‘We are artists’: Karachi’s bonsai enthusiasts nurture ancient art of miniature trees

Special ‘We are artists’: Karachi’s bonsai enthusiasts nurture ancient art of miniature trees
A man carries bonsai tree at the annual exhibition of Pakistan Bonsai Society in Karachi on December 1, 2024. (AN Photo)
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Updated 02 December 2024
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‘We are artists’: Karachi’s bonsai enthusiasts nurture ancient art of miniature trees

‘We are artists’: Karachi’s bonsai enthusiasts nurture ancient art of miniature trees
  • Every year, enthusiasts of Japanese art form gather for annual exhibition of Pakistan Bonsai Society
  • Bonsai involves growing trees in small containers to create a realistic miniature of mature forms

KARACHI: Every year, enthusiasts of an ancient Japanese art form gather in the port city of Karachi to show off their works at the annual exhibition of the Pakistan Bonsai Society. 
This year’s edition too saw members of the group putting on display trees that they had grown in containers to create a realistic miniature of mature forms. The members consider themselves artists and the miniature trees, shaped and pruned with precision and care, are not just plants for them but living sculptures rooted in history, tradition and deep personal devotion.
The practice of bonsai, or miniaturizing plants, is thought to have come to Japan from China sometime around the seventh century, when the two countries formally established diplomatic ties. Similar art forms exist in other cultures, including Korea’s bunjae, the Chinese art of penjing, and the miniature living landscapes of Vietnamese Hòn non bộ. 
In the world of bonsai, every twist, turn and trim is an artistic act in which horticulture meets creativity.
“We are artists, using our horticulture knowledge and aesthetic sense, we create these bonsai,” Salman Farooqui, an enthusiast with over a decade of experience, told Arab News on Sunday, as his hands gently guided a tiny tree branch into shape.
Farooqui described bonsai as the only “recognized” living art form that traces its origins back to the ancient Gandhara civilization, which existed from around 500BC to 900AD in what is now northern Pakistan and Afghanistan, long before it became synonymous with Japan.
Buddhist monks in the ancient Taxila and Harappa cities meditated under the shade of the Peepal tree, or Ficus religiosa, with its roots intertwining with the spiritual practices of the time, according to Farooqui. The art form then shifted to Tibet in China, before it finally reached Japan.




Visitors attend the annual exhibition of Pakistan Bonsai Society in Karachi on December 1, 2024. (AN Photo)

“The imagination of Buddha was under the Peepal tree,” Farooqui said. “Japan gave it an official recognition.”
For many Karachiites, the journey into the world of bonsai began with the efforts of a visionary, the late Maj. Gen. Dr. Shaukat Ali Syed, who brought the art form to Pakistan in the 1960s and is often credited with popularizing it in the South Asian country. The Pakistan Bonsai Society itself was established in 1998, the brainchild of Dr. Syed, whose legacy lives on through its annual exhibitions and workshops.
“I saw a live bonsai for the first time at his [Dr. Syed’s] residence in Karachi when I was a child. He had been growing them since the ‘60s,” Khawaja Mohammad Mazhar, an engineer who retired from the Pakistan International Airlines (PIA) and took up the cultivation of bonsai in 1980, told Arab News.
“POTTED PLANTING”
Bonsai plants, unlike traditional potted ones, require care, patience, and expertise. They can be grown from seeds, cuttings or nursery stock. Beginning with a thicker trunk to form the base of the tree is often the quicker method but regardless of the starting point, all bonsai are treated as living sculptures that are pruned and shaped meticulously over time.
Various techniques, including painstaking pruning and wiring, are used to give the trees a mature appearance, Mazhar explained. It could take decades to complete one tree, meant to symbolize a scene from nature, and they could then survive for centuries.




