No plan B: UK-based Palestinian singer Ruba Shamshoum’s jazzy journey

No plan B: UK-based Palestinian singer Ruba Shamshoum’s jazzy journey
Shamshoum’s genre-hopping blend of Western and Arabic influences is distinctive and striking. (Supplied)
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Updated 13 May 2021

No plan B: UK-based Palestinian singer Ruba Shamshoum’s jazzy journey

No plan B: UK-based Palestinian singer Ruba Shamshoum’s jazzy journey
  • The Palestinian singer-songwriter discusses her new EP, ‘Risha,’ and its ‘spirit of love, unity and exploration’

AMSTERDAM: UK-based Palestinian singer-songwriter Ruba Shamshoum has just released her second solo record, a five-track EP called “Risha.” It is, she explains, a record about “different shades of love.”

“Not the traditional love that we talk about in mainstream Arabic music,” she clarifies. “We usually just talk about romantic, sexual love. That doesn’t represent all that love is. There’s so much more: Love for a newborn, a partner, for unity and nature. Or self-love — going on the necessary journey of understanding yourself and not allowing anyone to dictate who you are. I really wanted it to be different shades, but all with the same spirit of love, unity and exploration.”

Shamshoum’s exploration of music began after finishing high school in Nazareth. Inspired by the acts she saw in MTV, she was a singer in a rock band. But when she started university, studying English literature, one of the modules was “Jazz in American Literature.” One day, the lecturer played Louis Armstrong’s version of “When The Saints Go Marching In.”

“I was, like, ‘Oh my god! This is so playful. This is so happy.’ I just fell in love,” Shamshoum says. “It’s like the colors of the voice just appeared to me there. It made me realize a singer can do many things.”

Her association of ‘colors’ with voices and music is something that continues today, she explains. On the new EP, she says “Manara” is “a very dark, nocturnal forest kind of a song. It takes you into the woods,” while the title track is “pink-ish — it has more childlike qualities.”

After graduating, Shamshoum began studying music. And when her husband landed a job in Dublin, Ireland, she took the opportunity to sign up for a degree in Jazz Performance there. It was a big step. At the time, she didn’t play any instruments (she now plays keyboards) and knew nothing about music theory.

“It was a very demanding course,” she says. “But it was life-changing in so many ways. It was the first time I got real criticism, which is so important. A lot of musicians don’t get the privilege of getting good criticism of their work. That helped me a lot.”

Shamshoum’s genre-hopping blend of Western and Arabic influences is distinctive and striking. Its originality — the fact that it wasn’t a ‘safe’ sound based on things that were already popular — meant it required a certain degree of conviction from its creator, which Shamshoum says she may not have had without that “good criticism.”

“It really made me more resilient and confident in what I do, knowing that the people who were criticizing me wanted the best for me. They didn’t want to destroy me.”

Indeed, many of them helped her record her well-received first album, 2017’s “Shamat.” For a debut, it’s a remarkably self-assured work, on which she displays real faith in her own talent.

“I think since I wrote “Madeline” (released in 2015) — which was about dealing with self-loathing, and saying we’re not black-and-white, we are so many things, and that’s OK — I found my voice,” Shamshoum says. “When you see that other people are connecting with that, too, it gives you the confidence to say, ‘OK. I need to see what else is in there so more people can feel like they’re reflected in music and art.’”

The new EP builds on that record’s innovative take on Shamshoum’s influences, introducing electronic sounds and “tribal beats.”

“This record is definitely more groovy, more primal,” she says. “I would say it’s more upbeat, as well. We added a lot of layers, trying to get that celestial, atmospheric sound.”

The ‘we’ includes Grammy-nominated German-Turkish producer Alev Lenz.

“She really did an amazing job of connecting the dots (with musicians based in different countries). I feel like she took what I was doing and elevated it. It turned out much more powerful than I envisioned. It was such a beautiful journey.”

It’s a journey that began with that bold decision to take a music degree; a decision not everyone understood at the time.

“My mother was worried that I needed to start making money,” Shamshoum says. “I mean, she was right: There’s no money in music — especially as a niche artist singing in Arabic. In the West.” She laughs. “So she was worried about my future. But I have a partner who is really supportive. He was, like, ‘Don’t take half-steps. Just do the thing you want to do.’

“And with music, you either do it all the way or you don’t do it at all,” she continues. “You have to be committed. It needs to be part of your identity. Not your plan B.”


