Confluence of cultures in the Gulf inspires wearable art

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Wearable art: Shaima Shamsi’s fashion focuses on the Gulf’s heritage, offering threatened traditions from Saudi Arabia to Syria and beyond a new lease of life. (Supplied)
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Wearable art: Shaima Shamsi’s fashion focuses on the Gulf’s heritage, offering threatened traditions from Saudi Arabia to Syria and beyond a new lease of life. (Supplied)
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Wearable art: Shaima Shamsi’s fashion focuses on the Gulf’s heritage, offering threatened traditions from Saudi Arabia to Syria and beyond a new lease of life. (Supplied)
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Wearable art: Shaima Shamsi’s fashion focuses on the Gulf’s heritage, offering threatened traditions from Saudi Arabia to Syria and beyond a new lease of life. (Supplied)
Updated 07 August 2019

Confluence of cultures in the Gulf inspires wearable art

  • Third Culture Co was set up by Shaima Shamsi, an Indian who was born and raised in Saudi Arabia
  • The 29-year-old entrepreneur has been expressing her third-culture identity via fashion

DUBAI: A “third-culture kid” is a child who grows up in a culture different from the one in which his or her parents grew up. In a globalized world, where such an experience of childhood is all too common, the combination of the two identities can be socially isolating — or conversely, as in the case of Shaima Shamsi, enormously inspiring.
The 29-year-old, Saudi-raised Indian expat has parlayed her experience of growing up in the Gulf into a venture in wearable art with her all-inclusive fashion brand Third Culture Co.
Instead of making her feel isolated, the mixed identity of a third-culture kid has given Shamsi inspiration for a wealth of fashion concepts.
“I came up with the idea when I was in university in 2010. The idea behind it was more focused on third-culture individuals, and kids particularly, because that’s my background and what I had experienced,” she told Arab News.
“I wanted to put together something that would translate people’s stories through any medium.”
Born and raised in Saudi Arabia, Shamsi lived in London and Dubai before moving to Bahrain. The sense of being a global citizen has been one of the few constants in her life.
“I perceive the entire world as where I’m from,” she said. “And I’ve pitched in to do my part to tell stories that any global nomad of the 21st century can relate to.”
Shamsi has been expressing her third-culture identity via fashion, which has become the medium through which she narrates her stories and expresses her emotions.
“I felt that writing, or just one form of expression, wasn’t enough because the experience was so diverse,” she said. “There are many different ways in which people identify themselves as third-culture individuals. For me, the medium has been social dialogue. This is one way to describe my designs and collections.”
Third Culture Co. is all about social dialogue, but in the form of wearable art. The company’s latest collection aims to raise awareness about the harmful effects of single-use plastic.
Other collections have highlighted issues closely connected to life in the Gulf, such as displacement, alienation and water consumption.
Shamsi completed her bachelor’s degree in international business in London, and earned a postgraduate degree in management and creative industries, during which she specialized in emotional intelligence in entrepreneurs within the fashion industry.
“Doing that research helped me realize that in university we’re told you can do what you want in life, but we forget to take into account the psychological dimensions, including the possibility that we may encounter failure,” she said.
“You’re trained to react in a more practical manner because you’ve witnessed it much more clearly, and you’ve been trained to understand how to deal with your emotions.”
Last year, Shamsi launched a six-year project in the Gulf Cooperation Council (GCC) countries on a topic close to her heart. It is an attempt to educate and inspire individuals about sustainability. The focus of the first project, in Jeddah, was water consumption in the Gulf.
“We’re practically beginning to consume more water than we have, and we don’t have the awareness that it’s a non-renewable resource,” she said.
“So the entire exhibition was curated to it, where we displayed infographics on the issue and installed denim jackets as artwork. Denim takes a lot of water to produce, so a part of the artwork was placed on the jackets to convey the message that we have a problem, and that it’s only together that we can have an impact.”
Shamsi’s second project focused on single-use plastic in the GCC countries. An exhibition organized by Third Culture Co. in Bahrain featured a biodegradable bag designed to carry cutlery on the go.
The social message was one of self-responsibility. The next exhibition is due to be held in Dubai on April 22, 2020.
Two other subjects that are close to Shamsi’s heart are the Gulf’s heritage and dying traditions. One of her collections, “Syriana,” uses a type of hand embroidery traditionally used in Syria.


