1309 Studios founder Ghada Al-Subaey talks Arab representation, dressing Georgina Rodriguez

1309 Studios founder Ghada Al-Subaey talks Arab representation, dressing Georgina Rodriguez
Georgina Rodriguez (right) wore one of Ghada Al-Subaey’s (left) abayas during the 2022 FIFA World Cup in Doha. (Supplied/Instagram)
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Updated 07 February 2023

1309 Studios founder Ghada Al-Subaey talks Arab representation, dressing Georgina Rodriguez

1309 Studios founder Ghada Al-Subaey talks Arab representation, dressing Georgina Rodriguez

DUBAI: Qatar-based ready-to-wear label 1309 Studios, founded by entrepreneur Ghada Al-Subaey, has been garnering the attention of international stars, including Argentinian model Georgina Rodriguez.

The star, who now lives in Saudi Arabia with her boyfriend Portuguese football player Cristiano Ronaldo, wore one of Al-Subaey’s abayas during the 2022 FIFA World Cup in Doha.

Al-Subaey told Arab News that one of her brand’s key goals was to modernize the traditional abaya and “make it accessible to every woman around the world.

“Having Georgina walk into a boutique and pick our abaya off the rack and wear it for such an important event means that we have managed to reach that goal in making the abaya versatile and wearable. She picked one of our signature abayas the palm sage green,” she said.

Rodriguez wore the design with a figure-hugging black dress, silver heels, and a white Chanel bag.

1309 Studios is grounded in a contemporary bohemian aesthetic. At the heart of the brand is a minimalist, feminine look that merges seasonal trends with traditional Qatari elements.




Drop 8, “Eternal Unfolding,” look 1. (Supplied)

Clean silhouettes, bold colors, artful prints, and carefully considered details are hallmarks of the brand. The designer draws inspiration from art, nature, and global culture to create pieces with a contemporary edge.

“When I was a teenager, I found myself exploring fabrics and creating styles that weren’t available in Qatar at the time. I began designing kaftans for family and friends during college and that’s where it all started,” Al-Subaey added.

Before she launched her brand in 2015, she ran her small business from home and relied on word of mouth to increase the hype around her designs.




Drop 8, “Eternal Unfolding,” look 2. (Supplied)

She said: “That was when I conceptualized and worked on launching my own brand. I saw that there was a gap, there was a need to create a community in Qatar where women can turn to take care of their emotional wellbeing and leave no stone unturned to make it into a reality.”

The brand name 1309 is a nod to Al-Subaey’s mother.

“13/09 is my mother’s birthday. The name is dedicated to my mother, as I got my fashion sense from her. I used to watch her stitch and cut when I was younger, I learned all about fabrics and stitching from my mother,” she added.




Drop 8, “Eternal Unfolding,” look 3. (Supplied)

Al-Subaey’s designs, which are shipped worldwide and are available in stores in Saudi Arabia, Dubai, and Qatar, are tailored in Qatar. She uses sustainable, natural, and vegan fabrics, as well as biodegradable packaging.

She said: “We also recycle scrap fabric and turn it into furniture. We rely on human skills and avoid the use of machinery as much as possible.”

And her designs are not just sketches that she brings to life, she puts thought into the design process to understand how the pieces she is creating will emotionally affect the person wearing it.




Drop 8, “Eternal Unfolding,” look 4. (Supplied)

“I want people to feel relaxed and most like themselves while wearing a 1309 piece of clothing. A lot of times when people are not comfortable in their clothes, they are not themselves.

“The idea behind the 1309 studio woman is to create a safe place for women. A place where women come together to empower and uplift each other professionally and otherwise; to develop a platform where women feel free to speak up and support and take a moment to heal from the daily challenges of life in today’s fast-paced technological world.




Drop 8, “Eternal Unfolding,” look 5. (Supplied)

“The clothes they wear should not be a restraint. The fabrics, colors, and cuts that I choose make the girls feel fun and alive. It should feel like an outfit, rather than a covering for an outfit.

“The fabric we use at 1309 is meant to complement various body types and shapes,” she added.

Al-Subaey is working to grow her brand globally.




Drop 8, “Eternal Unfolding,” look 6. (Supplied)

She said: “I want to change this stigma around abayas. I want abayas to become as respected globally as kimonos and to see everyone around the world wearing them; not necessarily to cover the body, but instead as a fashion statement.

“I would love for my ideas and inspiration to create change. Whether it is about applying sustainable approaches in our work or utilizing environmentally friendly packaging, I want the brand to continue to make a positive impact toward the community.

“I would like to expand globally and represent the Arab world in a global fashion space,” she added.