Bonsai trees are seen exhibited by the Pakistan Bonsai Society in Karachi on December 1, 2024. (AN Photo)

“It’s the same normal plants, they are only trained,” Mazhar said:
“They have a shallow pot, the roots do not spread much as they are constantly trimmed, and they are kept in the same shallow container, while the shaping is controlled from the top through wiring, through weights.” 
The “clip and grow” method, in which parts of the plant were selectively trimmed to encourage specific growth patterns, is a main technique of the art. 
Local plants are best suited for bonsai cultivation and Karachi’s enthusiasts recommended training native species into sculptural forms that express their unique ecological and cultural climates.
“An imported plant from outside will not survive here as a bonsai,” Manzar said.
Mansoor Alam Khan, another enthusias who found his passion for the art form through the Pakistan Bonsai Society, began cultivating about 10 years ago. The practice allowed him to continue his love for planting trees in Karachi, where space is often limited.
In fact, bonsai, which literally means “potted planting,” became popular as a way of bringing nature inside for many Japanese whose small houses made gardens impossible.
“I was inclined toward planting trees since childhood but there isn’t enough space in Karachi so we couldn’t grow trees,” Khan told Arab News. “When I met these people [at the Pakistan Bonsai Society] and saw that they are growing these trees in their homes so I followed suit too. I have made a really good collection in the last 10 years.”




Visitors attend the annual exhibition of Pakistan Bonsai Society in Karachi on December 1, 2024. (AN Photo)

“Everyone talks about planting trees these days to save the environment. So, if there is not enough space, you can start gardening from your home too,” he added. “For instance, if someone has 50 plants on their rooftop, they can turn them into bonsais.”
Farooqui, who practices bonsai with his wife Ruby Salman, said though the art was in its “introductory conditions,” in Pakistan, more young people were becoming interested.
“Now, as we train more youngsters into this art form, I hope it will become known in this country in the future,” he said.
His wife added that the Internet was helping to boost interest in bonsai among younger people.
“Yes, I feel that when kids do come [to Bonsai Society] and when they come to know the whole story about the bonsai, when we tell them that how it started, they really take an interest in it.”


Qatar exhibition explores relationship between AI and humanity

Qatar exhibition explores relationship between AI and humanity
Updated 21 January 2025
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Qatar exhibition explores relationship between AI and humanity

Qatar exhibition explores relationship between AI and humanity

DOHA: The Media Majlis Museum at Northwestern University in Qatar launched “Ai or Nay? Artificial vs. Intelligent,” a thought-provoking exhibition exploring humanity’s evolving relationship with machine learning. 

Running until May 15, the exhibition brings together over 20 works by international and regional artists.

Directed by Alfredo Cramerotti, the exhibition emphasizes interdisciplinary dialogue, he said. “For me, it’s important as a curator to combine arts with something else and have a foot in art and a foot in something like technology or media,” Cramerotti told Arab News.

Alfredo Cramerotti (L) is the director of the exhibition and Jack Taylor (R) is the curator. (Supplied)

“We’re embedded in an environment of communication, technology, and media and (in this exhibition) we bring in artistic elements… to tackle themes that are relevant for society now.”

On display are installations from international creatives such as Jan Zuiderveld (Netherlands), Patrick Tresset (France/Belgium), and Adnan Ayub Aga (UAE/Portugal), alongside interactive and visual works by Amr Alngmah (Yemen/Egypt), Farjana Salahuddin (Bangladesh), graphic designer Hind Al-Saad (Qatar), Hadeer Omar (Egypt) and Bilge Emir (Turkey/Germany).

“We thought, let’s bring in in different voices — from the region and internationally, from different sectors of society and cultures — to help us understand the different pinch points of AI to make the general public more aware of certain issues,” explained Cramerotti.

The exhibition brings together over 20 works by international and regional artists.(Supplied)

The exhibition also addresses the tension between digital and physical experiences, he added: “This hybridity is central to the show. It’s about being aware of how AI and information flows shape our identities and impact our lives.”

As an example, Cramerotti highlighted the work of Al-Saad and Omar, which features screen walls offering a glimpse into how AI works in our everyday lives.

“The idea of how computers see us is actually quite central, but it’s completely invisible — like facial recognition,” he said. “It is integrated in your life flow. You don’t notice it. But there is an incredible amount of ‘bio-politics’ behind it.”


Tiffany Trump stuns in Zuhair Murad gown during inauguration week

Tiffany Trump stuns in Zuhair Murad gown during inauguration week
Updated 21 January 2025
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Tiffany Trump stuns in Zuhair Murad gown during inauguration week

Tiffany Trump stuns in Zuhair Murad gown during inauguration week
  • Tiffany is married to Lebanon-born Michael Boulos
  • Married in 2022, they are expecting their first child

DUBAI: Tiffany Trump, the daughter of US President Donald Trump, turned heads this week in a dress by Lebanese designer Zuhair Murad at the Inaugural Candlelight Dinner, hosted at the National Building Museum in Washington, D.C.