 “It’s a dying form of art and I wanted to re-innovate it. I use ‘Syriana’ in fashion to help inform or educate people and do my bit to keep the tradition alive,” she said.
“I love museums, but there are many things that get tossed aside by the passage of time and the march of technology. I wanted the embroidery form to be available to future generations, for people to be able to touch the product and not just see it in a museum.”
Shamsi’s interest in cultures has driven to explore them in depth so they could be expressed through interesting narratives. “It was very fulfilling because something so simple, when put together, can truly have an impact on people’s lives and on public perceptions of Syria, Syrian artisans and Syrian heritage,” she said.
“We also used Syrian fabrics, which brought back to life something that was almost extinct.”
Another project of Third Culture Co. is “Najrani,” which is inspired by the Saudi region of Najran, where Shamsi collaborated with four grandmothers to explore the nature of the environment through their stories.
“They were powerful women, and the way they spoke of themselves and their childhood was inspiring,” she said. “It was all about the feminine spirit among the women of Najran. We took inspiration from a book, the landscape and their stories.
“The idea was to bring to life a particular kind of heritage, but in Najran the exercise had more to do with the stories and the landscape.”
Shamsi believes the potential for Middle Eastern narratives are endless. “For me, it’s not about picking up just any story. It’s about understanding, experiencing and then translating that experience so it can be felt the same way,” she said.
“The Third Culture Co. brand now focuses on heritage, with the emphasis on expression through meaning, purpose and value.”
Shamsi’s next project will zero in on Bahraini weaving and embroidery styles, including the tradition of palm weaving.
“I’d love to explore these elements within the region because I feel we’ve buried them below us,” she said. “It’s our duty to know more about the Middle East. I’d love to be able to work with organizations that can provide the support for discovering more about the region.
“As a small brand, there’s only so much we can do. We need to appreciate the value of what we have in this region and make the most use of it before sticking our heads out to see what’s trending in the world outside.”


‘Najrani’ collection

• Recognizes the strength and confidence of the women of Najran in collaboration with the eclectic fashion house Otkutyr. • Najran city is famous for its archaeological significance. • Old Najran was surrounded by a circular wall built of square stone with defensive balconies, and contained unique buildings. • Najran enjoys three different geographic landscapes: oasis, mountain and desert. ‘Syriana’ collection • Involves elements and materials of Breem, a hand embroidery form that has existed in Damascus for more than 120 years. • In collaboration with Saudi designer Nasiba Hafiz, Third Culture Co. explored innovation in the traditional ways of using Breem embroidery.

Jennifer Lopez stuns in wedding gown by Zuhair Murad

Jennifer Lopez is currently filming her latest movie, “Marry Me.” (File/Getty Images)
Updated 20 October 2019

Jennifer Lopez stuns in wedding gown by Zuhair Murad

DUBAI: US superstar Jennifer Lopez was spotted on the streets of New York Friday wearing a larger than life wedding dress by Lebanese designer Zuhair Murad.

She wasn’t tying the knot with fiancé Alex Rodriguez, however, and was instead on the set of her latest film, “Marry Me.”

Lopez stars alongside Owen Wilson and Sara Silverman in the upcoming flick and was seen striding across a New York street wearing an embellished wedding dress by none other than Murad.

Lopez was spotted wearing a bejeweled wedding dress by Zuhair Murad on a film set. (Getty Images)

The nude-colored gown featured a head-turning tulle skirt with a long train, which Lopez balanced out with a jewel-encrusted veil.

Earlier this year, Lopez revealed Murad is in fact one of her favorite designers — perhaps explaining why she often chooses his gowns for red carpet events, magazine shoots and, now, film shoots.

Just before she brought her “It’s My Party World Tour” to Egypt on Aug. 9, she sat down for an interview with event organizer Venture Lifestyle, in which she revealed that Lebanese designer Murad is one of her go-to fashion icons.

 “I love Zuhair, he’s probably my favorite,” Lopez said in the interview, before going on to shed light on the moment she discovered the Lebanese talent.

“I discovered him years ago when I was doing a show somewhere. I was doing a show and I was so jetlagged and I was up in the middle of the night watching Fashion TV, which they had in this country I was in, and he had this beautiful show and I was like, ‘Who is this guy?’”

Lopez went on to explain the hurdles she faced when trying to get in touch with Murad, who doesn’t seem to have been a household name at the time.

The nude-colored gown featured a head-turning tulle skirt . (Getty Images)

“I came back (to the US) and I said, ‘Do you guys know Zuhair Murad?’ and nobody knew who he was, none of the stylists, nobody in the United States knew who he was. I was like, ‘You have to get me this dress for the Met Ball,” she said, referring to the Met Gala, an annual fundraising gala for the benefit of the Metropolitan Museum of Art’s Costume Institute in New York and one of the fashion world’s most eagerly anticipated events.  

“I wore his dress to the Met Ball and after that, I just started using him for everything — he designed my last tour — we just have a great relationship. He’s a beautiful man, a beautiful designer,” Lopez added.