Tashkent: An underrated gem of the Silk Road

Tashkent: An underrated gem of the Silk Road
Kukeldash Madrasah in Tashkent. (Shutterstock)
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Updated 17 October 2024
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Tashkent: An underrated gem of the Silk Road

Tashkent: An underrated gem of the Silk Road
  • Uzbekistan’s capital city boasts grand architecture and a rich cultural history 

DUBAI: Tashkent may not be as famous for its architecture and culture as Paris, Rome or Barcelona, but the capital of Uzbekistan is an underrated gem for tourists.  

With a population of more than three million, Tashkent is the largest city in Central Asia, which was formerly part of the Soviet Union. Tashkent — which means “city of stone” — is historically significant as one of several trading hubs (along with its neighboring cities Bukhara and Samarkand) on the Silk Road stretching from Europe to China. In the 8th century, the city was under Muslim Arab rule, and Islamic architecture, studded with stunning blue tiles that match the skies above Tashkent, remains a notable feature.  

Under Soviet rule, Tashkent saw a rise in the modernist style of heavy, brutalist buildings beloved by the USSR — see, for example, the overwhelming, grid-like exterior of Hotel Uzbekistan, established in 1974. Between the 1960s and 1990s, such structures were part of a plan to rebuild the city after an earthquake in 1966.  




Tashkent's Alisher Navoiy Theater. (Shutterstock)

One of the grandest buildings in Tashkent is the centrally located Alisher Navoiy Theater, an elegant opera house which opened in the 1930s, playing the timeless melodies of classical maestros Tchaikovsky, Prokofiev and Verdi. It is named after the poet and national hero dubbed “the father of Uzbek literature,” who was born in modern-day Afghanistan during the 1400s. Designed by the Soviet architect Alexey Shchusev, the 1,500-seat opera house radiates with European and Oriental stylistic elements. Its six lobbies are named after the Uzbek cities of Bukhara, Khorezm, Samarkand, Fergana, Termez and Tashkent.  

A number of museums — devoted to history, art, geology and warfare — exist in the capital; one of the best is the highly ornate Museum of Applied Arts, which pays tribute to the delicate handcraftsmanship of traditional Uzbek artisans, and displays embroidery, pottery, miniature paintings, jewelry and weaponry. The building itself is a work of art too, showcasing detailed wooden ceilings rendered with floral and geometric motifs.  

There are more than 2,000 mosques in Uzbekistan and one of its oldest is Kukeldash Madrasah, founded in the 1500s. The tranquil site, which has been restored and used for various purposes over the years, was originally built to host lessons in Islamic studies and the Qur’an (lessons which still happen today). It also houses an intimate calligraphy studio. The main facade features Arabic scripture and a pattern of arches, decorated by predominantly blue mosaics.  

Close by is the lively and substantial Chorsu Bazaar, where locals go to shop for food, spices, crockery and trinkets. The ruby-colored pomegranate fruit is particularly popular, and also features as a motif on clothing, acting, in a way, as a symbol of the country. The bazaar sits under a blue ornamented dome, which was designed in 1980.  




Inside Tashkent's Chorsu Bazaar. (Arab News)

If you’re looking for a more peaceful location, then the Rakhimovs Ceramic Studio is the place to be. This haven of creativity, accessible by appointment only, aims to preserve the heritage of ceramic art. Full of decorated pottery pieces, the family-run space tells the story of four generations of ceramic masters, starting with one of Tashkent’s prominent 20th-century ceramicists and restorer of mosaics Mukhitdin Rakhimov down to his grandson, Alisher Akbarovich Rakhimov, who has passed along the art of pottery to his son, Shokhrukh.   

And Tashkent’s attractions are not all on its surface. Be sure to visit the Tashkent Metro, which, in 1977, became the first subway system in Central Asia. Its 29 stations resemble art galleries, full of sophisticated columns, patterned domes, colorful tiles and murals with stories of national pride to tell. Perhaps the most famous station in the system is Kosmonavtlar (Cosmonauts), with its blue-and-white interior that inspired by the ‘space race,’ which occurred between the 1950s and 1970s. The walls of the station showcase large medallions depicting the Soviet Union’s leading astronauts, Yuri Gagarin and Valentina Tereshkova, respectively the first man and woman to go to space.  




