Saudi mountaineer Raha Moharrak is back on top of the world

Saudi mountaineer Raha Moharrak is back on top of the world
In May, 2013, Raha Moharrak became the first Saudi woman to scale Mount Everest. (Supplied)
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Updated 28 April 2023

Saudi mountaineer Raha Moharrak is back on top of the world

Saudi mountaineer Raha Moharrak is back on top of the world
  • The first Saudi woman to summit Everest is returning to the world’s highest mountain next month to ‘pass the torch to the next generation’ 

DUBAI: No one climbs a mountain alone. Whether you’re nearing the peak or at the beginning of your journey, there is always a helping hand that helps you achieve what you once thought was impossible. Saudi mountaineer Raha Moharrak has learned this lesson again and again.  

In May, 2013, Moharrak became the first Saudi woman to scale Mount Everest. Now, 10 years later, she will provide that helping hand herself — enabling two young women to achieve their dreams along with her as she once again sets off to summit the world’s tallest mountain.  

“As long as I’ve been thinking about this journey, I knew I could never return to Everest just to post it on social media. If I was going to go back, I had to give back as well,” Moharrak tells Arab News. “I remember how hard it was to find a sponsor, how hard it was to find a person to take my hand. I want to be that person. I want to be the positive change I once needed so badly — to pass the torch to the next generation of adventurers.”  

To find the young women up to the task, Moharrak worked with Adidas to set up a region-wide competition which received thousands of applicants, far more than she had ever anticipated. In the exhaustive selection process that followed, they whittled it down to two, both based in the UAE. Moharrak will be setting off in mid-May with the winners, all sponsored by the world’s second-biggest sportwear brand.  

“Going back is amazing. Paying it forward is more amazing. I feel this is a nice ending to the legacy. Being able to open the door to someone’s dream is always what I wanted. I never wanted to be the story itself — I wanted to be the storyteller,” Moharrak says. “I’ve always thought that being the first to do something doesn’t mean as much if you’re also the last.” 

 

As she prepares for her next adventure, Moharrak has been thinking more and more about the people that helped her make history. There’s one, perhaps, she’s been thinking about most of all — Marwa Fayed, who co-founded climbing and trekking company Wild Guanabana with her husband Omar Samra.  

“Back when I decided to climb my first mountain 13 years ago, I went online and researched how to do it, and theirs was one the only companies that existed at the time here in the region. It was two or three in the morning during Ramadan when I was on their site, and I saw a little chatbox at the bottom of their website, and thought it was a bot I could message to get more information,” Moharrak explains. 

“After a lot of back and forth, in which I made it clear I had a lot of fear about the prospect of climbing a mountain, I asked, ‘Are you a real person?’ They responded, ‘If chatbots were this smart, I’d be out of the job. My name is Marwa, and I’m from Egypt. I’m a woman too, and I know how you feel. It’s going to be OK, and I’m going to help you through this.’” 




10 years after she first scaled Mount Everest, Raha Moharrak will enable two young women to achieve their dreams along with her as she once again sets off to summit the world’s tallest mountain. (Supplied)  

Inspired by their conversation, Moharrak met with Fayed only a few days later, giving her the down payment but still unsure of how exactly she was going to climb a mountain. In fact, up until only a short while earlier, she’d thought Kilimanjaro was a fruit. This was all startingly new. 

“I said, ‘I don’t even know what to wear!’ Marwa said ‘Let’s go’, and we went and bought my first boots. Within a year, I went with her to Everest base camp, and she taught me so much. Without her, I would have been too afraid to do any of this. Because of her, I took the steps that no one had taken before, and the rest, quite literally, is history.” 

A year later, Moharrak set off to Everest with the expedition team Arabs with Altitude, along with Mohammed Al-Thani, the Qatari royal who became the first from his country to climb the mountain, and Raed Zidan, the first Palestinian man to make the summit. Fayed wanted to climb Everest, too. She never did. Not long after Moharrak returned from the journey, Fayed died. 

“She left a big hole not just in my heart, but in the hearts of many in the community. It was devastating. I get emotional talking about her even now,” says Moharrak. 




Raha Moharrak with the late Marwa Fayed, who co-founded climbing and trekking company Wild Guanabana with her husband Omar Samra. (Supplied)

Without the help of that one inspirational woman, Moharrak would have let her call to adventure go unanswered. That’s why she is so intent on helping these young women go with her now, and why she’s bringing the Wild Guanabana team with her.  

