Jennifer Lopez stuns in wedding gown by Zuhair Murad

Updated 20 October 2019

Jennifer Lopez stuns in wedding gown by Zuhair Murad

DUBAI: US superstar Jennifer Lopez was spotted on the streets of New York Friday wearing a larger than life wedding dress by Lebanese designer Zuhair Murad.

She wasn’t tying the knot with fiancé Alex Rodriguez, however, and was instead on the set of her latest film, “Marry Me.”

Lopez stars alongside Owen Wilson and Sara Silverman in the upcoming flick and was seen striding across a New York street wearing an embellished wedding dress by none other than Murad.




Lopez was spotted wearing a bejeweled wedding dress by Zuhair Murad on a film set. (Getty Images)

The nude-colored gown featured a head-turning tulle skirt with a long train, which Lopez balanced out with a jewel-encrusted veil.

Earlier this year, Lopez revealed Murad is in fact one of her favorite designers — perhaps explaining why she often chooses his gowns for red carpet events, magazine shoots and, now, film shoots.

Just before she brought her “It’s My Party World Tour” to Egypt on Aug. 9, she sat down for an interview with event organizer Venture Lifestyle, in which she revealed that Lebanese designer Murad is one of her go-to fashion icons.

 “I love Zuhair, he’s probably my favorite,” Lopez said in the interview, before going on to shed light on the moment she discovered the Lebanese talent.

“I discovered him years ago when I was doing a show somewhere. I was doing a show and I was so jetlagged and I was up in the middle of the night watching Fashion TV, which they had in this country I was in, and he had this beautiful show and I was like, ‘Who is this guy?’”

Lopez went on to explain the hurdles she faced when trying to get in touch with Murad, who doesn’t seem to have been a household name at the time.




The nude-colored gown featured a head-turning tulle skirt . (Getty Images)

“I came back (to the US) and I said, ‘Do you guys know Zuhair Murad?’ and nobody knew who he was, none of the stylists, nobody in the United States knew who he was. I was like, ‘You have to get me this dress for the Met Ball,” she said, referring to the Met Gala, an annual fundraising gala for the benefit of the Metropolitan Museum of Art’s Costume Institute in New York and one of the fashion world’s most eagerly anticipated events.  

“I wore his dress to the Met Ball and after that, I just started using him for everything — he designed my last tour — we just have a great relationship. He’s a beautiful man, a beautiful designer,” Lopez added.


Lack of spirit leaves World War II saga hanging midway

Roland Emmerich’s just-opened “Midway” comes nowhere close to the 1950s and 1960s war adventures. (Supplied)
Updated 14 November 2019

Lack of spirit leaves World War II saga hanging midway

CHENNAI: Movies on World War II have delighted cinema audiences for years. Nobody can forget the daring Allied escape in the 1965 “Von Ryan’s Express” with Frank Sinatra and Trevor Howard driving a train through Nazi-occupied territory.

There were others in that decade and earlier such as David Lean’s “The Bridge on the River Kwai” about British prisoners of war building a railway in malaria-infested Burma (now Myanmar). These were great classics, but recent efforts have not been as memorable.

(Supplied)

Roland Emmerich’s just-opened “Midway” comes nowhere close to the 1950s and 1960s war adventures. Despite audiences still being thirsty for WWII sagas and a star-studded cast (Patrick Wilson, Woody Harrelson, Mandy Moore, Ed Skrein and Nick Jonas), the film is unmoving, mainly because of the shallow characters. If the dialogues are stiff, the dramatic potential – including the relationship among the men – appears to have been left midway.

The film begins with Japan’s December 1941 air attack on the US naval base in Pearl Harbor, Honolulu, which dragged America into the conflict, and the flick follows America’s revenge mission culminating in the June 1942 Battle of Midway.

(Supplied)

For the US, it was a victory against all odds giving them control of the Pacific’s Midway atoll. It was also a major triumph of human spirit, but the film does not quite capture it.

Most of the exploits relate to real-life fighter pilot Dick Best (Skrein), whose devil-may-care attitude earns him the title “cowboy.” His wife Ann (Moore), the only female character, urges him on but seems a washed-out figure. However, there is plenty of action in the air with dog fights, bombings and pilots ejecting from burning planes high above the ground.

(Supplied)

For fans of singer Jonas, his small but significant part may appeal. He is sailor Bruno Gaido whose spontaneous and heroic action during a Japanese raid earns him promotion.

“Midway” plays at three levels, including one about Japanese military officers, and was shot in Hawaii and Montreal with a lot of computer graphics thrown in. The camera work (Robby Baumgartner) is impressive, but somewhere the soul is missing, and the characters fail to come across as real people.

Despite this, the film opened atop the North American box office last weekend with a reported $17.5 million in ticket sales.