Traditionally held on the eve of a US presidential inauguration, the black-tie event honors the incoming administration with an evening of celebration and speeches.

For the occasion, Tiffany, who is expecting her first child with husband Michael Boulos, chose a custom, chocolate-brown chiffon gown with an asymmetric one-shoulder neckline, and a cape-like sleeve that flowed dramatically.

The dress was cinched at the waist and highlighted by intricate draped detailing on the bodice.

On Monday morning, Tiffany and Boulos attended services at St. John’s Church in Washington, D.C., a longstanding tradition for incoming presidents and family members.

Later in the day, she joined her family at the swearing-in ceremony, which was held indoors at the Capitol Rotunda due to extreme cold weather.

She also attended the inaugural parade at the Capital One Arena and the inaugural balls that evening.

For the day’s events, she wore a velvet navy-blue coat cinched at the waist, accessorized with minimal jewelry and leather point-toed stiletto boots.

She wore a velvet navy-blue coat cinched at the waist, accessorized with minimal jewelry and leather point-toed stiletto boots. (Getty Images)

Tiffany and Boulos tied the knot in 2022. For her special day, the bride wore a custom-made Grecian-style gown by Lebanese designer-to-the-stars Elie Saab.

Tiffany chose her wedding dress as a nod to Boulos’ heritage. “It’s a Lebanese-American wedding, so we were so happy to have Elie Saab create the magic,” said mother of the bride Marla Maples at the time, according to People magazine.

Boulos is of Lebanese and French descent and grew up in Lagos where his father, Massad, runs Boulos Enterprises and is the CEO of SCOA Nigeria.

The family is also linked to the world of Hollywood through Michael’s brother Fares, who is an actor and appeared in a 2017 episode of “The Crown.”

Boulos and Tiffany were engaged in January 2021, the day before Trump left office following defeat in the 2020 election.


Camila Alves McConaughey shines in Elie Saab at Riyadh event

Camila Alves McConaughey shines in Elie Saab at Riyadh event
Updated 20 January 2025
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Camila Alves McConaughey shines in Elie Saab at Riyadh event

Camila Alves McConaughey shines in Elie Saab at Riyadh event

DUBAI: Lebanese couturier to the stars Elie Saab took to Instagram to give a shoutout to model Camila Alves McConaughey, who wore the label to the recent concert “Life is a Dream,” led by Hollywood giant Anthony Hopkins in Riyadh.

“@camilamcconaughey attended the ‘Life Is A Dream’ concert composed by Sir Anthony Hopkins with the Royal Philharmonic Orchestra alongside her husband Matthew in an ELIE SAAB Spring Summer 2025 look,” the label captioned the Instagram post.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Alves McConaughey, who attended the event with her actor husband Matthew McConaughey, wore a striking yellow gown to the event, with flowing caped sleeves and a plunging neckline.

Meanwhile, US pop sensation Christina Aguilera, who performed at the Joy Awards ceremony over the weekend in Riyadh, also opted for an Elie Saab creation for the first part of her performance.

Aguilera took to the stage in a dramatic burgundy gown from Elie Saab’s Haute Couture Autumn Winter 2024 collection. The glittering gown saw Aguilera channeling old-school 1920s Hollywood glamour. The dress flowed into a feathered train, and she completed the look with a chiffon scarf, draped over her head and shoulders.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

The same event saw Alves McConaughey opt for another yellow gown, this time from Oscar de la Renta.

As for the symphony concert, in a captivating blend of art and humanity, Hollywood icon Hopkins graced the Bakr Al-Shaddi Theater in Boulevard City, Riyadh, with a performance titled “Life is a Dream” as part of the Riyadh Season festivities.

Introduced by fellow actor Morgan Freeman, Hopkins opened his speech with the Arabic greeting, “As Salaam o Alaikum,” setting a tone of cultural respect and unity.

Hopkins shared his reflections on life and art, drawing from the words of Edgar Allan Poe: “I have always believed that all we see or seem is but a dream within a dream.”

Reflecting on his life, he described the path from “the son of a simple baker” in South Wales to a world-renowned composer and actor.