Kosmonavtlar Station on the Tashkent Metro. (Shutterstock)

Tashkent is an ideal location for lovers of architecture who want to discover something atypical. It has a visually appealing landscape of old and modern buildings, demonstrating the city’s diverse cultural heritage, which is worthy of preservation and attention.    


South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival

South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival
Updated 53 min 10 sec ago
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South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival

South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival

JEDDAH: South Korean actor Park Sung-hoon, who stars in Netflix’s smash hit “Squid Game,” jetted to Saudi Arabia for the Red Sea International Film Festival and spoke to Arab News about his hopes for Saudi-Korean cultural collaboration.

The rising South Korean star, who is also known for his roles in dramas such as “The Glory” and “Queen of Tears,” lauded the popularity of Korean entertainment content in the Kingdom.

“I am grateful for this, and this really motivated me to try to pay back for this interest, and here I am at the Red Sea International Film Festival enjoying every bit of it,” he said.

The rising South Korean star, who is also known for his roles in dramas such as “The Glory” and “Queen of Tears,” lauded the popularity of Korean entertainment content in the Kingdom. (Getty Images)

Globally, three South Korean subscription platforms lead in Korean content offerings: Wavve and Watcha, each with over 4,000 titles, and Tving, with over 3,500 titles, according to data science firm BB Media. Excluding local platforms, Amazon Prime Video currently holds the top position among global subscription streaming platforms in terms of Korean titles with 1,394, though Netflix is close behind and boasts more original K-dramas.

The actor touched on the role of streaming platforms in popularizing Korean content internationally, saying “Korea has always put an effort to make good quality movies and dramas because it is a way of bringing joy and comfort to people even during hard times, and I think with the advanced changes in technology, streaming networks and platforms provided ways for Korean movies and dramas to be shown to a wider audience.”

As the Kingdom’s entertainment scene continues to expand — with the likes of Film AlUla and the Red Sea Film Foundation offering support to rising filmmakers — the actor said he would like to see more cross-cultural collaboration.

“I was very impressed with what I have (seen) here in Saudi Arabia, and I am aware that the movie industry in Saudi Arabia is moving rapidly, and I would love to see more collaboration between Saudi Arabia and Korea in the film industry,” he said.

On the question of making a film in Saudi Arabia, the young Korean actor, who plays a contestant named Cho Sang-woo in “Squid Game,” said: “I would love definitely to work here. I am very impressed with the beautiful landscape and architecture. Just last night, I was thinking of how wonderful to be in the screen around this amazing landscape.”

He also pointed out that he will convey a positive message to friends and colleagues in Korea about Saudi Arabia, which he is visiting for the first time.

“I am so amazed (by) the great hospitality and passion that we felt at the festival. So, I hope that I will come back next year and also hope for future collaboration between South Korea and Saudi Arabia film industry,” he said.


Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 

Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 
Updated 08 December 2024
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Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 

Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 

DUBAI: Sparked by real-life events, the Tunisian short film, “In Three Layers of Darkness,” explores the experience of many immigrants traveling to the Western hemisphere.

Director Houcem Slouli told Arab News that his film, now playing at Jeddah’s Red Sea International Film Festival, critiques the “dehumanizing aspects of bureaucratic systems.”

“Last year, a Tunisian filmmaker had her first short film selected for a festival in France, but her visa was repeatedly denied, despite having all the necessary documents,” he said. He was referring to the case of filmmaker Wafa Lazhari, who was unable to attend the International Animation Film Festival in Annecy, France.

 

 

Outraged by this, Slouli sought to take the issue to the silver screen in his 15-minute film that features dialogue in French and Arabic. The director cast actors Ghassen Trabelsi, Mohamed Kolsi, Leila Masrouhi, Sinda Boudriga, Azza Medimegh, Nessrin Bani and Slim Dhib in the short.