“I’m paying tribute to Marwa — to this incredible human being that was gone too soon,” she says. “I know that if I pay her incredible gift to me forward — the gift of inspiration — I can keep her legacy alive.”  

From the time she was a child, Moharrak has always had an adventurous spirit, but she was always told that an Arab woman — a Saudi woman, no less — could not achieve what she has. She knows now that that the fear and doubt that existed inside her was not natural, it was instilled in her.  

“What better way to prove the fallacy of a stereotype than by breaking that stereotype? Because I was a stereotype, and I made a promise to myself as a little girl I wouldn’t stay one,” Moharrak says. “All the recognition, all the accolades, are a nice bonus, but all I really wanted was to keep that promise I made to the little girl that I once was. 

“I was once a six year old who believed she was destined to do more, who knew deep down that her gender, her background, her ethnicity, and where she’s from did not dictate her capabilities, in any shape or form,” she continues. “I know now I always had the right to dream big and live even bigger, just as every woman like me does. And with a helping hand, we can overcome any voice that tells us we can’t, from within us or from others.” 

Moharrak has her sights set on other goals as well. When she gets back to Everest, she wants to interview her guides, to tell their stories, too. She’s bringing special boots for her main sherpa. She wants to do anything she can to lift up the people who have helped her get to the top of the world. Some day she wants to get to space, she says, but before that, she also wants to take her father, the man who once prayed for her in the mosque every day of her first Everest climb, to Mount Fuji. And after that? She knows there’s more young women she can help. 

“I want to make a living out of helping others, just as the people who helped me did,” she says. “My dream is to have a fulfilled life, and that’s what fulfills me most.” 


A little too pink? ‘Barbie’ causes a global paint shortage

A little too pink? ‘Barbie’ causes a global paint shortage
Updated 05 June 2023

A little too pink? ‘Barbie’ causes a global paint shortage

A little too pink? ‘Barbie’ causes a global paint shortage
  • Whimsical Barbie-world utilized so much pink paint that the globe ran out, production designer claimed
  • Company clarifies shortage was due to global supply issues, extreme weather

LONDON: Who knew a Barbie movie could cause such chaos? Greta Gerwig’s upcoming film about the iconic doll required a staggering amount of pink paint, so much so that it wiped out an entire company’s global supply.

In a recent interview with the American design magazine Architectural Digest, the director, together with production designer Sarah Greenwood and set decorator Katie Spencer, spoke about the construction of “Barbieland,” a whimsical world where everything, from roads to lampposts, is covered in fluorescent pink.

During the interview, Greenwood, a six-time Oscar nominee, revealed that “Barbie” caused an international pink paint shortage.

“The world ran out of pink,” she declared.

While some media outlets ran with the story, Lauren Proud, vice president of global marketing at Rosco, the paint company used by the film, offered some perspective to the Los Angeles Times.

Proud confirmed that the film “used as much paint as we had,” but explained that the “Barbie” production coincided with global supply chain issues during COVID-19 and extreme weather in Texas, which impacted the materials needed for the paint.

“There was this shortage and then we gave them everything we could — I don’t know they can claim credit,” Proud said, but admitted: “They did clean us out on paint.”

Gerwig told Architectural Digest that the eye-popping pink was key to “maintaining the ‘kid-ness’” of the film’s aesthetic.

The “Barbieland” design drew inspiration from the Kaufmann House in Palm Springs, Wayne Thiebaud paintings, movie “Pee-wee’s Big Adventure,” and “An American in Paris.”

Gerwig said: “I wanted the pinks to be very bright, and everything to be almost too much,” emphasizing her desire to capture the essence of what made her fall in love with Barbie as a child.

“Why walk down stairs when you can slide into your pool? Why trudge up stairs when you take an elevator that matches your dress?” said Gerwig.

Thankfully, the set designers managed to secure just enough paint for production, which mostly took place at Warner Bros Studios Leavesden in the UK.

The star-studded “Barbie” movie features an A-list cast including Margot Robbie as Barbie, Ryan Gosling as Ken, and an ensemble cast including Will Ferrell, Simu Liu, Dua Lipa, Helen Mirren, Issa Rae, America Ferrera, Kate McKinnon, Michael Cera, and Ncuti Gatwa.

