Cairo film retrospective celebrates Egypt’s Ihsan Abdel Quddous

Cairo film retrospective celebrates Egypt’s Ihsan Abdel Quddous
Updated 26 October 2019

Cairo film retrospective celebrates Egypt’s Ihsan Abdel Quddous

Cairo film retrospective celebrates Egypt’s Ihsan Abdel Quddous

CAIRO: A film retrospective celebrating the centennial of the late Egyptian writer Ihsan Abdel Quddous is currently running at Cairo’s art-house cinema Zawya. The retrospective opened Oct. 18 with a screening of 1972’s “Empire of M” and features 14 of the 49 films written by Quddous, or adapted from his literary works. It runs until Nov. 1.

According to the organizer’s notes, Quddous “played an integral role in shaping the Egyptian cinematic and literary memory. It proved a challenge to program a retrospective that would encompass and rightfully represent his wide body of work.”

Ihsan Abdel Quddous. (Courtesy: The Abdel Quddous family)

Highlights include “I Am Free” (1959), “Don’t Put Out the Sun” (1961), “The Black Sunglasses” (1963), “The Thin Thread”(1971), “The Dancer and the Politician” (1990), and “The Dancer and the Drummer” (1984). The latter will be screened in the presence of Egyptian actress Nabila Ebeid, who starred in several films written by Quddous.

A film poster for ‘The Empty Pillow.’ (Courtesy: The Abdel Quddous family)

The aim of the retrospective was to curate a program that “depicts the variety characterizing the adaptations of Abdel Quddous’ work, spanning different stages and time periods,” said Nawara Shoukry, head of cinema at Zawya. “We created a wish list, then approached distributors and copyright owners.”

Shoukry added that the Abdel Quddous family provided original film posters, on show at the cinema in parallel to the screenings.

A film poster for ‘The Black Sunglasses.’ (Courtesy: The Abdel Quddous family)

Abdel Quddous’ grandson, journalist Sharif Abdel Kouddous, spoke at the event on opening night. “Unfortunately, he died when I was still in school, before I developed my own ideas and views in politics and in life, and before I became a journalist,” he said, praising his grandfather’s “prolific writings” and “the extent of their impact on Egyptian and Arab society.”   

“I always imagine how much I would have learnt from him and benefitted from talking to him and from his experience,” he said. “His journalism was always independent and against the regime. This freedom has had a direct influence on me.”

Highlights from this year’s Egypt International Art Fair

Highlights from this year’s Egypt International Art Fair
Updated 15 January 2021

Highlights from this year’s Egypt International Art Fair

Highlights from this year’s Egypt International Art Fair
  • Works from 100+ artists from the MENA region will be on show in Cairo from Feb. 12-14



This 2020 painting is typical of Zidan’s exuberant, colorful and loving portrayal of the female form (her Master’s degree was on “Human Anatomy for Artists”). The 30-year-old Egyptian artist began depicting plus-size women as a response to the “unrealistic beauty standards” of Instagram, she once told Cairo West magazine. “The most important point is that I portrayed them feeling happy and satisfied. I want every woman to feel accepted and confident about how she looks.” In another interview, with Executive Woman magazine, she said: “We aren’t supposed to look alike. Everyone is different, and every woman is enough the way she is.”



The Cairene multidisciplinary artist has described himself as “much concerned with the changing perceptions and the state of continual metamorphosis that Egypt, as an African, Arab, and Middle Eastern country that was colonized and liberated, has witnessed in the last three decades.” In his paintings, such as this one, he is “obsessed by human movement and the quest for freedom,” and uses bold colors and impressionist techniques to imply that movement.



The 55-year-old artist is one of the most significant figures in Yemen’s art scene and his paintings have sold around the world — particularly to fans of Art Nouveau work. His art is inspired by city life in Yemen before the civil war, depicting simple, colorful urban scenes often featuring female residents. “These cities, and their inhabitants, form a primary reference for my work… the clothing, the weather, the nature and the environment,” Alakel is quoted as saying on “You’ll find that Yemeni women actually form the main inspiration for my work. They are unique in their style, their vision, their dress… and there is also a certain kind of silence in their faces. I see these women as symbols of the larger environment in which they live.”


‘Peacock’ (series since 2018)

El-Masri is a Lebanese artist who was born in Syria and now lives and works in Paris. According to Ayyam Gallery, his practice “revolves around the repeated examination of a single material subject as he explores variations in depth and space through abstracted compositions. … Like Morandi's vases or Cezanne's apples, El-Masri's depictions are less about the objects themselves and more about the possibility of transformation that is derived from paying close attention to the object over time.” El-Masri explained this practice to the Attasi Foundation. “Every time you repeat a shape, you perceive it in a different way,” he said.

“The Peacock” is a series he has been working on for the past few years, reportedly intended as an homage to his father, who was kidnapped in Syria, after which El-Masri stopped painting for some time. When he started again in 2018, the peacock was the first thing he painted, and he has since completed several works on the same theme.



Sudanese multidisciplinary artist Salah El-Mur is based in Cairo, but spent many years traveling throughout East Africa and the Middle East. This, according to a statement from the organizers of the Egypt International Art Fair, “has given him a rich and diverse background, while still maintaining a distinctive and peculiar Sudanese identity, to the extent of becoming a (flag bearer for) Sudanese art.” His vivid and colorful paintings of street life “do not (portray) significant events or actions, but characters — each with a concealed story of their own.”



This painting comes from the UAE-based Syrian artist’s “Family Portrait” series. His expressionist-style works, according to the fair’s organizers, is based on “the inherent psychology of portraiture in compositions that depict a revolving cast of characters” and was “initially inspired by the confessional elements and sense of freedom in children’s drawings.” But the inspiration for this series came from childhood visits with his family to photographers’ studios. “These psychological portraits capture the fatigue and uncertainty experienced by millions,” Maymanah Farhat, director of art at Ayyam Gallery, told Time Out last year. “They remind viewers that the future of countries such as Syria now rests in the hands of displaced youth; children shaped by the trauma of war.”


‘Egyptian Girl’

Abdelwahab is one of Egypt’s most-respected contemporary sculptors. His work is something of an homage to Ancient Egyptian civilization and visual references, and he often uses traditional techniques and materials to create his sculptures. But while he celebrates his country’s heritage, his style is modern — even incorporating Western influences no doubt inspired by his time studying in Europe in the 1950s and 1960s. Indeed, he earned a three-year scholarship in the Rome atelier of the acclaimed Italian sculptor Emilio Greco in the late Sixties.