Georgina Rodriguez named ambassador for Arab brand Amara Lenses

Georgina Rodriguez named ambassador for Arab brand Amara Lenses
Updated 24 March 2023

Georgina Rodriguez named ambassador for Arab brand Amara Lenses

Georgina Rodriguez named ambassador for Arab brand Amara Lenses

DUBAI: Argentine model Georgina Rodriguez on Thursday was announced as the ambassador for Arab brand Amara Lenses, available in the Gulf region.

“I’m so happy to be the face of Amara Lenses and it’s been wonderful to work with you,” she said in a video shared on the brand’s Instagram page.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Amara Lenses (@amaralenses)

Amara Lenses has previously collaborated with regional influencers including Saudi makeup artist Shouq Artist, Kuwaiti fashion blogger Fouz Al-Fahad, Bahraini content creator Zainab Al-Alwan, Kuwaiti influencer Fatima Al-Momen, Egyptian actress Nour Ghandour and more.

However, the partnership with Rodriguez is the brand’s first with an international star.

The Arab brand sells lenses in various shades of grey, brown, green and blue. 


Christine Quinn stuns in a Nicolas Jebran gown in Los Angeles

Christine Quinn stuns in a Nicolas Jebran gown in Los Angeles
Updated 24 March 2023

Christine Quinn stuns in a Nicolas Jebran gown in Los Angeles

Christine Quinn stuns in a Nicolas Jebran gown in Los Angeles

DUBAI: “Selling Sunset” star Christine Quinn stunned this week wearing a silver gown by Lebanese designer Nicolas Jebran in Los Angeles. 

The reality TV star wore a strapless dress that gathered at one hip to the 2023 Fashion Trust Awards. 

Quinn, who is a real estate agent, paired the satin gown with colorful beaded boots that had 3D floral patterns in hues of burgundy, white and silver. 

Quinn paired the satin gown with colorful beaded boots. (AFP)

She was joined on the grey carpet by her partner Christian Richard, who is a retired tech entrepreneur. 

The event was also attended by Heidi Klum, Alessandra Ambrosio, Kate Beckinsale and more. 

Fashion Trust US is a non-profit organization dedicated to “discovering, funding, and nurturing young design talent with the aim of helping them build their label into a thriving global brand.” 


Model Imaan Hammam stars in new H&M, Mugler campaign 

Model Imaan Hammam stars in new H&M, Mugler campaign 
Updated 24 March 2023

Model Imaan Hammam stars in new H&M, Mugler campaign 

Model Imaan Hammam stars in new H&M, Mugler campaign 

DUBAI: Dutch Moroccan Egyptian model Imaan Hammam has landed herself another campaign, this time for a collaboration collection between Swedish high-street retailer H&M and French fashion label Mugler.

In the short teaser video Hammam shared on her Instagram stories, three artists are singing in a recording studio until Hammam suddenly breaks down the wall and walks into the scene.

Rising singers Amaarae, Shygirl, Eartheater, and Arca star in the campaign video. They recorded their own take on Stardust’s 1998 dance hit “Music Sounds Better with You.”

Discussions for the collaboration began before founder Manfred Thierry Mugler’s passing in January 2022.

The capsule will be available online and in stores from May 11.

The collection is being crafted under the direction of Mugler’s creative director Casey Cadwallader and will encapsulate “the unique and vibrant spirit of the brand,” H&M said in a statement.

Casey Cadwallader and Ann-Sofie Johansson. (H&M)

The silhouette of the collection is the recognizable Mugler fit of today: Strong, big shoulders, a tight focus on the waist, an ode to the curves and lines of the body, and a tribute to confidence.

Ann-Sofie Johansson, H&M’s creative adviser, said: “We are proud to celebrate the legacy of Manfred Thierry Mugler with this collection. We were all honored to get to know Manfred, and it feels very special that he was involved at the initial stages together with Casey and the house of Mugler.

“Casey has done such an incredible job at paying homage to history, and to the archive, while making the collection totally contemporary. Under him, Mugler has become one of the most innovative and exciting houses on today’s fashion landscape,” she added.

Cadwallader said: “It is truly an honor to collaborate with H&M. The collection is a celebration of everything that defines Mugler as a house and each piece is authentic Mugler, from the bodysuits, which have become a signature of ours, to the sharp tailoring and worked denims. It is a showcase of our icons.”


Qatar pushes tourism and culture after the World Cup  

Qatar pushes tourism and culture after the World Cup  
Updated 24 March 2023

Qatar pushes tourism and culture after the World Cup  

Qatar pushes tourism and culture after the World Cup  
  • The tiny Gulf state is looking to capitalize on the exposure it received late last year and the billions invested in hosting the world’s biggest sporting event

DUBAI: After 12 years of preparation to host prestigious FIFA World Cup last year — 12 years that transformed the tiny-gas rich Gulf nation of Qatar — the country is focusing on maintaining its momentum and boosting its tourism and cultural industries. 

