Saudi-directed film ‘Scales’ wins big at Singapore Film Fest

Updated 01 December 2019

Saudi-directed film ‘Scales’ wins big at Singapore Film Fest

DUBAI: Saudi-directed film “Scales” was named the best film in the Asian feature section at the 30th Singapore International Film Festival.

  “Sayidat Al-Bahr,” or “Scales” in English, was created by Image Nation Abu Dhabi and directed by Saudi filmmaker Shahad Ameen.

“It took me six years to make this film, the way I wanted, as feminist as I wanted,” Ameen said on stage.

The fantasy film, made in the UAE, tells the story of Hayat, a young girl living in a village with a tradition of sacrificing female children to mysterious sea-dwelling creatures in the. When her time comes, she decides to break with tradition and forge her own path.

Ameen — known for her short film “Eye & Mermaid,” which premiered at the Dubai Film Festival in 2013 — said that the film is an artistic comment on patriarchal societies.

“’Scales’ tells a visceral story about growing up as a woman in a patriarchal society, offering an allegorical take on a universal theme that will resonate with audiences around the world,” Ameen said in a released statement.


Film Review: ‘Jumanji: The Next Level’ plays on novelty

The jungle gets more challenging and the game scarier in ‘Jumanji: The Next Level.’ (Supplied)
Updated 27 min 47 sec ago

Film Review: ‘Jumanji: The Next Level’ plays on novelty

CHENNAI: The remake of the 1996 film “Jumanji” landed in 2017, with an alluring title “Jumanji: Welcome to the Jungle” could be described as sequel of sorts after 22 years. It was a high-octave adventure set in a virtual world, with four teens getting into it through a video game in a drawing room. Each sank into a character from the game, proving a super hit with children and adults, letting their imaginations run riot and indulging in the fantasies they had always desired.

“Jumanji: The Next Level” makes it a trilogy. The jungle gets more challenging and the game scarier. For director Jake Kasdan and co-writers Jeff Pinker and Scott Rosenberg, these alone may not have been enough to avoid franchise boredom. So they add more to their latest plot by giving new avatars to some of the characters, and adding two new ones, played by the brilliant Danny DeVito and Danny Glover, who portray estranged business partners, Eddie and Milo.

The starting point is a breakup between asthmatic Spencer (Alex Wolff) and the sweet Martha (Morgan Turner). While their friends, football player Fridge (Ser’Darius Blain) and forever online Bethany (Madison Iseman) are living it up, Spencer is depressed, and in a moment of weakness, decides to play the game, plunging into Jumanji. When his friends find out, they realize he cannot get out by himself and follow him, leaving Bethany behind, and taking Eddie and Milo.

A good part of the film’s freshness comes with the twist it throws up: Some of the virtual characters from the 2017 adventure take on different avatars. Spencer wanted to become the strong and suave Smolder Bravestone (Dwayne Johnson) from the previous adventure, but is transformed into pickpocket/cat-burglar Awkwafina. And Spencer’s grandfather, Eddie, gets to be Smolder, with Johnson impersonating DeVito to much hilarity.

The film can be confusing, and the storytelling is somewhat sloppy, but the acting is good and the charisma shines through. The special effects are top-notch, turning the 3D imagery into a thrilling canvas. An undulating desert and African medinas add a touch of the exotica to this virtual wonder.