CHENNAI: Movies on World War II have delighted cinema audiences for years. Nobody can forget the daring Allied escape in the 1965 “Von Ryan’s Express” with Frank Sinatra and Trevor Howard driving a train through Nazi-occupied territory.
There were others in that decade and earlier such as David Lean’s “The Bridge on the River Kwai” about British prisoners of war building a railway in malaria-infested Burma (now Myanmar). These were great classics, but recent efforts have not been as memorable.
Roland Emmerich’s just-opened “Midway” comes nowhere close to the 1950s and 1960s war adventures. Despite audiences still being thirsty for WWII sagas and a star-studded cast (Patrick Wilson, Woody Harrelson, Mandy Moore, Ed Skrein and Nick Jonas), the film is unmoving, mainly because of the shallow characters. If the dialogues are stiff, the dramatic potential – including the relationship among the men – appears to have been left midway.
The film begins with Japan’s December 1941 air attack on the US naval base in Pearl Harbor, Honolulu, which dragged America into the conflict, and the flick follows America’s revenge mission culminating in the June 1942 Battle of Midway.
For the US, it was a victory against all odds giving them control of the Pacific’s Midway atoll. It was also a major triumph of human spirit, but the film does not quite capture it.
Most of the exploits relate to real-life fighter pilot Dick Best (Skrein), whose devil-may-care attitude earns him the title “cowboy.” His wife Ann (Moore), the only female character, urges him on but seems a washed-out figure. However, there is plenty of action in the air with dog fights, bombings and pilots ejecting from burning planes high above the ground.
For fans of singer Jonas, his small but significant part may appeal. He is sailor Bruno Gaido whose spontaneous and heroic action during a Japanese raid earns him promotion.
“Midway” plays at three levels, including one about Japanese military officers, and was shot in Hawaii and Montreal with a lot of computer graphics thrown in. The camera work (Robby Baumgartner) is impressive, but somewhere the soul is missing, and the characters fail to come across as real people.
Despite this, the film opened atop the North American box office last weekend with a reported $17.5 million in ticket sales.
Five Arab films that have won international acclaim
Saudi director Haifaa Al-Mansour’s 'The Perfect Candidate' is in the shortlist for an Oscar
A number of Arab productions are in the race for the Best Foreign Language Film Oscar
Updated 06 December 2019
CAIRO: The Oscars are just around the corner, and in January the shortlist for the coveted Best Foreign Language Film award will be confirmed.
Several titles from the Middle East and North Africa (MENA) region have been submitted for consideration, including Saudi director Haifaa Al-Mansour’s “The Perfect Candidate.”
The entry, which tells the story of a Saudi doctor who takes on her country’s patriarchal system by running in municipal elections, is particularly significant as it is the Kingdom’s first Academy Award submission following the ban on theaters being lifted in 2017.
It is also the first to be supported by the Saudi Film Council, an organization launched at Cannes Film Festival in 2018.
Here is a look at other recent Arab titles that have achieved international acclaim, and why they are worth watching.
1. WADJDA — Saudi Arabia
“The Perfect Candidate” is not the first of Al-Mansour’s films to be submitted to the Oscars. Her critically acclaimed drama “Wadjda” became the first title to be submitted by the Kingdom in 2013 for the 86th Academy Awards. It marked the debut of a Saudi female filmmaker, with the film shot entirely in the Kingdom.
The story of a 10-year-old Wadjda, and her desire to buy a bicycle to race against a male friend, sheds light on traditions and women’s rights.
In an article for The Guardian newspaper, film critic Henry Barnes described “Wadjda” as a message that Al-Mansour wrapped “inside a love letter to her people.”
2. ESHTEBAK — Egypt
The Egyptian film industry has a good track record when it comes to titles receiving global acclaim, one of the most recent being “Eshtebak” (“Clash”), by director Mohamed Diab.
Set in a police van during a period of street protests and unrest in 2013, the film chronicles a time of political and social instability in the country, where a clash of ideologies and personalities unfolds between communities.
The resulting tensions and dilemmas are acted out by the people trapped in the van.
“Eshtebak” was selected as the opening film for the Un Certain Regard section at the 2016 Cannes Film Festival, and screened internationally across Europe, and in Brazil and China.
The film was publicly endorsed by actor Tom Hanks in a letter to the director: “Your film will go to great lengths to enlighten many. Audiences will see that humanity is a fragile community, but we are all in ‘this’ together.”
3. AL-JANNA AL-AAN — Palestine
A Golden Globe winner for Best Foreign Language Film — and nominated in the same category at the 78th Academy Awards — “Paradise Now” was described by its Palestinian director, Hany Abu-Assad, as “an artistic point of view of the political issue.”
The film digs deep into the human aspects of the Palestinian conflict, following the fictional story of two friends recruited by a terrorist group to become suicide bombers in Tel Aviv.
Armed with explosives, they attempt to cross into Israel, but are pursued by border guards and separated.
When they are reunited, one character decides against carrying out the bombing, and tries to convince his friend to quit as well.
“Paradise Now” was not Abu-Assad’s only Academy Award nomination. His film “Omar,” which won the Muhr awards for Best Film and Best Director at the 2013 Dubai International Film Festival, was also shortlisted for the same category at the 2014 Oscars.
4. CAFARNAUM — Lebanon
Directed by celebrated Lebanese filmmaker Nadine Labaki, “Capernaum” depicts the complicated life of undocumented migrants, refugees and workers in Lebanon through the story of 12-year old Zain, who lives in the slums of Beirut.
The film generated $68 million at the box office worldwide, more than 17 times its production budget, becoming the highest-grossing Middle Eastern and Arabic movie of all time.
“Capernaum” won the Jury Prize at the 2018 Cannes Film Festival — it received a solid 15-minute standing ovation after its screening there — and was shortlisted for Best Foreign Language Film at the 91st Academy Awards.
Labaki’s other productions include “Caramel” and “Where Do We Go Now?”
5. THEEB — Jordan
This drama by Naji Abu Nowar starred non-professional Bedouin actors and focuses on events unfolding in the Wadi Rum desert in southern Jordan during World War I.
In 2016, “Theeb” won internationally recognition by becoming the first Jordanian nomination to make it to the shortlist for Best Foreign Language Film at the Academy Awards.
It was also nominated for Best Film Not in the English Language at the 69th British Academy Film Awards, and won the Best Director award at the 71st Venice International Film Festival.
• This report is being published by Arab News as a partner of the Middle East Exchange, which was launched by the Mohammed bin Rashid Al Maktoum Global Initiatives and the Bill and Melinda Gates Foundation to reflect the vision of the UAE prime minister and ruler of Dubai to explore the possibility of changing the status of the Arab region.