“The World Cup, to us, was a bonus on top of what we were already doing in the cultural realm,” Sheikha Reem Al-Thani, acting deputy CEO of exhibitions and marketing for Qatar Museums, tells Arab News. 

Much of Qatar’s tourism and cultural boom, says Al-Thani, is part of the Qatar National Vision 2030 strategy, which was formalized in July 2008, the same year the Museum of Islamic Art, designed by the renowned Chinese-American architect I.M. Pei, opened in Doha.  

Jeff Koons' 'Dugong' in Doha's Al-Masrah Park. (Getty Images)

The World Cup crowds may have left, but a multitude of projects are ongoing, signaling further growth on the horizon. Throughout Doha and in nearby desert landscapes sit dozens of specially commissioned public art installations, 30 percent of which were commissioned in the year leading up to the World Cup. Works by Qatari artists including Shouq Al-Mana, Ghada Al-Kater, Mubarak Al-Malik and Salman Al-Malek sit alongside creations of acclaimed international names such as Jeff Koons, whose “Dugong” — a massive site-specific polychromed mirror-polished stainless-steel sculpture of the marine mammal that symbolizes Qatar’s natural heritage — is stationed near the Corniche. Richard Serra’s “East West/West East” stands in the Qatari desert, as does KAWS’ “The Promise,” depicting a parent and a child contemplating a globe — stressing the need to protect the environment.  

“The public art emphasizes our identity while also giving context to everything that is taking place in Qatar,” says Al-Thani. “For example, before Richard Serra’s artwork, people didn’t have much of a reason to go to that area in the desert. Now they go and are encouraged to explore the local landscape.” 

According to the Qatar News Agency, the overall attendance at all the World Cup matches combined was 3.4 million. And visitors are still flocking to Qatar. In January 2023, the country registered 3,559,063 people arriving on flights, according to air transport statistics released by Qatar’s Civil Aviation Authority, which marked a 64.4 percent increase from the same period in 2022.  

Qatar's Museum of Islamic Art. (Supplied)

The country has set several ambitious targets. By 2030, it aims to attract six million visitors a year and increase the contribution of the tourism sector to its GDP from 7 percent to 12 percent. To that end, the country is investing billions into culture, art, technology and tourism. In February this year, Doha was recognized as the Arab Tourism Capital 2023 by the Arab Tourism Organization. 

Qatar Creates, a government-backed, year-round cultural movement conceptualized at the opening of the National Museum of Qatar in 2019 has evolved into an extravaganza combining museum exhibitions, film, fashion, hospitality, cultural heritage, performing arts and private-sector initiatives.  

Earlier this month, Qatar Creates Week presented a host of exhibition openings and events, including the Tasweer Photo Festival Qatar — the second biennial program of exhibitions, awards, commissions and collaborations that aims “to diversify practices and dialogues of photographers from Qatar and the Western Asia and North African regions,” “Beirut and the Golden Sixties,” a show at the Mathaf Arab Museum of Modern Art, and Icelandic-Danish artist Olafur Eliasson’s “The Curious Desert” at the NMOQ, bringing together a dozen new site-specific installations located in the desert near the Al-Thakhira Mangrove in Northern Qatar as well as an extensive gallery presentation.  

Inside the National Museum of Qatar. (Danica O Kus)

Other highlights include the Doha Film Institute’s Qumra, an initiative offering mentorship and other opportunities for filmmakers in Qatar and around the world. 

Elsewhere, “Lusail Museum: Tales of a Connected World” at Qatar Museums’ Gallery Al-Riwaq in Doha introduced the new museum, designed by Herzog & de Meuron, currently under development in Lusail, Qatar’s second-largest city. It will be dedicated to Orientalist art, archaeological artifacts, and media from prehistoric times to the 21st century.  

The Lusail Museum is one of three new museums that Qatari global art patron Sheikha Al-Mayassa Al-Thani announced in March to expand the country’s cultural offerings. The others are the Qatar Auto Museum and the Art Mill on Doha’s waterfront promenade, which is due to open in 2030 and that will transform a former industrial flour mill on the Doha Corniche, forming a triangle with the already existing Jean Nouvel-designed NMOQ and the Museum of Islamic Art. Designed by Chilean studio ELEMENTAL, Art Mill aims to be, according to its website, “a pioneering institution in the non-Western world representing the modern and contemporary arts of all regions of the globe on an equal basis.”  

