What We Are Reading Today: Janis by Holly George-Warren

Updated 03 December 2019

What We Are Reading Today: Janis by Holly George-Warren

  • Her significance has been muted by the brevity of her career

Over the decades, several books have been written about Janis Joplin. 

Now comes Holly George-Warren’s masterfully researched Janis: Her Life and Music — the significance-establishing project Joplin appreciators have been waiting for. 

Her significance has been muted by the brevity of her career (she died, at 27, in 1970).

“Although the book is full of lovers and almost lovers, and music-world-familiar producers, musicians and compadres, it zeros in on Janis’s singing skill,” Sheila Weller said a review for The New York Times.

Weller said Janis “died in the motel she was staying at in Los Angeles just before her last — and biggest — solo album, Pearl, was released. She had done all of her boundary breaking by the time she was three years shy of 30.”

Janis “was a perfectionist: A passionate, erudite musician who was born with talent but also worked exceptionally hard to develop it. She was a woman who pushed the boundaries of gender long before it was socially acceptable,” said a review in goodreads.com.

What We Are Reading Today: Lateness

Updated 42 min 13 sec ago

What We Are Reading Today: Lateness

Edited by Peter Eisenman and Elisa Iturbe

Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or “spirit of the age,” an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be “of the times”—lateness. 

He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs:
Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven’s final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment.

Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today’s architecture can use the concept of lateness to break free of stylistic limitations, expand architecture’s critical capacity, and provide a new mode of analysis.