Malaysia welcomes its first durian-friendly hotel

An overview of the Durian Research Center. (AN photo)
Updated 16 July 2019

Malaysia welcomes its first durian-friendly hotel

  • Tan sees the resort’s agritourism ecosystem as a long-term goal toward creating a platform for durian research and cultivation

KUALA LUMPUR: Durians are known for their distinct, pungent smell, which many foreigners describe as a combination of rotten onions and old socks. As such, most hotels in Asia forbid the fruit on their premises.
But with the rising popularity of durians among locals and foreign tourists, Malaysia is welcoming its first durian-friendly hotel and resort.
Situated an hour from Kuala Lumpur’s city center, the beautiful, scenic Bangi Golf Resort includes a hotel overlooking a golf course, and an agriculture farm.
“When you first go into any hotels, you usually see the signs ‘durian is not allowed’ or ‘durian is forbidden’,” said Tan Ban Keat, director of the resort. “We soften the tone for the hotel to be ‘durians are allowed in durian-friendly zones’.”
Hotel patrons can buy, eat and bring durians to designated zones throughout the resort.
“We’re actually the first hotel to practice that,” said Tan, adding that he does not believe the move will prompt other hotels in Malaysia to follow suit.
“It doesn’t do anything to their business. We do it because we grow durians on the premises. We have the annual durian festival … and we’ll include the Durian Research Center in the near future,” he said.

FASTFACT

Musang Kings are considered premium durians due to their intense yet well-balanced, custardy sweet taste. They are the premier durians for export to China and other overseas markets.

Tan expressed his hope that the center, which is under construction, will become a premier research hub for better durian breeds.
“I hope to create a Super Musang King,” he said. Musang Kings are considered premium durians due to their intense yet well-balanced, custardy sweet taste. They are the premier durians for export to China and other overseas markets.
Tan sees the resort’s agritourism ecosystem as a long-term goal toward creating a platform for durian research and cultivation.
“These durian-friendly zones are created to be a platform for agriculture. Durians have a place in many people’s hearts. They’re a national treasure,” he added.


Saudi Arabia’s AlUla lands interactive art exhibition

AlUla is an archaeological marvel — boasting golden sandstone canyons, colossal arches and rock formations — that has played host to numerous ancient civilizations, making it a significant cultural crossroads. (Photo/Supplied)
Updated 20 January 2020

Saudi Arabia’s AlUla lands interactive art exhibition

  • Famed for its rock formations and archaeological treasures, the valley’s dramatic landscape inspires creative concepts

JEDDAH: The Royal Commission for AlUla has collaborated with Desert X to bring an interactive installation to the area for the first time.

Desert X began in 2017, in California’s Coachella Valley, as a way to connect modern art with desert communities and cultures.
It is Desert X’s first international collaboration and starts on Jan. 31, running through to March 7, as part of AlUla’s Winter at Tantora festival.
AlUla Valley is famed for its rock formations, dramatic desert landscape and archaeological treasures.
Neville Wakefield, artistic director and co-curator for Desert X, said the exhibition would bring together local artists and ones from further afield.
“You discover that the same things that we find artists following in southern California — the interest in the environment, natural resources, cultural memory, trade and migration — they’re common for everyone,” he told Arab News. “What’s interesting to me about Saudi Arabia is the demographic, it’s a very young nation. I hope this opens the door to encourage a new generation of artists to emerge and take (their) place on an international stage and vice versa.”

Outdoor exhibition
Site-specific exhibitions differ greatly from a gallery setup in a museum with a controlled or fixed environment. Curators and artists face more external factors that could hinder the installation process from the weather to safety measures such as falling rocks. Wakefield said the uncertainty made shows such as Desert X exciting. “It really is about engaging with the landscape.”
Artists were brought to the Kingdom on a site visit last year to process the surroundings and create their own installation proposals.
They were selected based on their response to the landscape, not only its physical nature but culturally, historically and socially.
Riyadh-based artist Muhannad Shono said he would have done anything to take part in Desert X.
“I wasn’t going to let it slip through my fingers,” he told Arab News. “We don’t get a lot of chances with free access and support to visualize and bring to life something in the desert — an enchanting and romantic place to set up an installation.”
He changed his mind about the concept several times before finally embracing his design — a sculptural path.

HIGHLIGHTS

• Desert X began in 2017, in California’s Coachella Valley, as a way to connect modern art with desert communities and cultures.

• Artists were brought to the Kingdom on a site visit last year to process the surroundings and create their own installation proposals.

• They were selected based on their response to the landscape, not only its physical nature but culturally, historically and socially.

“I wanted to trigger things we’ve experienced as children in the audience. For example, finding a treasure map of the desert and an X that marks the spot where oftentimes, you reach the spot and find nothing there. The chest is empty — either with nothing there or that someone got there first. But the journey and adventure are amazing,” said Shono.
The Saudi artist wanted to give people a chance to unleash an inner curiosity that would set them on a purposeful discovery, not one of materialistic value but to find meaning in themselves.
He said the installation was not easy to find. “It goes further and higher and the more you go, the more you discover yourself. Alone with yourself and that’s what’s important,” he added.

Humans and nature
Tunisian-born and US-based artist Lita Albuquerque has often explored the relationship between humans and nature. Her AlUla project also draws on her passion for cosmology.
“I’ve been working on a narrative about a female astronaut who comes to this planet to see interstellar consciousness. She wants to teach us about our relationship to the stars,” she told Arab News.
The astronaut visits through different periods of time, the artist explained. She comes from the future but also visits the past “as if she’s birthing astronomy, giving us this whole map of the stars down the valley.”
The astronaut sits on a boulder positioned at the western end of the valley, looking eastward down the entire valley.
“It looks as if she is offering something, and below her are 99 blue circles of different diameters that correspond to the aligned stars above. She’s a little bit bigger than life-sized. It’s surprising to see her in such a grand space,” Albuquerque said.
She first visited AlUla last September and got to see the whole region while scouting for sites.
She has worked in desert sites since the start of her career, so Desert X was a natural step for her. “I felt like I was part of Desert X from the very beginning,” she added.