Let the bidding begin: Christie’s stages three auctions dedicated to Middle Eastern art

Let the bidding begin: Christie’s stages three auctions dedicated to Middle Eastern art
Ayman Baalbaki. 'Warehouse No. 12.' 2020. Mixed media and acrylic on canvas. Courtesy of the artist.
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Updated 17 November 2020

Let the bidding begin: Christie’s stages three auctions dedicated to Middle Eastern art

Let the bidding begin: Christie’s stages three auctions dedicated to Middle Eastern art

DUBAI: Three months after the Beirut explosions ravaged Lebanon’s cosmopolitan Mediterranean capital, leaving over 300,000 homeless, more than 200 dead and thousands injured, the damage, which comes on top of the country’s collapsed banking system, corrupt government and spiking COVID-19 cases, continues to depress the country that has long been the Middle East’s bastion for creativity.




Tagreed Darghouth. 'Brighter than a thousand suns - Beirut Apocalypse.' 2015. Acrylic on canvas. Courtesy of the artist.

In light of Lebanon’s continued plight, Christie’s Dubai is hosting a special charity auction titled We Are All Beirut, alongside its traditional Middle Eastern Modern and Contemporary Art sale and a specially curated auction entitled Matters of Material by Dina Nasser-Khadivi.  All three sales kicked off on Nov. 11 and run until Nov. 24, offering a variety of 151 lots with estimates ranging from below $6,607 to $330,360.

“I have taken great hope in the support shown towards Beirut’s arts community,” said Caroline Louca-Kirkland, managing director Christie’s Middle East to Arab News. “The response regionally and internationally has been heartening. I am hopeful that we can raise enough funds to genuinely make a difference and help our beloved Beirut and it’s arts community, flourish again.”




Laure Ghorayeb. 'L'Etoile Filante.' 2011. Mixed media on cardboard. Courtesy of the artist and Galerie Janine Rubeiz

Included among the works on offer in We Are All Beirut are art, design and jewelry pieces, with all the proceeds benefiting the Arab Fund Arts & Culture (AFAC) to support the rebuilding of Beirut’s creative scene. A selection of works have been sourced by Art Haus Beirut, with their proceeds going towards the Lebanese Red Cross. These include pieces by Ayman Baalbaki, Katya Traboulsi, Serwan Baran, Tagreed Darghouth, Alfred Basbous and Abdul Rahman Katanani, among others.

Christie’s traditional Middle Eastern Modern & Contemporary will offer its usual diverse selection of works from artists across the MENA region and Iran. Top lots feature works by the late Mohamed Melehi, Farid Belkahia, Samia Halaby, Rachid Koraïchi and Farhad Moshiri. The sale also includes an inaugural design section, curated by architect and interior designer Viktor Udzenija, offering limited edition pieces by Nada Debs, Hassan Hajjaj and Ranya Sarakbi.




Oussama Baalbaki. 'Beirut Port.' 2020. Acrylic on canvas. Courtesy of the artist.

“Christie’s is very much looking forward to our upcoming season of auctions, which are both innovative and carefully curated to meet the demand from today’s collectors,” said Michael Jeha, Chairman of Christie’s Middle East to Arab News. “We are also very excited by the role that technology and digitalization has played in these auctions, a trend that will continue going forward. We expect the caliber of works to appeal to an international audience and we are very proud to be a part of the Beirut auction, helping to raise funds for the arts community there.”

The third sale, the first of its kind, is a collaboration between Christie’s and international art consultant Dina Nasser-Khadivi. Titled Matters of Material is curated auction focusing on defying stereotypes and supporting diversity in the international contemporary art market, with selected works hailing from the Middle East, Africa and Latin America. “This new curated sale is part of a new strategy very specific to the contemporary sale, which links the Middle East to new geographies, namely Africa and Latin America,” explained Nasser-Khadivi to Arab News. “The theme of this first sale is dedicated to an exploration of how media and materials can be used to and recycled to create powerful statements and works of art.”




Serwan Baran. 'Beirut Clean-up.' 2020. Acrylic on canvas. Courtesy of the artist.

One of the lead works of Matters of Material is “Baby” by Iranian artist Farhad Moshiri. A sculptural work that the artist executed in 2020, it is made of a multitude of keychains arranged to spell the word “Baby.” To date, Mohsiri has only ever produced three works in this material and Baby is the first to be offered at auction.

While Moshiri’s works are often stereotyped as pop, exotic, and rooted in Persian traditions and styles, they also reference global exchanges, namely through the materials that he uses to strike up discourses related to North, South, East and West — the same themes that weave through the additional works on show in this new section, challenging our everyday thoughts in regard to the massive shifts taking place in the world.


Review: ‘Outside the Wire’ stays inside the box

Anthony Mackie cements his leading man status in an uncomplicated Netflix sci-fi thriller. Supplied
Anthony Mackie cements his leading man status in an uncomplicated Netflix sci-fi thriller. Supplied
Updated 17 January 2021

Review: ‘Outside the Wire’ stays inside the box

Anthony Mackie cements his leading man status in an uncomplicated Netflix sci-fi thriller. Supplied

LONDON: Seemingly overnight, Anthony Mackie has gone from supporting player in the sprawling Marvel universe to one of Netflix’s most bankable action leads, appearing in such diverse shows as Charlie Brooker’s “Black Mirror,”  season two of “Altered Carbon” and the ambitious 2019 sci-fi epic “IO.”

Leading man status is hardly a surprise since Mackie has proven himself capable of dramatic heft in films such as “The Hurt Locker” and sardonic camaraderie when playing Sam Wilson, Captain America’s friend and sidekick.

But it makes it all the more disappointing when a film doesn’t give him enough to do. In “Outside the Wire” Mackie plays Leo, an android super soldier embedded in a European war zone who recruits a naive drone pilot to help him prevent nuclear armageddon.

In what could have been a fascinatingly paradoxical (maybe even cerebral) spin on the genre, Leo is a weapon with an anti-war stance. He is designed to win hearts and minds, but is capable of shockingly efficient bouts of violence. And, in another potentially fascinating narrative move, he is partnered with rookie soldier Thomas Harp (British actor Damson Idris), who has never seen conflict up close.

These ingredients could make for an altogether different take on the standard military action thriller, but Swedish director Mikael Hafstrom opts for the safe, spectacular path instead. All of which is done very well, though a little long.

“Outside the Wire” is nicely paced, well choreographed and avoids any narrative lulls by knowing precisely when to ramp up the action. Mackie packs a (literal) punch when called for, but is never given much more to do than scowl and kick terrorists through walls.

The movie is perfect middle-of-the-road sci-fi — it asks a few interesting questions, but never really troubles itself trying to come up with the answers.