Silent partners: The Third Line pairs artists up in latest exhibition

Work by Ala Ebtekar and Nima Nabavi on display in 'There Is Fiction In The Space Between' (Courtesy of The Third Line)
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Updated 19 May 2020

Silent partners: The Third Line pairs artists up in latest exhibition

  • For ‘There Is Fiction In The Space Between,’ the gallery paired works from its artists in various — and surprising — ways


2020 is a “momentous” year for Dubai-based gallery The Third Line, head of exhibitions Sybel Vazquez tells Arab News. In March, the gallery was set to celebrate its 15th anniversary. The COVID-19 pandemic meant that plans had to be changed — and quickly. Like many other galleries and museums around the world, The Third Line took its exhibitions online. But it was still important to mark the anniversary with something special.

“I had to think of a way to bring together all of the artists that the gallery had successfully represented and nurtured over the years while also taking a deep and meaningful dive into the breadth of its program,” Vazquez explains. “There was no easy way to do this without risking a sensory overload.”

Vazquez came up with the idea of pairing selected works from the gallery’s roster of artists. “I had been very interested in the way artworks are selected and put together for exhibitions, and the dialogue that is intended between them by the curators,” she says. “It was important to steer clear of a hefty concept and give way instead to something more personal, like the imagination. It was also very exciting to look at artworks which would likely never have been shown together otherwise.”

Vazquez is keen to stress that there is “no right or wrong way to interpret the paintings.” The pairings are intended to spark contemplation and curiosity — not necessarily as puzzles to be solved.  

“What ties them together is the concepts that they bounce off each other, as if in each pairing was an exhibition of its own,” she says. “There are clues, certainly, but these can take you any way you choose.”

The title of the exhibition is another indication of the intent behind it. “There Is Fiction In The Space Between” (which can be viewed online until the end of May) is, Vazquez explains, a line from a Tracy Chapman song (“Telling Stories”).

“I love this song, and that line prompted me to think of exhibitions as a more ludic experience. It’s also important to think of a title (to) serve as the first and most important clue as to what the exhibition might be about. I thought this title would do just that.”

Here, Vazquez talks us through some of the pairings on show in the exhibition.

Sophia Al-Maria & Abbas Akhavan

The two Sophia Al-Maria prints selected for this pairing (‘Certified’ and ‘Greenhouse Glow’) were taken from a larger series where the artist looked at 21st-century hyper-consumerist behavior by juxtaposing military words with cosmetic vernacular. The result is ironic. Abbas Akhavan often looks at nature and various habitats to investigate society’s behavior within itself and towards its environment — so his practice is not too dissimilar, but comes from a very different angle. I pulled two of Sophia’s prints that alluded to the environment and — next to Abbas’ ink drawing of a palm leaf — let it become something else to ponder over.

Farah Al-Qasimi & Youssef Nabil

They are both photographers — their respective practices pivot around the investigation of portraiture and tradition. Yet the pairing of these two artworks couldn’t be more ironic — although you have to look at the title of Farah’s work (“Curtain Shop”) against Youssef’s portrait of Alicia Keys to find the irony...

Rana Begum & Farhad Moshiri

From an aesthetic standpoint the two works could have been created together intentionally, but their respective methods tell a different story. On the one hand you have Rana Begum’s reflectors, which evoke industry and minimalism, while Farhad Moshiri’s “Blocks” was made using the technique of hand-embroidering beads — a traditional method he’s used in a lot of his work to illustrate the cultural dichotomy of contemporary Iran.

Jordan Nassar & Tarek Al-Ghoussein

This pairing was very unexpected but extremely exciting because it was coincidental. I found that, in both works, the artists had captured, or represented, an idyllic fictional landscape. And, in both works, that landscape sits in a rectangular frame amidst a monochromatic surrounding. 

Slavs And Tatars & Fouad Elkoury

Fouad Elkoury’s work often documents the tender, tragic and sometimes ironic marks we leave on the spaces we inhabit or leave behind. And I thought this particular photograph was a great illustration of Slavs & Tatars’ series “Love Letters” in which they explained they investigate language “as a source of man’s greatest achievements and yet a cause of his tragic failures.”

Egyptian photographer to take part in exhibition in Germany 

Updated 12 August 2020

Egyptian photographer to take part in exhibition in Germany 

DUBAI: Egyptian photographer Mohamed Hassan is among a long list of international artists who will showcase their work at “Facing Britain,” an exhibition scheduled at Germany’s renowned Museum Goch. 

The fair, set to take place from Sept. 27 to Nov 7, focuses on the period of Britain’s European Union membership between 1963 until 2020. 


Beautiful horses Pembrokeshire #wales #documentyourdays #shootpentax

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Hassan, who has been living in Wales since 2007, will showcase his work that he says “aims to challenge some of the stereotypes and judgements that people make about other people.”

“My personal experience as an Egyptian living in Wales for the last 10 years is that I am often judged or stereotyped by my appearance,” Hassan, who is originally from Alexandria, says on his website. 


Portrait of an amazing artist @lindanorrisglass Check her work on

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“During the last few years, as a result of events in the world, I have personal experience of less tolerance of my background with people sometimes behaving very negatively towards me as a fear of Islam and Muslims has grown,” he added. 

Hassan’s art has been exhibited at prestigious galleries including Wales’s Mission Gallery, the Waterfront National Museum, London’s Trajectory Showcase Competition Exhibition and more.



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The exhibition also focuses on the 1970s and 1980s, when artistic documentary photography gained an importance worldwide.

Besides Hassan, the exhibition will also present work of artists from around the world including: James Barnor, John Bulmer, Rob Bremner, Thom Corbishley, Robert Darch, Anna Fox, Henry Grant, Ken Grant, Judy Greenway and many more.