Beauty guru Huda Kattan awarded Dubai Star

Dubai Star is the emirate’s answer to Hollywood’s Walk of Fame. (AFP)
Updated 09 October 2019

Beauty guru Huda Kattan awarded Dubai Star

DUBAI: US-Iraqi beauty guru Huda Kattan will receive a Dubai Star, the emirate’s answer to Hollywood’s Walk of Fame, it was revealed on Monday.

The Dubai Stars announced the news on Instagram: “Congratulations to the influencer-turned-entrepreneur who built a beauty empire, @huda. You are a #DubaiStar.”

 

Kattan is based in Dubai, where she runs the Huda Beauty brand and films episodes of her Facebook Watch reality show, “Huda Boss.” 

 

The beauty mogul this week unveiled “Nude Obsessions” - three mini shadow palettes inspired by different skin tones.

Kattan commands an impressive online fanbase, with more than 39 million followers on Instagram and more than 3 million subscribers to her YouTube channel. 

 

She ranked in the top 40 of Forbes’ 2019 list of the wealthiest self-made female entrepreneurs in the US with a net worth of $610 million. 

 

She is awarded a star alongside Lebanese singer Fayrouz, Bollywood veteran Shah Rukh Khan, Dwayne “The Rock” Johnson, Jackie Chan and other international celebrities.

The Dubai Stars award the world’s highest achievers in a walkable tribute in the city’s downtown area. 


‘It Must Be Heaven’: Elia Suleiman’s sardonic take on the world

Suleiman, who plays the lead role as himself, explores identity, nationality and belonging. (Supplied)
Updated 23 October 2019

‘It Must Be Heaven’: Elia Suleiman’s sardonic take on the world

MUMBAI: Elia Suleiman’s “It Must Be Heaven,” which was screened at the Mumbai Film Festival, is pure cinema. Like his earlier works, here too the Palestinian director uses wit, sarcasm and minimalism, this time to present a series of vignettes that are funny but also a powerful lambast of the world we live in. Suleiman, who plays the lead role as himself, explores identity, nationality and belonging.

He says people worldwide now live in fear amid global geopolitical tensions. Today, checkpoints are just about everywhere: In airports, shopping malls, cinemas, highways — the list is endless.

“It Must Be Heaven” was screened at the Mumbai Film Festival. (Supplied) 

Suleiman’s earlier features, such as “Chronicle of a Disappearance” and “Divine Intervention,” showed us everyday life in the occupied Palestinian territories. This time, it is Paris and New York. 

The first scene is hilarious, with a bishop trying to enter a church with his followers. The gatekeeper on the other side of the heavy wooden door is probably too intoxicated and refuses to let the priest in, leading to a comical situation. Suleiman’s life in Nazareth is filled with such incidents — snippets that have been strung together to tell us of tension in society. Neighbors turn out to be selfish, and only generous when they know they are being watched. 

The Palestinian director uses wit, sarcasm and minimalism, to present a series of vignettes that are funny but also a powerful lambast of the world we live in. (Supplied)

In Paris, the cafes along the grand boulevards, and the young women who pass by, are typical of France’s capital. But a cut to Bastille Day, with tanks rolling by in a show of strength, jolts us back to harsh reality. In New York, Suleiman’s cab driver is excited at driving a Palestinian. 

The film has an interesting way of storytelling. The scenes begin as observational shots, but the camera quickly changes positions to show Suleiman watching from the other side of the room or a street. The camera then returns to where it first stood, and this back-and-forth movement is delightfully engaging.

The framing is so perfect, and the colors so bright and beautiful, that each scene looks magical. And as the director looks on at all this with his usual deadpan expression, a sardonic twitch at the corner of his mouth, we know all this is but illusion. There is bitter truth ahead!