Petals and thorns: India’s Booker prize author Banu Mushtaq

This photograph taken on May 31, 2025 shows Indian lawyer, activist and now International Booker Prize winner Banu Mushtaq posing with the book 'Heart Lamp' at her residence in Hassan, in India's Karnataka state. (Photo by Aishwarya Kumar / AFP)
This photograph taken on May 31, 2025 shows Indian lawyer, activist and now International Booker Prize winner Banu Mushtaq posing with the book 'Heart Lamp' at her residence in Hassan, in India's Karnataka state. (Photo by Aishwarya Kumar / AFP)
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Updated 08 June 2025
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Petals and thorns: India’s Booker prize author Banu Mushtaq

Petals and thorns: India’s Booker prize author Banu Mushtaq
  • Mushtaq won the coveted literature prize as the first author writing in Kannada — an Indian regional language
  • As a young girl worried about her future, she said she started writing to improve her “chances of marriage”

HASSAN, India: All writers draw on their experience, whether consciously or not, says Indian author Banu Mushtaq — including the titular tale of attempted self-immolation in her International Booker Prize-winning short story collection.
Mushtaq, who won the coveted literature prize as the first author writing in Kannada — an Indian regional language — said the author’s responsibility is to reflect the truth.
“You cannot simply write describing a rose,” said the 77-year-old, who is also a lawyer and activist.
“You cannot say it has got such a fragrance, such petals, such color. You have to write about the thorns also. It is your responsibility, and you have to do it.”
Her book “Heart Lamp,” a collection of 12 powerful short stories, is also her first book translated into English, with the prize shared with her translator Deepa Bhasthi.
Critics praised the collection for its dry and gentle humor, and its searing commentary on the patriarchy, caste and religion.
Mushtaq has carved an alternative path in life, challenging societal restrictions and perceptions.
As a young girl worried about her future, she said she started writing to improve her “chances of marriage.”
Born into a Muslim family in 1948, she studied in Kannada, which is spoken mostly in India’s southern Karnataka state by around 43 million people, rather than Urdu, the language of Islamic texts in India and which most Muslim girls learnt.
She attended college, and worked as a journalist and also as a high school teacher.

Constricted life

But after marrying for love, Mushtaq found her life constricted.
“I was not allowed to have any intellectual activities. I was not allowed to write,” she said.
“I was in that vacuum. That harmed me.”
She recounted how as a young mother aged around 27 with possible postpartum depression, and ground down by domestic life, had doused petrol on herself and on the “spur of a moment” readied to set herself on fire.
Her husband rushed to her with their three-month-old daughter.
“He took the baby and put her on my feet, and he drew my attention to her and he hugged me, and he stopped me,” Mushtaq told AFP.
The experience is nearly mirrored in her book — in its case, the protagonist is stopped by her daughter.
“People get confused that it might be my life,” the writer said.
Explaining that while not her exact story, “consciously or subconsciously, something of the author, it reflects in her or his writing.”
Books line the walls in Mushtaq’s home, in the small southern Indian town of Hassan.
Her many awards and certificates — including a replica of the Booker prize she won in London in May — are also on display.
She joked that she was born to write — at least that is what a Hindu astrological birth chart said about her future.
“I don’t know how it was there, but I have seen the birth chart,” Mushtaq said with a laugh, speaking in English.
The award has changed her life “in a positive way,” she added, while noting the fame has been a little overwhelming.
“I am not against the people, I love people,” she said referring to the stream of visitors she gets to her home.
“But with this, a lot of prominence is given to me, and I don’t have any time for writing. I feel something odd... Writing gives me a lot of pleasure, a lot of relief.”

‘The writer is always pro-people’
Mushtaq’s body of work spans six short story collections, an essay collection and poetry.
The stories in “Heart Lamp” were chosen from the six short story collections, dating back to 1990.
The Booker jury hailed her characters — from spirited grandmothers to bumbling religious clerics — as “astonishing portraits of survival and resilience.”
The stories portray Muslim women going through terrible experiences, including domestic violence, the death of children and extramarital affairs.
Mushtaq said that while the main characters in her books are all Muslim women, the issues are universal.
“They (women) suffer this type of suppression and this type of exploitation, this type of patriarchy everywhere,” she said. “A woman is a woman, all over the world.”
While accepting that even the people for whom she writes may not like her work, Mushtaq said she remained dedicated to providing wider truths.
“I have to say what is necessary for the society,” she said.
“The writer is always pro-people... With the people, and for the people.”


What We Are Reading Today: Top Ten Ideas of Physics by Anthony Zee

What We Are Reading Today: Top Ten Ideas of Physics by Anthony Zee
Updated 18 June 2025
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What We Are Reading Today: Top Ten Ideas of Physics by Anthony Zee

What We Are Reading Today: Top Ten Ideas of Physics by Anthony Zee

Could any discovery be more unexpected and shocking than the realization that the reality we were born into is but an approximation of an underlying quantum world that is barely within our grasp? This is just one of the foundational pillars of theoretical physics that A. Zee discusses in this book. Join him as he presents his Top Ten List of the biggest, most breathtaking ideas in physics—the ones that have fundamentally transformed our understanding of the universe.

