‘Gladiator’ star Russell Crowe pitches in to rescue blast-hit Beirut eatery Le Chef

Hollywood star Russell Crowe said Thursday that he donated funds to help rebuild blast-hit Beirut restaurant Le Chef on behalf of late food icon Anthony Bourdain, who loved its traditional dishes. (AFP/File Photos)
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Updated 15 August 2020

‘Gladiator’ star Russell Crowe pitches in to rescue blast-hit Beirut eatery Le Chef

  • Oscar-winning Crowe said on Twitter that he made the donation “on behalf of Anthony Bourdain”

BEIRUT: Hollywood star Russell Crowe said Thursday that he donated funds to help rebuild a blast-hit Beirut restaurant on behalf of late food icon Anthony Bourdain, who loved its traditional dishes.
The decades-old Le Chef restaurant, located in the heart of a trendy Beirut district, is a beloved neighborhood place renowned for its home-style cooking.
It was blown to pieces by the August 4 explosion that killed 171 people, wounded at least 6,500 and ravaged swathes of Beirut.
The Oscar-winning Crowe, best known for his role in the 2000 action film Gladiator, said on Twitter that he made the donation “on behalf of Anthony Bourdain.”

“I thought that he would have probably done so if he was still around,” Crowe said of the celebrity chef and travel journalist who committed suicide in 2018.
“Hope things can be put back together soon.”
Crowe’s $5,000 donation was made on a GoFundMe page set up by fans of Le Chef, a restaurant popular with tourists as well as locals in the Gemmayzeh neighborhood that was among the hardest-hit by the explosion.
The online fundraiser raised nearly $11,000 in less than 24 hours, just $2,000 short of its target.

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READ MORE: Canadian singer The Weeknd donates $300,000 to victims of Beirut blast

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Le Chef is where Bourdain had his first meal when he and his crew where trapped in Lebanon for a week in 2006 because of a month-long war with Israel.
It is featured in the highly-praised Lebanon episode of his ‘No Reservations’ series.
“Really good food, very traditional,” Bourdain says of the restaurant in the show, calling it a “nice mix” of old and new.
It’s a “good first meal in Beirut.”


Top trends for next spring from global fashion weeks

Updated 15 min 30 sec ago

Top trends for next spring from global fashion weeks

  • Six of the hottest tips from the catwalks (virtual or otherwise) of fashion month

MILAN: Thanks to the COVID-19 pandemic, the international fashion weeks in New York, Paris, London and Milan recently were a mix of physical shows and digital presentations. And it wasn’t just the events themselves that were affected by the coronavirus — many designers from around the world showed collections that were clearly influenced by social-distancing and lockdown, in often-contradictory ways. Whether that was the somber color palette of Simone Rocha in London, the face coverings and gloves that dominated several shows, or the more subtle nods to our ‘interesting times’ through the DIY vibe of crochet (Alberta Ferretti, for instance), the unexpected return of the sweatsuit (particularly predominant in New York Fashion Week), and the aspirational glamour of flamboyance and glitter. Tom Ford, who presented his Spring ’21 lookbook via video, provided plenty of the latter and suggested it was because he wanted to present clothes that “make us feel good” and hold out “hope of a happier time.” A sentiment that — regardless how you felt about his sequin-usage — was hard to find fault with.

MAKE IT MONOCHROME

Some designers — Molly Goddard in London, Salvatore Ferragamo in Milan — went bright, others were more muted — Max Mara’s sand and beige, say — and some were both — Boss in Milan, with shocking pink, cream, and sand examples. But they all seemed to agree that single-color clothing will be en vogue in spring next year. It’s bold and confident, certainly, and hopefully reflects how consumers might be feeling by the end of the winter.

CLASH CULTURE

If monochrome isn’t your thing, maybe you’ll feel more at home with another major — almost opposite — trend that saw many designers stamping all over conventional fashion wisdom. Cardinal sins were everywhere: Mixing colors that ‘shouldn’t’ be mixed (Pucci’s multi-colored tights), pairing patterns that shouldn’t be paired (stripes and squares!), throwing in animal prints willy-nilly, or, like Sunnei, constructing a shirt dress from four different plaid patterns. It was chaos, and all the better for it

GO BIG

Oversized clothing was everywhere in fashion month. Boss (again) had large sporty jackets in its Tik-Tok-streamed show; Louis Vuitton’s Paris show displayed a largely asexual collection — plenty of oversized jackets and blazers, along with ‘roomy’ pants; and Chloé paired voluminous blouses with high-waisted shorts and trousers. And mammoth handbags were ubiquitous throughout the month. Some observers suggested the super-sized clothes encouraged/forced those around to grant the wearer more personal space in these socially distanced times, others saw them as a throwback to Eighties power dressing. Either way, big is in.

ENCOURAGING ESCAPISM 

From Tom Ford’s aforementioned sparkly sequins in New York to Molly Goddard’s dazzling A-line dresses in London via the floral prints beloved by Loewe in Paris and Valentino and Philosophy di Lorenzo Serafini in Milan (the latter put on an open-air show, whether because of COVID or because flowers were such a dominant motif we’re not sure), many designers were clearly aiming to lift our collective spirits with a healthy dose of bright, bright beauty. And who could blame them?

HOT HISTORY 

For the last couple of years, retro fashion has been dominated by Eighties and Nineties throwbacks. If Simone Rocha and Erdem, to name but two, are to be believed, we’ll be looking a little further back for spring 2021 — almost 100 years further back. Rocha’s understated collection showed clear Victorian and Edwardian influences with its puffy sleeves, voluminous skirts and high necklines, while Erdem’s dramatic collection also pulled from Ye Olde Worlde, but somehow managed to seem more up-to-date than anyone.

PIMP YOUR PPE

Whether the non-medical-grade facemasks (see Oak & Acorn, Rick Owens) or other face coverings (Chanel’s veils or Paco Rabanne’s sequined hoods) and gloves (Philosophy di Lorenzo Serafini’s rubber gardening gloves or Fendi’s bodysuits with attached gloves) are really what designers believe we’ll want to be wearing in the spring or simply a recognition of the current global situation it’s hard to say. But they were certainly impossible to ignore.