After initial rumors of a possible ban in the Middle East and North Africa region, the production house confirmed that one of the most anticipated films of the year would be released in cinemas worldwide on July 21.


British Moroccan model Nora Attal poses for Chanel Beauty

British Moroccan model Nora Attal poses for Chanel Beauty
Updated 05 June 2023

British Moroccan model Nora Attal poses for Chanel Beauty

British Moroccan model Nora Attal poses for Chanel Beauty

DUBAI: British Moroccan model Nora Attal took to Instagram this week to share photographs of herself posing for Chanel Beauty.

The photographs, shot by Belgian photographer Quentin De Briey, show Attal posing with a pair of Chanel sunglasses. The model is also seen holding a pocket-sized capsule of Chanel hand cream and lying in long green grass with her oversized branded shades.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Nora Attal (@noraattal)

Attal has starred in a number of campaign shoots for the French fashion and beauty house in the past, including its most recent festive season campaign in December.

The luxury label released an outer space-themed festive campaign, in which a bevy of models were depicted jetting off to the moon in style.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Nora Attal (@noraattal)

In the short clip, a group of models fly to the moon on the glittering Eiffel Tower. Once they land, Attal can be seen exploring the lunar landscape while a robot etches the maison’s famous logo onto the surface of the moon.

“Went to the Moon with @chanel,” Attal captioned a carousel of campaign images.

Attal is a Chanel fixture and has walked the runway for the storied brand a number of times over the years.

She hit the runway for Chanel in October at Paris Fashion Week, where she showed off a number of looks as part of the label’s Spring-Summer 2023 showcase. The ensembles were part of a 71-piece collection designed by the fashion house’s creative director Virginie Viard.

The model had a 2022 to remember. Last June, she treated her Instagram fans to a snapshot of her 23rd birthday celebrations, including attending a concert by US rapper Megan Thee Stallion at the Primavera Sound Festival in Barcelona, Spain.

Her birthday celebrations came hot on the heels of a sentimental moment for Attal, as the catwalk star tied the knot with her partner, UK-based photographer Victor Bastidas. The wedding took place against the backdrop of orange and palm trees in the presence of their loved ones in Ibiza, Spain.

Attal was first discovered by Jonathan Anderson, the founder of fashion label JW Anderson label, and shot a campaign for the British fashion house in 2014 before she had even taken her first steps down a catwalk.

She would go on to become a runway fixture. Based in London and signed to Viva Model Management, Attal has worked with a number of renowned designers and stylists. She has walked the runway for major fashion houses, including Tom Ford, Tory Burch, Tiffany & Co., Fendi, Burberry and Valentino, to name a few.


Sofia Carson dazzles in Zuhair Murad at event honoring late co-star

Sofia Carson dazzles in Zuhair Murad at event honoring late co-star
Updated 04 June 2023

Sofia Carson dazzles in Zuhair Murad at event honoring late co-star

Sofia Carson dazzles in Zuhair Murad at event honoring late co-star

DUBAI: Actress Sofia Carson cut an elegant figure in a Zuhair Murad gown as she reunited with her “Descendants” co-stars Dove Cameron and Booboo Stewart to remember one of their own.

The “Descendants” stars gathered at the second annual Cam for a Cause event in memory of their co-star Cameron Boyce, who died at the age of 20 due to an epileptic seizure.

The actress-singer showed up in a beautiful black Zuhair Murad fall 2023 draped pleated cape gown with gold button detailing.

This is not the first time Carson has worn the Lebanese couturier. Late last year, Carson attended the Global Citizen Festival in a coordinating look from Murad’s resort 2023 collection. The outfit featured an embellished crop-top and mini-skirt set with matching thigh-high leather boots.

Meanwhile, the Cam for a Cause  event, which was created by Boyce’s parents under the Cameron Boyce Foundation, was made to raise awareness and find a cure for epilepsy and SUDEP, Sudden Unexpected Death in Epilepsy, which caused the young actor’s death in July 2019.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

“Black-ish” star Yara Shahidi received the Cameron Boyce Foundation’s Youth Empowerment Award for her “activism surrounding STEM awareness, women’s rights, civil rights, and her countless acts of kindness toward others.”

