed up with 12 female designers who have created exclusive pieces.

Among the designers who have participated in the initiative is Jordanian-Romanian footwear designer Amina Muaddi, who has created a white, long-sleeve shirt that bears the words “I got you” in pink and of which 100% of the proceeds will be donated to charity Women for Women International.

“Happy International Women’s Day Sisters!” she wrote on Instagram.

“I made this long sleeve tee to support @netaporter’s charitable partnership with @womenforwomen. 100% of profits will be donated to Women for Women International,” she said, adding that in 2020 Net-a-Porter “raised over $230,000 for women survivors of war, and in total over the last three years, raised enough to fund over 850 women through the Stronger Women, Stronger Nations program.”

Other designers that took part in the initiative include French-Algerian homeware designer Anissa Kermiche, who created a set of mini jugs inspired by her bestselling Jugs Jug, reimagined as a pair to promote female solidarity.

Designers Stella McCartney, Emilia Wickstead, Westman Atelier, Tove, Anya Hindmarch, Jennifer Fisher, Simone Rocha and Ninety Percent, Roxanne Assoulin and Alighieri also took part in the initiative.


George Clooney jokes ‘ER’ role is causing trouble with Amal at home

George Clooney jokes ‘ER’ role is causing trouble with Amal at home
Updated 09 March 2021

George Clooney jokes ‘ER’ role is causing trouble with Amal at home

George Clooney jokes ‘ER’ role is causing trouble with Amal at home

DUBAI: Hollywood actor George Clooney joked this week that his hit TV series “ER” is causing him problems with his wife, British-Lebanese human rights lawyer Amal Clooney. 

The Oscar-winning actor said in an interview with podcast SmartLess on Monday that his wife is currently watching the 1994 medical drama. 

“It’s getting me in a lot of trouble because I’d forgotten all of the terrible things (his character Doug Ross) was doing picking up on women,” said the “The Midnight Sky” actor.

Clooney played the role of a pediatrician who was dedicated to his profession, but also was a ladies’ man. He later married a nurse, Carol Hathaway, played by US actress Julianna Margulies.

Amal and George first met in 2013. They married in a lavish ceremony in Venice in 2014, and had twins, a boy, Alexander, and a girl, Ella, in 2017.

The “Ocean’s Eleven” actor also spoke about meeting his wife on the podcast. “She took my breath away. She was brilliant, funny and beautiful and kind. I was sort of swept off my feet,” he told the hosts.

“She was brilliant and funny and beautiful and kind,” he added. “I was sort of swept off my feet. We got engaged after a few months and got married within the first year that we met. It surprised me more than probably anybody else in the world — and everybody else was pretty surprised.”


‘Memory Box’ is a haunting look at love in battered Beirut

‘Memory Box’ is a haunting look at love in battered Beirut
Updated 09 March 2021

‘Memory Box’ is a haunting look at love in battered Beirut

‘Memory Box’ is a haunting look at love in battered Beirut

CHENNAI: A compelling work about love, life and loss packaged neatly and executed with brilliance, “Memory Box” competed for the Golden Bear at the recent Berlin International Film Festival. Part of the reason why the movie is so touching is its story and script, which drew inspiration from Lebanese co-director Joana Hadjithomas’ letters and diaries penned during her teens. Made with Khalil Joreige – the duo is known for their range of documentaries, features and performance art – “Memory Box” covers three generations of women from 1980s war-ravaged Beirut to icy Montreal. The writing — by the directors — is tight and leaves no room for confusion in this back-and-forth narrative.

The first film from by the award-winning directors in nine years, it has a picturesque start. It is Christmas Eve in Montreal, but one woman carries in her heart the ravages of the war, the loss of her love and the distress of seeing a sibling and parent die.

Hundreds of grainy old photos, notebooks, newspaper articles and cassettes arrive in a huge box without warning during a snowstorm at the Montreal home of Maia (Rim Turki) and her teenage daughter, Alex (Paloma Vauthier). The parcel is from Paris, and it contains just about everything Maia sent to her best friend, Liza after she left Beirut in 1983. Maia had put down every thought, every feeling, every sorrow in letters, notepads and cassettes and mailed them to Liza. Now that she is dead, the boxful of memories has been returned to the sender.

Alex is infinitely curious to see what the parcel contains, but her grandmother, or Teta (Clemence Sabbagh), discourages her, telling the young girl to hide it and wait for the holidays to be over before informing Maia. But in the middle of the night, Alex sneaks into the basement and discovers the ecstasy and agony of her mother’s youth, her love, her stolen kisses inside a car with bullets flying all around or sometimes in the darkened auditorium of a cinema.

Alex finds out that her mother, Young Maia (passionately played by Manal Issa) was strong-willed and lived with her parents, who struggled to accept the death of their son in the war. The father was a principal who refused to leave his school, and the mother a nervous wreck living each minute in fear. But carefree Maia roamed the streets with her girlfriends, until she meets the handsome Raja (Hassan Akil). And then there was no stopping them — in a visually engaging sequence we watch the two zip along on a motorbike with the city in flames. This is one of the impressive visual effects by Laurent Brett. Josee Deshaies’ cinematography offers some arresting moments. The contrast between a city living under falling bombs and the tranquility of the Canadian metropolis, where snow-white clouds hang tantalizingly low, is striking, to say the least. And the last shot of the sun rising over post-war Beirut infuses certain warmth.

It is a heady cocktail of a mother-daughter struggle and a story on the overwhelming power of memories. But the end is a tad too tame, even slightly contrived, which rather lets a wonderful film down.