“Top Ten Ideas of Physics” tells a story that will keep readers enthralled, along the way explaining the meaning of each idea and how it came about. Leading the list are the notions that the physical world is comprehensible and that the laws of physics are the same here, there, and everywhere. 

As the story unfolds, the apparently solid world dissolves into an intertwining web of dancing fields, exhibiting greater symmetries as we examine them at deeper and deeper levels.


What We Are Reading Today: Forest Euphoria by Patricia Ononiwu Kaishian

What We Are Reading Today: Forest Euphoria by Patricia Ononiwu Kaishian
Updated 18 June 2025
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What We Are Reading Today: Forest Euphoria by Patricia Ononiwu Kaishian

What We Are Reading Today: Forest Euphoria by Patricia Ononiwu Kaishian

In “Forest Euphoria,” Patricia Ononiwu Kaishian introduces readers to the queerness of all the life around us.

In snakes, snails, and, above all, fungi, she saw her own developing identities as a queer, neurodivergent person reflected back at her — and in them, too, she found a personal path to a life of science.

Nature, Kaishian shows us, is filled with the unusual, the overlooked, and the marginalized — and they have lessons for us all.


What We Are Reading Today: ‘You Will Find Your People’

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Updated 17 June 2025
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What We Are Reading Today: ‘You Will Find Your People’

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Author: Lane Moore

Most would agree adult friendship is hard. TV shows made us believe we would grow up with a tight-knit group of best friends, but real life often looks very different.

In her 2023 book “You Will Find Your People: How to Make Meaningful Friendships as an Adult,” Lane Moore walks us through this tough reality.

It opens with the line: “I really thought I would have friends by now.” Relatable, right? Moore reflects on how the ages of 18 to 22 years old are prime friendship years. After that, things get harder.

As the author of “How to Be Alone” (2018), Moore shifts from solitude to connection. She explores how making friends as adults — especially for those with trauma or rejection — is a messy, emotional process.

Friendship, she says, can feel like a game of musical chairs that started before we noticed.

The book is not a tidy guide. There are no checklists or guaranteed strategies. Instead, Moore offers her own stories — raw, funny, and deeply honest.

She speaks to those who have felt left out or always been “too much.”

For the exhausted over-givers and the hopeful hearted, this book does not offer easy answers — but it does offer comfort. And sometimes, that is enough.

Also, she dedicates it to her dog.

 


What We Are Reading Today: The Ghana Reader

What We Are Reading Today: The Ghana Reader
Updated 16 June 2025
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What We Are Reading Today: The Ghana Reader

What We Are Reading Today: The Ghana Reader

Editors: Kwasi Konadu, Clifford C. Campbell

“The Ghana Reader” provides historical, political, and cultural perspectives on this iconic African nation. 

Readers will encounter views of farmers, traders, the clergy, intellectuals, politicians, musicians, and foreign travelers about the country. 

With sources including historical documents, poems, treaties, articles, and fiction, the book conveys the multiple and intersecting histories of the country’s development as a nation and its key contribution to the formation of the African diaspora, according to a review on goodreads.com.


What We Are Reading Today: ‘The Dream Hotel’

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Updated 16 June 2025
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What We Are Reading Today: ‘The Dream Hotel’

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  • “The Dream Hotel” is more than a compelling narrative; it is a reflection on the complexities of freedom and the influence of technology on our lives

Author: Laila Lalami

Reading Moroccan-American novelist Laila Lalami’s “The Dream Hotel” was an eye-opening experience that left me simultaneously captivated and unsettled.

The novel weaves a story about one woman’s fight for freedom in a near-future society where even dreams are under surveillance.

The narrative centers on Sara, who, upon returning to Los Angeles International Airport, is pulled aside by agents from the Risk Assessment Administration.

The chilling premise — that an algorithm has determined she is at risk of harming her husband — immediately drew me in. Lalami’s portrayal of Sara’s descent into a retention center, where she is held alongside other women labeled as “dreamers,” is both fascinating and disturbing.

What struck me most was how Lalami explores the seductive nature of technology. I found myself reflecting on our current relationship with data and surveillance.

The idea that our innermost thoughts could be monitored and judged felt unsettlingly familiar. As Sara navigates the oppressive rules of the facility, I felt a growing frustration at the injustice of her situation, which echoes broader societal concerns about privacy and autonomy.

Lalami’s writing is lyrical yet accessible, drawing readers into the emotional depth of each character. The interactions among the women in the retention center are especially poignant, showing how strength can emerge from solidarity.

As the story unfolds, I was reminded of the resilience of the human spirit, even under dehumanizing conditions. The arrival of a new resident adds a twist, pushing Sara toward a confrontation with the forces trying to control her. This development kept me invested in seeing how she would reclaim her agency.

“The Dream Hotel” is more than a compelling narrative; it is a reflection on the complexities of freedom and the influence of technology on our lives. It left me considering how much of ourselves we must guard to remain truly free.

In conclusion, Lalami has crafted a thoughtful and resonant novel that lingers after the final page. It is well worth reading for those interested in the intersections of identity, technology and human experience.