Morocco’s Casablanca to stage physical show at Paris Fashion Week 

Morocco’s Casablanca to stage physical show at Paris Fashion Week 
Updated 15 June 2021

Morocco’s Casablanca to stage physical show at Paris Fashion Week 

Morocco’s Casablanca to stage physical show at Paris Fashion Week 

DUBAI: Moroccan-helmed label Casablanca is among six other fashion houses set to present a physical show during Paris Men’s Fashion Week, the Fédération de la Haute Couture et de la Mode – which organizes Paris Fashion Weeks – announced on Monday.

After two seasons of digital presentations, the hybrid event will return with a selected number of brands showcasing their Spring 2022 collections in person and others presenting digitally from June 22-27.

Casablanca was founded by Charaf Tajer. The menswear, Paris-based label is known for its ultra-wearable clothing made out of luxe silks and cashmeres that is inspired by Tajer’s Moroccan roots. 

His debut runway during Paris Men’s Fashion Week in 2018 was a love letter to his parents who met while working side by side in a clothing atelier in the fashion district of Casablanca.

Besides Casablanca, Dior, Hermès, Bluemarable, LGN Louis-Gabriel Nouchi and Officine Générale are also listed to present physical shows. 

Digital presentations will feature runways for Louis Vuitton, Rick Owens, Dries Van Noten, Loewe, Dunhill, and more. 

Just last week, the Fédération de la Haute Couture et de la Mode announced that Lebanese designer Zuhair Murad will present his Autumn/ Winter 2021 couture collection in person at Paris Fashion Week, among seven other renowned labels including Dior, Azzaro Couture, Chanel, Giorgio Armani Privé, Balenciaga, Jean Paul Gaultier and Vaishali S. 

A limited number of guests will be allowed to attend the physical shows to help curb the spread of the COVID-19 pandemic. 


Algerian director Mounia Meddour joins Cannes’ Un Certain Regard jury

Algerian director Mounia Meddour joins Cannes’ Un Certain Regard jury
Updated 15 June 2021

Algerian director Mounia Meddour joins Cannes’ Un Certain Regard jury

Algerian director Mounia Meddour joins Cannes’ Un Certain Regard jury

DUBAI: The Cannes Film Festival announced this week that Algerian director Mounia Meddour will be part of the Un Certain Regard jury at the 74th edition of the event set to take place from July 6-17.

The other jury members are UK director Andrea Arnold – the president, French actress Elsa Zylberstein, Argentinian director, producer and screenwriter Daniel Burman and US writer, director, producer and actor Michael Covino.

After making several documentaries — “Elementary Particles” (2007), “La Cuisine en héritage” (2009) and “Algerian Cinema: A New Breath” — Meddour directed her first short fiction film “Edwige” in 2011, which received a special mention at the Journées Cinématographiques in Algiers. 

In 2019, she created a sensation with her first feature film “Papicha.” 


Gigi Hadid: ‘I’m sometimes made to feel too white to stand up for my Arab heritage’

Gigi Hadid: ‘I’m sometimes made to feel too white to stand up for my Arab heritage’
The model recently sat down with i-D magazine. Instagram
Updated 15 June 2021

Gigi Hadid: ‘I’m sometimes made to feel too white to stand up for my Arab heritage’

Gigi Hadid: ‘I’m sometimes made to feel too white to stand up for my Arab heritage’

DUBAI: Part-Palestinian model Gigi Hadid recently opened up about a host of personal topics in an interview with i-D magazine, shedding light on her experience of giving birth during the COVID-19 pandemic, feeling “weird” during her pregnancy during fashion month, her multi-cultural roots and how she intends to help her daughter embrace her different heritages, something, she reveals,  she  previously faced difficulty standing up for when it comes to her Arab roots.

Hadid and Zayn Malik, father of her nine-month-old daughter Khai, are both from mixed race households.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Gigi Hadid (@gigihadid)

The 26-year-old model was born to Dutch supermodel and “Real Housewives of Beverly Hills” star Yolanda Hadid and Palestinian property mogul Mohamed Hadid. Meanwhile, the former One Direction singer’s father is British-Pakistani, while his mother is English and Irish.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Gigi Hadid (@gigihadid)

The parents of Khai revealed that their multicultural roots are something they talk about a lot as partners as it’s “something that we first experienced ourselves because both of our parents are their own heritage.”

Hadid went on to note that she sometimes felt that she was “too white” to stand up for her Arab heritage.

“In certain situations, I feel — or I’m made to feel — that I’m too white to stand up for part of my Arab heritage. You go through life trying to figure out where you fit in racially. Is what I am, or what I have, enough to do what I feel is right? But then, also, is that taking advantage of the privilege of having the whiteness within me, right? Am I allowed to speak for this side of me, or is that speaking on something that I don’t experience enough to know? Do you know what I’m saying?” she said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Gigi Hadid (@gigihadid)


She added that she thinks it will “be nice" to have such conversations with Khai someday, "and see where she comes from… without us putting that onto her.