“The film addresses themes such as immigration, bureaucratic injustice, dreams and ambition. A dream without borders, with no geographical limits,” the filmmaker explained, adding: “Through the character of Ghassen, we see someone defending his skills and his dreams, fighting for a fundamental right — the right to move freely in the world … unfortunately, for years, Arabs and Africans have not had this freedom and this blocks their ambitions and their dreams.”

Inspired by a verse in the Qur’an — verse six of Surah Az-Zumar — the film’s title symbolizes the many challenges that its protagonist faces in his quest to obtain a visa to stay in France. 

“The three layers represent personal, bureaucratic and social obstacles that trap him in a system,” Slouli said. Meanwhile, the Qur’anic verse is interpreted to mean layers within a mother’s womb.

From a malfunctioning parking ticket machine that makes him late for his interview to an invasive health inspection and an unfeeling immigration officer, the narrative presents its lead character with various obstacles.

Slouli hopes that portraying these hurdles will encourage a shift in thinking.

“I hope decision-makers will think about this universal desire for freedom of movement and about human rights that should be available to everyone, no matter their nationality or status,” he said.

He is particularly keen to take the story to the shores of the Red Sea, as “it’s also a chance to share Ghassen’s story with an Arab audience that understands the struggles related to migration and achieving dreams,” Slouli said.

It is not Slouli’s first experience at an international festival — in 2023, his short film “Conditional Desire” won the Best Short Film Award at Turkiye’s Accessible Film Festival. It was also featured as part of the Short Film Competition of the Silicon Valley African Film Festival in the US.

That varied experience seems to have been handy when it comes to collaborating with the cast and crew on any given project, something that he says is his favorite part of the process. (Supplied)

Born in Tunisia in 1994, Slouli completed a degree in film and audiovisual studies at the Higher Institute of Arts and Multimedia in Manouba, Tunisia, before working with notable Tunisian production firms such as Nomadis Images, Artistes Producteurs Associes and Instinct Bleu Films, in addition to ad-hoc projects working as an assistant director and casting director.

That varied experience seems to have been handy when it comes to collaborating with the cast and crew on any given project, something that he says is his favorite part of the process.  

“Of course, sometimes the discussions lead to conflicts, but there’s also real pleasure in these moments. They give life to the collaboration,” he said.

“It’s amazing to see how ideas come to life with the help of the production team, the actors, the director of photography, and everyone involved in the project. Cinema has this unique ability to capture human experiences and present them in a way that speaks to everyone.”

 


Marrakech Film Festival bestows Palestinian film ‘Happy Holidays’ with top award

It is the first Palestinian film to win Marrakech’s Etoile D’Or award. (X @Marrakech_Fest)
It is the first Palestinian film to win Marrakech’s Etoile D’Or award. (X @Marrakech_Fest)
Updated 08 December 2024
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Marrakech Film Festival bestows Palestinian film ‘Happy Holidays’ with top award

It is the first Palestinian film to win Marrakech’s Etoile D’Or award. (X @Marrakech_Fest)
  • “The Village Next to Paradise” participated last year in the Marrakech festival’s Atlas Workshops, an initiative to develop filmmakers from Morocco, the Middle East and Africa and promote their work

MARRAKECH, Morocco: The Marrakech International Film Festival bestowed its top prize Friday on “Happy Holidays,” a Palestinian drama set in Israel whose screenplay won an award at the Venice Film Festival in September.
The film, directed by Scandar Copti, follows Israeli and Palestinian characters facing familial and societal pressures in present-day Haifa and stars both professional and non-professional actors. It is the first Palestinian film to win Marrakech’s Etoile D’Or award.
Screenwriter Mona Copti in an acceptance speech said the film team’s joy at winning was tempered by war in the Middle East and she denounced what she called the dehumanization of Palestinians.