While a bonanza of cultural events continues in Qatar, what officials stress is how the cultural scene has grown in tandem with, and even prior to, the country winning the right to host the World Cup. The Mathaf Art Museum of Modern Art opened in Doha in 2010 — the same year the nation won the bid and two years after the opening of the Museum of Islamic Art. Since then, particularly under the patronage of Sheikha Al-Mayassa, Qatar has injected billions of dollars into culture and tourism. Its goal is not only to build a robust art scene and strengthen its national identity, but also to diversify its economy to reduce dependency on petroleum and natural gas.  

Urs Fischer's 'Lamp Bear' at Hamad International Airport. (Supplied)

Even during the five years of blockade, from 2017 to 2021, when Saudi Arabia, the UAE, Bahrain and Egypt severed diplomatic relations with Qatar, the country continued to develop its cultural and tourism sector.  

“The World Cup definitely gave us a drive to move faster,” says Al-Thani. 

“However, for us it has always been about maintaining and developing our cultural and creative economy, educating people and really making sure that what we’re doing is (done) in a very thoughtful and homegrown way.” 

During the World Cup, she adds, 80 percent of exhibitions staged were conceived by Qatar Museums through its collections.  

“Very little came from the outside,” she says. “We wanted to focus mainly on the MENASA.”  

In February this year Qatar’s $450 billion sovereign wealth fund stated that it was looking to rebalance its portfolio and considering investments in football, finance and technology. 

“The World Cup offered us a tremendous awareness boost, exposing Qatar to many (new) people,” Qatari businessman Tariq Al-Jaidah tells Arab News. “The event gave us enormous exposure on a global level. We are already feeling its impact, especially with the increase in regional tourists that are coming.” 

The Peninsula Qatar reported in February that 58 cruise ships carrying around 200,000 visitors are expected to arrive in Qatar by the end of April. The new Grand Cruise Terminal opened in November 2022, and is ideally located for tourists within walking distance of the National Museum of Qatar, Msheireb Downtown and Souq Waqif — all of which are decorated with works of public art — among others. 

“The World Cup, new hotels and existing and upcoming museums have all served to help Qatar mature as a tourist destination on the cultural front,” added Al-Jaidah. 

The country looks well set to capitalize on that exposure and translate it into a cultural and economic boom.  


THE BREAKDOWN: Lebanese-Brazilian designer Nadine Ghosn discusses quirky collection inspired by eating utensils

THE BREAKDOWN: Lebanese-Brazilian designer Nadine Ghosn discusses quirky collection inspired by eating utensils
Updated 24 March 2023

THE BREAKDOWN: Lebanese-Brazilian designer Nadine Ghosn discusses quirky collection inspired by eating utensils

THE BREAKDOWN: Lebanese-Brazilian designer Nadine Ghosn discusses quirky collection inspired by eating utensils

DUBAI: The Lebanese-Brazilian designer discusses her new gold bracelet, “Straw Bracelet.”

Straw Bracelet. (Supplied)

One of the things I love to do is take the ordinary and make it extraordinary — to revisit everyday objects. Another theme that is super-clear for me is that I want my pieces to bring a smile to people’s faces. But more than that, I want them to be reminded of their childhoods.  

Why specifically the utensil component? It’s because I’m a huge foodie and I think it’s a cultural part of connecting with people. For me, using these hidden heroes — these tools that we use to connect, to slurp, to eat — was, in a way, valorizing them.  

It also had an element of customization. What I love to do is introduce a collection, but allow my clients to continue the storytelling by making it unique to them, and that’s where the title “Youtensils” comes in. We’ve all had meals that remind us of people and, to me, if people can impose this into this collection by customizing it themselves, it’s only going to strengthen the storytelling. It was definitely a canvas that I think people hadn’t played with before.  

The first piece I worked on was the fork, but the straw was my ‘A-ha’ moment. If I needed to explain the collection through one piece, it would be the straw, because it’s so playful, it’s something we use from a young age. It reminds me of these drinks that we probably shouldn’t be drinking, like smoothies and slushies. There is also the perspective of this being a piece that’s part of our society that we’re no longer going to come across in the future, because there’s a movement — which I support — to ban plastic.  

For me, the detail that’s so important — that we went over so many times — was that place where the straw bends. It’s such a simple image that people think probably it was so easy to create, but it’s so complex.  

It actually took bending a straw to show the different bends and creases and how the straw is actually formed when you bend it. Everything is handmade and there’s just a small detail of fine jewelry, which is at the tip of the straws, where we’ve decided to put these circles in, where people can customize it with whatever stone speaks to them.