Behind Wes Gordon’s revolutionary vision for Carolina Herrera

Behind Wes Gordon’s revolutionary vision for Carolina Herrera
Wes Gordon just wants to make happy clothes, and that's exactly what he's been doing since his appointment as Carolina Herrera's creative director. Photo: Shutterstock
Updated 20 November 2019

Behind Wes Gordon’s revolutionary vision for Carolina Herrera

Behind Wes Gordon’s revolutionary vision for Carolina Herrera
  • Since his appointment as creative director, Wes Gordon has managed to seamlessly incorporate his own joyful flair into the fashion house
  • His ability to maintain the house’s old world glamour in addition to his revolutionary and exuberant vision has appealed to a new generation of clients

DUBAI: Wes Gordon just wants to make happy clothes. And the Atlanta-born designer, who was handpicked to be Carolina Herrera's successor after she announced her retirement in February 2018, has done just that since his appointment as the New York-based label’s creative director. You don’t have to look further than the brand’s Spring 2020 collection, showcased at the bottom of Manhattan Island inside a glass bubble lined with plush, white carpet that was inspired by the rare botanical phenomenon, super bloom.

“Carolina Herrera is a brand about beauty,” declares the designer. “No one knows what tomorrow is going to be like. We just know today, and the things that we’re able to control ourselves, I feel like it’s our job to make them beautiful,” The 33-year-old told Arab News.

Indeed, in today’s current political climate, there’s never been more reason to inject joie de vivre back into fashion. “There’s a lot of dark and uncertainty right now,” muses Gordon. “And you can’t fight dark with dark.”


A model walks the runway at the Carolina Herrera Ready-to-Wear Spring 2020 show. Photo: Getty

Carolina Herrera Ready-to-Wear Spring 2020 show. Photo: Getty

During his year-long tenure — He made his debut last September with an upbeat Spring 2019 collection, after running his own eponymous label for several years in addition to serving as Herrera’s right-hand since 2016 — the Central St. Martin’s graduate has churned out three joyful and upbeat ready-to-wear collections built on the foundation of vibrant hues and that serve as a refreshing departure from the sea of blacks and greys that have dominated the runways for the past few seasons.  

“I love color,” shares Gordon. “Bold, vivacious, saturated colors — nothing grey or sad. So the first thing I do before I start designing a collection, is think really hard about colors.

“My biggest takeaway from the role is that something beautiful will always be successful. When you’re able to create something that’s just gorgeous, it will always do well.”

However, helming Carolina Herrera is no small feat. As one of the biggest fashion brands in the world, Gordon recognizes that his stint as a consultant at the label eased his transition since he was already familiar with the company.

Since his appointment, Gordon has managed to seamlessly incorporate his own joyful flair into the fashion house founded 39 years ago, without straying from the brand’s DNA or alienating its existing clientele.

While the designer does admit that it is virtually impossible for there to not be a change — “I’m not Mrs. Herrera,” he states — he does revel in the fact that though his designs are unique, clients are still able to look at them and say, “that still feels Herrera.”

 
 
 
 

 
 
 
 
 
 
 
 
 

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His ability to maintain the house’s old world glamour in addition to his revolutionary and exuberant vision has appealed to a new generation of clients, which include everyone from “Euphoria” actress Zendaya to American screenwriter Lena Waithe, whom he dressed for the 2018 Met Gala.

As for the woman he designs for? “She’s fabulous and fantastic. She’s the best dressed and most fun woman in any room.  If every woman in the street is wearing grey, she is wearing hot pink. She dresses for herself and treats every moment like a celebration,” he notes. Very much like Carolina Herrera herself.


Egypt announces ‘major discoveries’ at Saqqara archaeological site

Egypt announces ‘major discoveries’ at Saqqara archaeological site
Updated 17 January 2021

Egypt announces ‘major discoveries’ at Saqqara archaeological site

Egypt announces ‘major discoveries’ at Saqqara archaeological site
  • Egyptian archaeologist says discoveries will rewrite history of region

CAIRO: An Egyptian archaeological mission working in the Saqqara area near the pyramids of Giza in Egypt has discovered dozens of archeological finds, including a Pharaonic funerary temple.

The Egyptian Supreme Council of Antiquities announced that the discoveries —  made by the joint mission between the council and the Zahi Hawass Center of Egyptology — include wooden wells and coffins from the New Kingdom, dating back to 3000 B.C.

Mostafa Waziri, secretary-general of the council, said that the discoveries are located at the Saqqara necropolis, near the pyramid where King Teti, the first king of the Sixth Dynasty of the Old Kingdom, who ruled Egypt between 2323 and 2291 B.C., is buried.

Zahi Hawass, Egyptian archaeologist and head of the mission, said that these discoveries will rewrite the history of the region, especially during the 18th and 19th Dynasties of the New Kingdom, during which time King Teti was worshiped.

Hawass said that the mission found the funerary temple of Queen Nearit, wife of King Teti, part of which was uncovered in the years prior to the mission, as well as three mud-brick warehouses on the southeastern side, used to store offerings and tools that were involved in a revival of the queen’s creed.

The mission also discovered 52 wells, ranging in depths between 10 to 12 meters and containing more than 50 wooden coffins from the New Kingdom era. This is the first time that coffins dating back to 3000 B.C. have been found in the Saqqara area.

The surfaces of the coffins depict various scenes involving the gods who were worshipped during this period, in addition to texts from the Book of the Dead that help the deceased pass on to the other world.

Inside the wells, the mission found numerous artifacts, such as statues of the deity Ptah, as well as a four-meter-long papyrus, representing chapter 17 from the Book of the Dead, with the name of its owner recorded on it. The same name was found on four statues.

Other finds included a set of wooden masks; games for the deceased to play in the other world, one of which is similar to chess; and statues and a shrine of Anubis, the god of death.

The mission also discovered a bronze ax, indicating that its owner was one of the leaders of the army in the New Kingdom era, and paintings inscribed with scenes of the deceased and his wife and hieroglyphic writings.

A large amount of pottery dating back to the New Kingdom was found, including pottery establishing trade relations between Egypt and Crete, as well as Syria and Palestine.

Hawass explained that this discovery confirms that the Saqqara antiquities area was not used for burial during the Late Period only, but also in the New Kingdom.

The mission studied the mummy of a woman who was found to be suffering from a disease known as Mediterranean fever or swine fever, which comes from direct contact with an animal and leads to a liver abscess.

Hawass asserted that the archeological discovery is one of the most significant ones of this year and will make Saqqara an important tourist and cultural destination. It will rewrite the history of Saqqara in the era of the New Kingdom and will confirm the importance of the worship of King Teti during the 19th Dynasty.