The festival awarded its jury prize to two additional films from Somalia and Argentina. (X @Marrakech_Fest)

Eight features, each a director’s first or second film, competed in the festival. The winning films tackled social issues through the lens of family, a theme that the festival’s artistic director Remi Bonhomme underlined at its opening.
The festival awarded its jury prize to two additional films from Somalia and Argentina. The nine-member jury awarded Mo Harawe’s “The Village Next to Paradise” — a story about a family living under the threat of drone strikes dreaming of a better life — and Silvina Schnicer’s “The Cottage” about children who commit an unspeakable act at a rich family’s summer vacation home.
“The Village Next to Paradise” participated last year in the Marrakech festival’s Atlas Workshops, an initiative to develop filmmakers from Morocco, the Middle East and Africa and promote their work. In his acceptance speech, Harawe lauded the film’s Somali cast and crew and highlighted the significance of the award for Somalia.
Cecilia Rainero, the lead actor of “The Cottage,” thanked the jury and said it was meaningful amid Argentinian President Javier Milei’s moves to defund the country’s film industry.

 


Brad Pitt turns heads at Abu Dhabi Grand Prix while filming F1 blockbuster

Brad Pitt turns heads at Abu Dhabi Grand Prix while filming F1 blockbuster
Updated 07 December 2024
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Brad Pitt turns heads at Abu Dhabi Grand Prix while filming F1 blockbuster

Brad Pitt turns heads at Abu Dhabi Grand Prix while filming F1 blockbuster
  • Pitt was spotted at the Yas Marina Circuit during Friday’s practice sessions

ABU DHABI: Hollywood megastar Brad Pitt brought a touch of cinematic glamor to the Abu Dhabi Grand Prix this weekend as he continued filming scenes for the highly anticipated movie “F1,” set to hit cinemas in June next year.

Pitt was spotted at the Yas Marina Circuit during Friday’s practice sessions, wearing a white racing jumpsuit as he posed with teams and filmed scenes alongside co-star Damson Idris.

The pair were photographed with Ferrari’s Carlos Sainz Jr. and Charles Leclerc, with the Spanish driver sharing selfies featuring Pitt, Idris, Leclerc and Ferrari team members, captioned: “Look who photobombed our team pic.”

In the film, Pitt stars as Sonny Hayes, a fictional 1990s F1 driver who makes a dramatic return to the track after a career-ending crash to mentor rookie Joshua Pearce, played by Idris.

The movie contains a stellar ensemble cast, including Javier Bardem, Sarah Niles, Kerry Condon and Tobias Menzies, with Joseph Kosinski directing. Adding authenticity, seven-time F1 champion Lewis Hamilton and legendary producer Jerry Bruckheimer are among the project’s key drivers.

The film blends the real-world of Formula 1 through fictional storytelling and the help of all 10 F1 teams. Real-life drivers such as Hamilton, Max Verstappen, Fernando Alonso, Sergio Perez and Sainz appear as themselves, adding an extra layer of authenticity.

Pitt underwent rigorous training to master the high-speed vehicles used in the film. “He’s an amazing driver,” Bruckheimer said. “Some of the F1 drivers said he’s a natural athlete. He really is.”

Following a teaser trailer in July, fans have eagerly awaited more glimpses of F1, with  continued filming at real races, including a high-profile shoot during the Las Vegas Grand Prix.


Michelle Yeoh, Eva Longoria inspire audiences in Jeddah

Michelle Yeoh, Eva Longoria inspire audiences in Jeddah
Updated 07 December 2024
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Michelle Yeoh, Eva Longoria inspire audiences in Jeddah

Michelle Yeoh, Eva Longoria inspire audiences in Jeddah

Jeddah: Hollywood actress Eva Longoria and Oscar-winning actress and producer Michelle Yeoh captivated the audience with their insights about the film industry at two “In Conversation” panels at the Red Sea International Film Festival in Jeddah.

With the festival set to run until Dec. 14 in Al-Balad, the conversations shed light on the significance of purpose-driven storytelling, cultural representation and breaking barriers in cinema.

