Dwayne ‘The Rock’ Johnson leads Forbes list of highest-paid actors

Dwayne Johnson, left, and Lauren Hashian arrive at the Oscars at the Dolby Theatre in Los Angeles. (AP/File Photo)
Updated 21 August 2019
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Dwayne ‘The Rock’ Johnson leads Forbes list of highest-paid actors

  • Last year, Johnson was second behind George Clooney
  • Includes his salary and a share of profits from films, $700,000 per episode of HBO series “Ballers”

LOS ANGELES: Action movie hero Dwayne Johnson, star of the “Jumanji” and “Fast and Furious” franchises, topped the annual list of the world’s highest-paid actors, Forbes magazine reported on Wednesday.
Johnson, the former wrestler once known as The Rock, pulled in $89.4 million from June 2018 to June 2019, the magazine said.
That includes his salary and a share of profits from films, $700,000 per episode of HBO series “Ballers,” and seven figures in royalties from his line of clothing, shoes and headphones with Under Armor.
Last year, Johnson was second behind George Clooney, who reaped a windfall from the sale of his tequila company.
Next on this year’s list were two stars of “Avengers: Endgame,” the highest-grossing movie of all time.
Chris Hemsworth, who played Thor, took in $76.4 million, while Iron Man actor Robert Downey Jr. earned $66 million, Forbes said.
Other “Endgame” stars — Bradley Cooper, Chris Evans and Paul Rudd — also landed in the top 10.
Most of Cooper’s earnings, however, came from “A Star is Born,” the musical drama he directed, produced, co-wrote and starred in with Lady Gaga. Cooper collected $40 million of his $57 million total from that film, Forbes said.
The fourth-biggest earner was Bollywood actor Akshay Kumar, with $65 million, and Hong Kong-born actor and martial artist Jackie Chan with $58 million.
The figures are pre-tax and do not include deductions for fees given to agents, managers and lawyers, Forbes said.


Performance artist Marina Abramovic returns to native Belgrade for retrospective

Updated 21 September 2019

Performance artist Marina Abramovic returns to native Belgrade for retrospective

  • ‘You know for me it’s very emotional to be here, and it’s not easy, there’s lots of nostalgia, lots of memories that are forgotten’
  • Doling out advice for youth, the artist said: ‘It is very important to follow your heart, your ideas, without compromising’

BELGRADE: The boundary-pushing performance artist Marina Abramovic returned to Belgrade Saturday to inaugurate the final exhibition of a major touring retrospective, marking her first professional homecoming in nearly 50 years.
Dressed in black, the 72-year-old invited reporters to Belgrade’s Contemporary Art Museum at dawn for the “symbolic cleansing of her career.”
The retrospective, titled “The Cleaner,” exhibits more than 100 works from Abramovic’s past 50 years of provocative performances, many of which saw the artist put her own body on the line.
“You know for me it’s very emotional to be here, and it’s not easy, there’s lots of nostalgia, lots of memories that are forgotten,” she said of her return to the Serbian capital, a place she said shaped her outlook as an artist.
“I learned three things here: from my grandmother I learned spirituality … from my father I learned bravery, and from my mother willpower and discipline,” she said.
The exhibition, which has been touring Europe since 2017, features photo montages and video reels replaying many of Abramovic’s most daring works, including one where she laid out a table of 72 objects, among which figured scissors and a loaded gun, and invited spectators to use them on her “as desired.”
Another piece from 1997, titled Balkan Baroque, saw her sit and clean 1,000 beef bones while singing folk songs from her youth, earning her a Golden Lion award at the Venice Biennale.
Young Serbian artists also re-enacted some performances live on Saturday, including one in which a naked man and woman stand inside a doorway, forcing museum-goers to squeeze past their bodies.
Doling out advice for youth, the artist said: “It is very important to follow your heart, your ideas, without compromising.”
“To live for your art, which requires a lot of sacrifice,” she added.
At the start of the exhibition, Abramovic briefly sat down to re-enact a 2010 performance in New York named “The Artist is Present.”
That three-month-long piece saw her sit silently, without moving, for seven hours a day, six days a week, as visitors took turns sitting across her.
Asked if she would use her fame to bring more support to Serbian artists, Abramovic said:
“I am not a politician, but an artist, and I believe that this exhibit will show politicians that investing in culture will bring it to higher levels.”
The exhibit will be open in Belgrade until January 20, 2020.