Emirati horror movies explore region’s fascination with the supernatural

Tariq Al-Kazim is working on the film "A Tale of Shadows: Illusions". (Supplied photo)
Updated 23 October 2019

Emirati horror movies explore region’s fascination with the supernatural

  • Horror films are fast emerging as a notable genre within the UAE's film industry
  • Horror films need neither big budgets nor marquee names to be effective

DUBAI: Whether it’s an audience need for escapism or a way to explore danger safely, horror films are fast emerging as a notable genre within the fledgeling Emirati film industry.

Several recent films have braved cinematic elements in recent years. Tobe Hooper’s “Djinn,” produced by Abu Dhabi production house Image Nation, broke the mold in 2013, and set new records as it explored the region’s fascination with the supernatural.

Emirati filmmaker Nayla Al-Khaja has recently finished “The Shadow,” a teaser for an extended feature believed to be based on actual events.

UAE-based Lebanese producer-director Rami Yasin is working on a vampire family drama, “Three Four Eternity,” for Image Nation.

Meanwhile, director Tariq Al-Kazim has begun pre-production on a sequel to 2017’s “A Tale of Shadows,” an English-language film about a gardener who is deeply disturbed by his experiences at a farm where he works.

The latest installment, “A Tale of Shadows: Illusions,” follows the story of a young girl who appears in a hospital, her body mysteriously drenched in blood. A local detective teams up with a journalist to investigate, and the pair land up at an eerie farm, where they find themselves enveloped in a world of illusion, chaos and madness.





The film is brought to life by an international cast, including Nigerian actor Chuka Ekweogwu, German actress Arzu Neuwirth and Swedish actor Almer Agmyren.

Emirati artist Samar Al-Shamsi, better known for the “Arab Mona Lisa” painting, also makes her screen debut in the film. 

Al-Kazim told Arab News that the film could reach cinemas early next year.

The filmmaker believes that horror movies allow him to reach audiences beyond his home country without breaking the bank.

“Horror is an interesting topic because regardless of where a person is from, when a movie is scary, it engenders fear,” Al-Kazim said.

The 26-year-old Emirati has been drawn to the genre since he was a child and has created a name for himself among regional horror fans.

Last year he released “Until Midnight,” which told the story of a newly married young man who encounters a stranger with evil intentions.

Horror films need neither big budgets or marquee names to be effective. “The Blair Witch Project,” for example, made $248 million on a budget of $60,000.

While this allows rookie filmmakers room to experiment, shoestring budgets cut both ways.




Romanian actor Robert Cristian Trif. (Supplied)

“It’s actually tough to make a horror film. You need to be able to do it correctly without any mistakes, even in the split second of a frame,” Al-Kazim said.

“But that’s a challenge I like and one of the reasons I choose to make horror films.”

Although “A Tale of Shadows” was initially planned as a trilogy, positive response to the first instalment, which premiered in Dubai and played across the UAE, brought Al-Kazim back to the story.

The UAE film industry needs more incentives to make an impact internationally, he said, but Emirati filmmakers can reach broader audiences by tackling universal themes.

“I think we’re on the right track. However, more movies need to be developed. Without an increase in the number of movies, there will be fewer celebrities, a smaller market, fewer stories and less interest, so it all starts with having a big push to really build this industry,” he said.

“There are several ways to achieve a broader range of audiences, but it’s all about the story. It needs to be universally relatable.”

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This report is being published by Arab News as a partner of the Middle East Exchange, which was launched by the Mohammed bin Rashid Al Maktoum Global Initiatives and the Bill and Melinda Gates Foundation to reflect the vision of the UAE prime minister and ruler of Dubai to explore the possibility of changing the status of the Arab region. 

 

 


Arabic anime voice actors prepare for new show at Riyadh expo

Updated 50 min 30 sec ago

Arabic anime voice actors prepare for new show at Riyadh expo

  • Waheed Jalal's voice acting as “Treasure Island” antagonist John Silver has captivated generations

RIYADH: Visitors to Riyadh’s first anime expo stopped by the first panel on Saturday unaware that they would be leaving the stage with memories renewed of their favorite voice actors of all time.

Waheed Jalal and Jihad Al-Atrashi will forever live on in the hearts of fans of “Grendizer” and “Treasure Island (Takarajima),” the two shows that introduced the Arab world to anime in the 1970s.

Jalal, whose voice acting as “Treasure Island” antagonist John Silver has captivated generations, expressed how delighted he was to be with the audience.

“I want to thank you and your Kingdom of generosity and culture,” he said.

Al-Atrash, who portrayed Duke Fleed, echoed his sentiments: “You are great people with great values, thank you to the people of the Kingdom that stand next to people of all nations.”

Jalal was touched by the audience’s love and warm welcome, “You guys are the reason we continued this far, without you it wouldn’t have been possible,” he told them.

“We’re persevering to this day because people loved these characters we portrayed so much, our other works pale in comparison,” he added.

Jalal said that the reason “Grendizer” remained with so many people is because of the values and morals depicted in the show, teaching generations to be loyal and loving to their nation and their people.

Artist and creator Ibrahim Al-Lami. (AN photo by Huda Bashatah)

The voice acting pair talked about the importance of speaking in formal Arabic in these shows. Jalal said it’s because “you’re presenting to the entire Arab world.”

Local dialects would be difficult for others to understand, so we must all aspire to perfect our formal Arabic, added Jalal.

Before concluding the talk, a teaser was played of the first Saudi anime “Makkeen” by artist and creator, Ibrahim Al-Lami, who announced that 60 percent of the work was completed through local efforts.

“We’ll introduce a new work that is by our people, written by our people and voiced by our people,” he said to the audience.

The work will feature characters voiced by Jalal and Al-Atrash, who have become symbolic to the Arab anime world. “I told them, this work wouldn’t be complete without you two,” said Lami on his choice of voice actors. “We want these works to see the light of day. We need to provide the new generations with tales of our own,” added Al-Atrash when asked why he wanted to partake in the anime.