Longoria, known for her role in “Desperate Housewives” and her directorial debut in “Flamin’ Hot,” shared her commitment to producing films that make a cultural impact.

Hollywood actress Eva Longoria posed before her In Conversation talk at the Red Sea International Film Festival. (Getty Images)

Speaking about her belief in using media as a force for social change, she said: “If we’re going to change the world, it’s going to be through culture. And who has the biggest impact on pop culture? Media — TV, films. If I can make things that change culture, culture changes minds and hearts.”

Longoria elaborated on her criteria for selecting projects, saying: “When I read a script, it’s clear to me very quickly if I want to direct it, do it, or be in it. It has to say something — bring a cultural or female perspective we need to see and hear.”

As a director, producer and actress, Longoria is keen to multitask. Expressing her belief in the leadership abilities of women, she said: “I like to direct, produce and act because I want to control everything. As women, we’re natural directors, decision-makers and multitaskers. It’s rewarding to do all three.”

Longoria also emphasized the importance of supporting women in the film industry, particularly women from underrepresented communities. Reflecting on her work with Latinas, she said: “When you help a woman, she helps her family. And when you improve the lives of families, you improve the lives of nations.”

Her advice to the next generation in the film industry focused on perseverance and the importance of experience. “If you don’t have the body of work, you can’t get the job. And you can’t get the job because you don’t have the body of work. You learn by doing. You volunteer your talents to anyone who will take you.”

Meanwhile, Yeoh, celebrated for her roles in “Crouching Tiger, Hidden Dragon,” and “Everything Everywhere All at Once,” for which she won the Best Actress Oscar in 2023, spoke about her involvement in action films.

She shared her experience with martial arts choreography, describing the art of movement in action sequences. “Action is like dance. Everything’s choreographed, but the projection of power and timing are different. It’s a blend of grace, speed and impact,” she said.

Yeoh’s experience in the industry has been one of defying expectations, particularly in action cinema. Reflecting on her groundbreaking role in 2000’s “Crouching Tiger, Hidden Dragon,” she praised director Ang Lee for revolutionizing martial arts films.

“Ang Lee is a poet. He introduced martial arts cinema to the world in a way that made audiences feel like they were running on rooftops with us.”

Her determination to challenge Hollywood’s limited portrayal of Asian women was a defining aspect of her career. She shared the impact of saying no to stereotypical roles. “At that time, roles for Asian women were so stereotyped. I waited for two years because I refused to step backwards. Saying no is powerful.”

As a champion of cultural representation, Yeoh discussed the evolving landscape of cinema, stressing the importance of creating opportunities for diverse storytellers. “It’s crucial to create equal opportunities for storytellers to tell their stories in their own way. That’s how the industry evolves.”

For Yeoh, the journey is more about authenticity. “Tell your stories. Don’t cut corners. Believe in what you do because if you don’t believe in that, you’ve lost the battle already.”

Her experience as both an actress and producer has shown her the importance of both personal growth and collective representation. “Cinema is one of the best ways to learn about the world ... bring the world to you,” Yeoh said.

Both Longoria and Yeoh emphasize the importance of representation in the film industry. Longoria advocates for breaking barriers by focusing on women’s roles and encouraging diversity behind the scenes. She is committed to creating spaces where women and people of color can thrive in the industry.

“It’s much harder for women and people of color to break through,” she said. “Not because of intentional exclusion but because people hire who they know and who has the experience. That’s why building pipelines is so critical.”

Yeoh echoes these sentiments, stressing the significance of diverse voices in filmmaking.

“We are beginning to see changes,” she said. “We are beginning to welcome more diversity. We are beginning to see more women, especially, behind the cameras and other jobs, just instead of being an actress.”

This year’s roster of speakers at the festival includes the Academy Award-winning actor Brendan Fraser, renowned director and producer Michael Mann, Academy Award-nominated actor Jeremy Renner, acclaimed director Spike Lee, actress and director Olivia Wilde, Tony and Grammy Award-winning actress Cynthia Erivo, as well as more Bollywood legends alongside Middle Eastern icons.