“I met Cameron when we were 5 years old, and even then, his talent, his fearlessness and his belief in the power of his peers was evident,” Shahidi said in a statement. “It means so much to be recognized for my advocacy, and the work I continue to do to effect change. I’m grateful to my friends and family at the Cameron Boyce Foundation for thinking of me, as I will always be inspired and activated by their incredible work in the fight to end epilepsy.”

Shahidi attended the event in a black top under a stylish black coat with a jewel-encrusted leopard brooch from Cartier.

Last year, Carson paid tribute to the actor by posting a sweet pic of them together on Instagram to mark three years since he died.

In the photo, Carson could be seen hugging Boyce.

“Three years without you. I love you, forever. I miss you, forever,” Carson wrote in the caption.


Music star Dua Lipa brands UK govt ‘small-minded’ over immigration

Music star Dua Lipa brands UK govt ‘small-minded’ over immigration
Updated 04 June 2023

Music star Dua Lipa brands UK govt ‘small-minded’ over immigration

Music star Dua Lipa brands UK govt ‘small-minded’ over immigration
  • London-born singer, of Kosovo Albanian parentage, says migrants work ‘incredibly hard’
  • Home Secretary Suella Braverman previously referred to Albanian migrants as ‘criminals’

LONDON: British pop music star Dua Lipa has branded the UK government “short-sighted and small-minded” over its rhetoric toward migrants.

The singer, of Kosovo Albanian parentage, called for “more empathy” toward Albanians in an interview with the Sunday Times.

In October last year, Home Secretary Suella Braverman labeled Albanian migrants crossing into the UK illegally via small boats in the English Channel “criminals.” 

Around 16,000 Albanians made the journey in 2022, which Braverman referred to as an “invasion” of England’s south coast.

Lipa, 27, who was born in London, said: “Of course it hurt. All those words thrown around about immigrants? I always felt London was an amalgamation of cultures. It is integral to the city.

“So, when you hear the government talk about Albanians, for example, it hurts. It’s short-sighted and small-minded, but it’s the way a lot of people think.”

The singer’s parents fled their homeland in 1992 to escape the growing tensions that eventually led to war in 1998.

“No matter how we try to change the rhetoric, there will always be those who think, ‘Immigrants are coming into the country and taking jobs’,” Lipa said.

“However, immigrants who have come here have earned their keep by working incredibly hard.

“There needs to be more empathy, because people don’t leave their country unless they have to out of necessity, out of fear for their family.”

Albanian Prime Minister Edi Rama praised the singer during a visit to London in March, saying: “Dua Lipa is not just simply a British singer, but she’s an Albanian immigrant that has come here, as many have come, to construct, to nurse, to cook and to sing for you, and we want to make sure that this community feels not only safe but feels honored here.”

Rama, who held talks with his British counterpart Rishi Sunak on illegal migration and repatriation, added that he found Braverman’s rhetoric “very, very disgraceful.”


Abu Dhabi pavilion wins big at London Design Biennale

Abu Dhabi pavilion wins big at London Design Biennale
Updated 03 June 2023

Abu Dhabi pavilion wins big at London Design Biennale

Abu Dhabi pavilion wins big at London Design Biennale

DUBAI: The Abu Dhabi pavilion has been named one of three winners at the London Design Biennale, and were awarded a medal for the most inspiring interpretation of the theme of global collaboration.

Salama Al-Shamsi, director of cultural sites at Abu Dhabi’s Department of Culture and Tourism, and House of Artisans curator Azza Al-Sharif accepted the award.

House of Artisan’s immersive installation, “Formation of Soof,” highlights the relationship between Emirati crafts and architecture.

Under the theme “The Global Game: Remapping Collaborations,” the art center showcased Emirati crafts, including the traditional Bedouin weaving technique known as Sadu.

In 2011, UNESCO added Sadu to its list of Intangible Cultural Heritage in Need of Urgent Safeguarding.

Using raw wool to create intricate designs and distinctive patterns, Sadu often reflects issues regarding social identity and the surrounding environment.

In a statement published on social media, House of Artisans explained that highlighting the craft “is a key part of creating awareness on its importance” in order to preserve it for the future.

The House of Artisans pavilion also displayed weaving items, such as wool and the spindle, and explained the technique practiced by Emirati women.