“My life, to me, is a profound mystery,” he said. “It’s impossible to understand or take credit for the blessings I’ve been given. That’s why I believe life is a dream, and this piece, ‘Life is a Dream,’ was inspired by my dreamy childhood in South Wales, my wonderfully supportive mother and my father, who was larger than life and worked tirelessly throughout his life.”


Italian sculptress Ariana Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 

Italian sculptress Ariana Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 
Updated 20 January 2025
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Italian sculptress Ariana Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 

Italian sculptress Ariana Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 

RIYADH: With the theme “Then and Now: Joy in the Struggle of Making,” the sixth edition of the Tuwaiq Sculpture symposium has brought together 30 sculpture artists from around the world.

Among them is Italian artist Ariana Palmieri, whose piece “Motion of Revolution” was inspired by the movement of the solar system around the sun. Depicting the inevitable cycles of birth and death, the work contemplates the notion that birth is conditioned by assured fatality. 

Adriana Palmieri at her Tuwaiq Sculpture symposium booth. (Instagram)

“It’s all about the circularity of life — you are born, you are a child, then you are an adolescent, then you grow older, and then you die. But your life will continue after this, and we give life to other things. So it’s more about how everything is connected and a circularity of life; as humans move within the planets, the planets are moving around the sun,” Palmieri told Arab News. 

Originally from Milan, Palmieri moved to Carrara, a town known worldwide for its white marble, to study sculpting. She graduated in 2023 and the 26-year-old is one of the youngest artists amongst the group at the symposium.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@palmieri.sculpture)

She says it is an opportunity to learn and grow as an artist. 

“It’s like a dream. I didn't think they would choose me because I am so young,” she said. “The last edition was more about people that had experience. This edition, they tried to concentrate more (on) the artwork and the background of the artist,” she said. 

The finished works will be exhibited from Feb. 12-24 and moved to various locations across the city as part of Riyadh Art’s initiative to beautify the capital.

“Public art is the main thing that our sculptures can achieve because you can do big stuff and they will be like a journal in some way. I’m really, really happy that I can do something so big that will stay there so much longer than me,” she said. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@palmieri.sculpture)

Palmieri’s work is not merely a reflection of planetary movement but contemplates the existence of the human race and its role within a larger picture. Her work itself is a representation of this thought: As every human diminishes, remnants of them and their work on earth will be set in stone — waiting to be discovered by another. 

“I thought about nature a lot, and all of humanity. I hope at least that my art can get through this idea, to connect all the people,” she said.


Review: ‘A Man on the Inside’ – comedy series on Netflix

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Photo/Supplied
Updated 19 January 2025
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Review: ‘A Man on the Inside’ – comedy series on Netflix

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  • Dressed in impeccably pressed suits and armed with plenty of trivia about architecture, he saunters in, shyly at first, then begins to find his footing

“A Man on the Inside” is an eight-episode comedy series that premiered on Netflix in 2024, blending humor, heartfelt storytelling and a touch of mystery.

After retired professor and widower Charles Nieuwendyk (Ted Danson of “The Good Place”) speaks to his concerned only daughter, Emily (Mary Elizabeth Ellis), he decides to make a change. A year after her mother’s death, Emily encourages her father to find a new purpose; to take a class or try a new hobby.

With a love of newspaper cutouts (he would often clip and mail interesting articles to Emily), Charles finds an intriguing yet vague job listing in the classified section.

He is soon recruited by Julie, a private investigator (Lilah Richcreek Estrada), who reluctantly enlists his help to uncover the whereabouts of a stolen necklace in a local San Francisco retirement community.

At its heart, the series explores the evolving father-daughter relationship between Charles and Emily, along with her husband and three teenage sons.

It also shows Charles making friends and trying out new things at an age and stage in his life when he thought life ended with his wife’s death.

Dressed in impeccably pressed suits and armed with plenty of trivia about architecture, he saunters in, shyly at first, then begins to find his footing.

“He’s like if a podcast wore a suit,” one staff member aptly describes him.

Then another valuable item is stolen from the community. Then another.

Stephanie Beatriz (“Brooklyn Nine-Nine”) co-stars as Didi, the sharp and determined managing director of the retirement community, bringing her trademark wit and charm to the role.

The whodunit-style show examines coping with grief, lost love, and the excitement of new beginnings from the perspective of seniors.

Whether you’re here for the mystery, the comedy, or its effortless charm, the series delivers a family-friendly binge-worthy viewing experience.