Lara Atallah: Moments of Emotion

Updated 14 June 2012
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Lara Atallah: Moments of Emotion

Ayyam Gallery in Beirut is showing until June 20 the ‘Abandoned School Series’ by the exceptionally talented Lebanese photographer, Lara Atallah, which won second place at the 2011 Shabab Ayyam Photography Competition in Dubai.
Ayyam Gallery with its outlets in Syria, Lebanon and the United Arab Emirates, is one of the most prominent galleries in the Middle East representing some of today’s emerging and established Arab artists.
Speaking about the exhibition entitled, “If Walls could Talk”, Atallah says that her aim is to tackle the issue, “the photography is a means not an end”. And that is precisely why “photography is a fine art, a medium of expression which permits one person to convey to another an abstract idea of a lofty emotion”.
Photographs can indeed represent abstract ideas despite the fact that the camera only captures the concrete reality. By choosing how to reveal or hide parts of a subject, Atallah expresses her thoughts. Through this subtractive process of selection, a photographer creates an atmosphere by choosing exactly how subjects are placed and how they interact with each other.
Atallah was born in Beirut in 1989 and holds a Bachelor of Fine Arts in Graphic Design from the American University in Beirut. Since her graduation, her work has reflected her concern for social issues. She has been using different media from podcasts to writing and photography. She has lately expanded her work with a series of photographs recording everything from street vendors to construction sites, with the aim to capture the complex layers of Beirut life.
“If Walls Could Talk” features a series of 12 photographs taken within an abandoned public school on Bliss Street in Beirut. These pictures far from creating a sense of emptiness, loneliness and neglect bring to mind the happy memories of the school brimming with life. The walls, a blackboard with words still written on it, discarded desks and chairs, the majestic wooden staircase, all tell the stories, they have witnessed without the need for words.
These visual compositions not only record the past but they also help us understand more about ourselves and our life in this world. Atallah focuses on two social problems: Gentrification and modernization.
Gentrification refers to that silent, unobtrusive pressure which surreptitiously alters a landscape and its social history and pushes families out of their homes. When Atallah photographs the stunning wooden staircase with its intricate iron wrought work, she not only shows the loss of the city’s architectural heritage but also the loss of basic necessities such as a public school.
Modernization erases the soul of a place and this exhibition “If Walls Could Talk” highlights the social and economical costs of demolishing old schools, old shops and old houses.
This awesome series of photographs has been meticulously composed. Atallah has judiciously used color, the playful contrast of light and shade, as well as lines and shape, depth and unity, to create a stunning work of art.  
Here is a strong young artist who has something to say. Her photographs are not only aesthetically pleasing but they also tell a story.

— For more information, visit: www.ayyamgallery.com
 


Ethiopia says British museum must permanently return its artIfacts

Updated 23 April 2018
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Ethiopia says British museum must permanently return its artIfacts

  • The artifacts were plundered by British troops from the fortress of Emperor Tewodros II 150 years ago
  • Among the items on display at the Victoria and Albert Museum are sacred manuscripts and gold 

ADDIS ABABA: Britain must permanently return all artIfacts from Ethiopia held by the Victoria and Albert Museum and Addis Ababa will not accept them on loan, an Ethiopian government official said.
The call comes after the museum, one of London’s most popular tourist attractions, put Ethiopian treasures plundered by British forces on display.
“Well, it would be exciting if the items held at the V&A could be part of a long-term loan with a cultural institution in Ethiopia,” museum director Tristram Hunt said.
“These items have never been on a long-term loan in Ethiopia, but as we look to the future I think what we’re interested in are partnerships around conservation, interpretation, heritage management, and these need to be supported by government assistance so that institutions like the V&A can support sister institutions in Ethiopia.”
Among the items on display are sacred manuscripts and gold taken from the Battle of Maqdala 150 years ago, when British troops ransacked the fortress of Emperor Tewodros II.
The offer of a loan did not go far enough for Ethiopia.
“What we have asked (for) was the restitution of our heritage, our Maqdala heritage, looted from Maqdala 150 years ago. We presented our request in 2007 and we are waiting for it,” said government minister Hirut Woldemariam said.
Ephrem Amare, Ethiopian National Museum director, added: “It is clearly known where these treasures came from and whom they belong to. Our main demand has never been to borrow them. Ethiopia’s demand has always been the restoration of those illegally looted treasures. Not to borrow them.”
The V&A could not immediately be reached for further comment on Monday.
In launching the Maqdala 1868 exhibition of what Hunt called “stunning pieces with a complex history” this month, he said the display had been organized in consultation with the Ethiopian community in London.
“As custodians of these Ethiopian treasures, we have a responsibility to celebrate the beauty of their craftsmanship, shine a light on their cultural and religious significance and reflect on their living meaning, while being open about how they came to Britain,” he said in a blog on the museum website.