US-Moroccan singer Abir releases second EP

US-Moroccan singer Abir releases second EP
The new EP is a collection of seven songs. File/Instagram
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Updated 09 August 2020

US-Moroccan singer Abir releases second EP

US-Moroccan singer Abir releases second EP

DUBAI: US-Moroccan singer Abir has released this week her second EP, “Heat.”

The Fez-born crooner’s new musical project is a collection of seven songs, which she describes as “Arab pop.”

The new EP is accompanied by visuals for the singles “Inferno” and “Yallah.” Both music videos were shot on location in the Moroccan desert just outside of Marrakech with the help of a team of all Arab creatives. 

 
 
 
 

 
 
 
 
 
 
 
 
 

I can’t believe I’m announcing this!!!!!!! My sophomore EP, HEAT, will be with you Friday, AUGUST 7TH This project is near and dear to my heart for reasons far beyond music. I consider this project to be the culmination of many years of growth and self-discovery—a journey that extends to a newfound connection with the meaning of my name, an Arabic word that translates as “fragrance of a flower” and ultimately signifies a certain blossoming into the woman I've become. As a daughter of the East and West, I wanted to explore that duality in my music as well as contribute to the conversation surrounding Arab women + challenge the narrative that exists in today's world. I pray you receive this project with an open heartPre-save link in my bio! AUGUST 7TH, YALLAH!!!

A post shared by ABIR (@abir) on

“As a daughter of the East and West, I wanted to explore that duality in my music as well as contribute to the conversation surrounding Arab women and challenge the narrative that exists in today’s world,” the singer said on Instagram ahead of the EP’s launch. 

“This project is near and dear to my heart for reasons far beyond music. I consider this project to be the culmination of many years of growth and self-discovery.”

Watch the music video for “Yallah” below.


Post revolution, Sudanese cinema struggles to find recognition at home

Post revolution, Sudanese cinema struggles to find recognition at home
Talal Afifi, director of the Khartoum-based Sudan Film Factory program. (Supplied)
Updated 24 January 2021

Post revolution, Sudanese cinema struggles to find recognition at home

Post revolution, Sudanese cinema struggles to find recognition at home
  • Bashir’s government aborted all cultural and artistic initiatives and fought ... diversity and freedom of opinion, says Talal Afifi, director of the Khartoum-based Sudan Film Factory program

CAIRO: Sudanese filmmakers who celebrated the end of stifling restrictions following the ouster of autocrat Omar Bashir have won multiple international awards but are yet to enjoy the same recognition at home.
Cinema languished in the North African country through three decades of authoritarian rule by Bashir.
But Sudanese took to the streets to demand freedom, peace and social justice, and Bashir’s ironfisted rule came to an end in a palace coup by the army in April 2019.
“We started realizing how much our society needs our dreams,” said director Amjad Abou Alala.
His 2019 film “You Will Die at Twenty” was both Sudan’s first Oscar entry and the first Sudanese film broadcast on Netflix, winning prizes at international film festivals including Italy’s Venice and Egypt’s El Gouna.
The film tells the story of a young man a mystic predicts will die at age 20. As Sudan undergoes a precarious political transition, the country’s filmmakers have found more space to operate, Alala said.
Young filmmakers act “without the complexes, the lack of self-confidence or the frustration that we suffered in previous generations,” he added.
Talal Afifi, director of the Khartoum-based Sudan Film Factory program, has trained hundreds of young people in filmmaking.
Bashir’s government “aborted all cultural and artistic initiatives and fought ... diversity and freedom of opinion, through policies of alleged Islamization and Arabization,” he said.
Afifi began work long before the 2019 revolution, with advances in digital camera technology making filmmaking far more accessible.
The filmmaker attended a 2008 short film festival in Munich, where the winning film — an Iraqi documentary shot on a handy-cam — inspired him to return home and set up a training center and production house.
In the past decades, the Film Factory has organized some 30 screenwriting, directing and editing workshops — and produced more than 60 short films, honored in international festivals from Brazil to Japan.
Afifi says the roots of Sudan’s innovative cinema was born from the “hard work dating from before” Bashir’s overthrow, when many cinemas were closed.
Today, cinemas are allowed — big-budget Hollywood films, as well as Indian and Egyptian movies are popular — but moves to reopen them have been frustrated by restrictions to stem the spread of the novel coronavirus.
The Sudanese National Museum organized screenings of films, including “You Will Die at Twenty,” but they were not screened in large theaters.
Filmmakers still face challenges. Hajjooj Kuka, director of the acclaimed 2014 “Beats of the Antonov” was jailed for two months last year for causing a “public nuisance” — for what he said was an acting workshop.
Other Sudanese films have also garnered international attention, including the 2019 documentary “Talking About Trees” by Suhaib Gasmelbari, which tells the story of four elderly Sudanese filmmakers with a passion for movies.
The quartet and their “Sudanese Film Club” work to reopen an open-air cinema in Omdurman, the city across the Nile from the capital Khartoum.