"What comes from her is what I'm most excited about," she added, "and being able to add to that or answer her questions."

 


London Fashion Week: Reem Juan’s latest offering pays homage to Egypt-born music icon Dalida

London Fashion Week: Reem Juan’s latest offering pays homage to Egypt-born music icon Dalida
Reem Juan Fall 2021 ready-to-wear collection. Supplied
Updated 14 June 2021

London Fashion Week: Reem Juan’s latest offering pays homage to Egypt-born music icon Dalida

London Fashion Week: Reem Juan’s latest offering pays homage to Egypt-born music icon Dalida

DUBAI: London Fashion Week is hoping to be back on track with the usual line-up of physical shows come September, but until then LFW’s “digital first” approach continued with another selection of online presentations from the capital’s designers alongside a handful of in-person events that took place from June 12-14. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Reem Juan (@reemjuan)

Held over three days, the latest edition saw 32 womenswear, menswear and accessories brands showcasing their collections on the LFW digital platform, including regional label Reem Juan. 

The Abu Dhabi-born womenswear designer presented her eponymous brand’s Fall 2021 collection via a four-minute fashion film as part of the fashion event. 

Reem Juan Fall 2021 ready-to-wear collection. Supplied

Inspired by the late Egyptian-born French icon Dalida, Juan decided to embrace femininity by churning out an ultra-romantic collection that included sparkling miniskirts embellished with tiny beads and worn with jumpers embroidered with famous Dalida lyrics such as “En chantant jusqu'au bout” and “C'était le temps des fleurs on ignorait la peur.”

Flower motifs appeared throughout, whether in the form of beaded appliques on tops or as prints on chiffon dresses and jacquard pant suits and skirts.

Reem Juan Fall 2021 ready-to-wear collection. Supplied

Black turtlenecks got an ultra-feminine touch by way of lace collars while sharply-tailored blazers looked all the more elegant when paired with pussy bow blouses.

1970’s influence seeped into the offering in the form of thick belts cinched around the waist and denim wide-legged jumpsuits.

Reem Juan Fall 2021 ready-to-wear collection. Supplied

If you’re in the market for a pretty frock, Juan’s latest collection provides plenty to choose from. The offering concluded with a lineup of elegant eveningwear that consisted of heavily-sequined, plunging gowns, tulle dresses with voluminous sleeves, beaded taffeta skirts worn with a matching bralet tops and embellished crepe kaftans in salmon, peach, lemon and mint hues.

Reem Juan Fall 2021 ready-to-wear collection. Supplied

By using technology, minimal production waste and sourcing local hand craftsmanship to create her garments, Juan’s collection is as chic as it is sustainable. For instance, the designer utilized recycled taffeta to create one eye-catching yellow shirt dress with open eyelet details.

Reem Juan Fall 2021 ready-to-wear collection. Supplied

Indeed, the designer’s efforts will resonate with the luxury consumer who values ethical clothing.


Producer resigns from movie on New Zealand mosque attacks amid backlash

Producer resigns from movie on New Zealand mosque attacks amid backlash
Flowers and tributes hanging on the fence of the Botanic Gardens on March 17, 2019 in Christchurch, New Zealand. Getty Images
Updated 14 June 2021

Producer resigns from movie on New Zealand mosque attacks amid backlash

Producer resigns from movie on New Zealand mosque attacks amid backlash

DUBAI: A producer for a controversial Hollywood film about New Zealand Prime Minister Jacinda Ardern’s response to the Christchurch terror attacks in 2019 has resigned from the project.

 The producer Philippa Campbell’s resignation comes after the Andrew Niccol-directed  film, titled “They Are Us,”  came under fire for not focusing on the victims of the attacks.

“I’ve listened to the concerns raised over recent days and I have heard the strength of people’s views. I now agree that the events of March 15, 2019, are too raw for film at this time and do not wish to be involved with a project that is causing such distress,” she said in a statement released to the media.

“The announcement was focused on film business, and did not take enough account of the political and human context of the story in this country. It’s the complexity of that context I’ve been reflecting on that has led me to this decision,” she added.

Ardern, who is slated to be played by Australian actress Rose Byrne, said on Sunday it felt “very soon and very raw” for New Zealand, and that she was not an appropriate focus for a film about the mosque attacks. 

“There are plenty of stories from March 15 that could be told, but I don’t consider mine to be one of them,” she said. Ardern has stated that she has no involvement with the film, which would be set in the days after the 2019 attacks in which 51 people were killed at two Christchurch mosques.