Bahraini singer Mo Zowayed: ‘I’m not the sad and tortured type’

Mo Zowayed started singing when he was about 25. (Supplied)
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Updated 05 June 2020

Bahraini singer Mo Zowayed: ‘I’m not the sad and tortured type’

  • The Bahraini singer-songwriter discusses his latest album and keeping busy in lockdown

 

MANAMA: Mo Zowayed’s email signature bills him as “Singer. Songwriter. Sleeper.” But the sleeping part of his repertoire is clearly not top of the 31-year-old Bahraini’s agenda.

Even in lockdown he’s busy, having recently taken part in an online concert to raise funds for Bahrain Animal Rescue Centre. (“I don’t know what life would be like without dogs and I’d rather not find out,” he says.) There’s another scheduled for the end of May. 

He’s also just gone live with his “Viola Sessions” — a series of five original tunes from his latest album,  “That Good Love,” released in November, captured at a local club — and he’s performing Instagram Live sessions every Saturday afternoon, besides writing a bunch of new material.




His dad is an oud player and his grandfather Mohamed is a respected folk singer. (Supplied)

It’s no surprise Zowayed ended up as a musician. His dad, Yusuf, is an oud player and his grandfather Mohamed is a respected folk singer. His own musical journey, though, began with a spot of bribery. 

“I started when I was 13. I struggled a bit in seventh grade with my math grades. My parents agreed to buy me a guitar if I managed to turn my grades around,” he says. “It was tough, but I did it. I got the guitar.” He’s now an accomplished player of several instruments, including mandolin, banjo, trumpet, ukulele and harmonica.

He didn’t start singing until he was about 25, though. He cites acoustic artists including Jack Johnson, Jason Mraz and Ben Harper as major influences. “I just loved the way that they could express themselves with just a guitar and (vocals). So, I started practicing like crazy,” he says. 




His own musical journey, though, began with a spot of bribery. (Supplied)

Unlike many regional musicians, he was always set on writing and performing his own material, rather than covers. “I’m still surprised when I meet a good musician who doesn’t write their own stuff,” he says. “For me, it’s the most enjoyable part — there’s no feeling like performing a song you’ve written and having some of the audience singing along.”

Zowayed quickly established himself on the Bahrain music scene. “I started by accepting every single gig. I played everywhere — every little dingy venue. There were some well-known bands in Bahrain, but they played a couple shows a year, tops. I just wanted to put myself out there, and I was one of very few people doing that. What makes me happy is that almost every band in Bahrain is doing that now. We’ve got a community of working musicians who are on stage all the time. I love seeing that.”

His work ethic and determination eventually landed him an American tour — something few independent musicians from the Middle East manage to achieve. “I spent months emailing, calling and messaging venues in the US. I must have contacted over 100 venues and festivals. I didn’t give up, even after 50 rejections — no exaggeration. I just kept trying.




He cites acoustic artist Ben Harper as a major influence. (AFP)

“Eventually I was offered a spot at Farmfest in Michigan. That gave me the motivation to keep trying to book shows. We played in Colorado, Michigan, Iowa, Nashville, Alabama and Ohio. It was the most surreal time.”

From there, Zowayed and his “incredible band” The Moonshiners, got offered a support slot for UK star Jools Holland at London’s iconic Royal Albert Hall in 2017. “I just can’t overstate how magical that night was,” he says. In December last year, he and The Moonshiners were back on tour with Holland and played several shows of their own in the UK to support the release of “The Good Love.”




He cites acoustic artist Jason Mraz as a major influence. (AFP)

That album has evolved from the folky roots of Zowayed’s debut EP “New York Times,” partly because he’s playing an electric guitar, but he describes it as a natural progression. 

“I really wanted to make an upbeat record, because that’s the kind of music I’m into these days. I’m a pretty upbeat guy,” he says. “I’m not the sad and tortured type, and I’ve realized that’s okay, I don’t need to be.  As soon as I embraced that, the songs started pouring out. The result is an album that gets me excited every time I hear it.” 

Zowayed’s goal is to be a touring musician, and he recognizes that that could mean leaving the GCC. “It’s simply not possible in the Middle East when it comes to non-Arabic music,” he says. 

But his local fans don’t need to worry just yet. “I’m on a mission to put out as much music and as many videos as I can and play as many shows as possible,” he says. “And I hope to see everyone at a live show once we kick this virus in the behind.”


Rami Malek to star in new ‘James Bond’ podcast series

Updated 29 September 2020

Rami Malek to star in new ‘James Bond’ podcast series

DUBAI: Ahead of the worldwide release of the 25th James Bond film this November, “No Time to Die: The Official James Bond Podcast” is launching on Sept. 30. 

Hosted by renowned film critic James King, the new six-part series will feature exclusive interviews with the forthcoming film’s cast, including Egyptian-US actor Rami Malek, who is set to play the antagonist in the action thriller.

There will also be interviews with actors Daniel Craig, Léa Seydoux, Lashana Lynch, Jeffrey Wright, Naomie Harris, Ana de Armas, Rory Kinnear and Billy Magnussen. 

Film director Cary Joji Fukunaga, producers Michael G. Wilson and Barbara Broccoli and a host of key behind-the-scenes crew will also feature in the new podcast series.

Each episode will focus on different aspects of the franchise, giving fans the opportunity to learn more about the making of the iconic film series, from the locations chosen and stunts to costumes and music.  

What’s more, the podcast will feature the first listen to Hans Zimmer’s score for the film with brand new recordings from the Royal Philharmonic Orchestra.