Lara Atallah: Moments of Emotion

Updated 14 June 2012
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Lara Atallah: Moments of Emotion

Ayyam Gallery in Beirut is showing until June 20 the ‘Abandoned School Series’ by the exceptionally talented Lebanese photographer, Lara Atallah, which won second place at the 2011 Shabab Ayyam Photography Competition in Dubai.
Ayyam Gallery with its outlets in Syria, Lebanon and the United Arab Emirates, is one of the most prominent galleries in the Middle East representing some of today’s emerging and established Arab artists.
Speaking about the exhibition entitled, “If Walls could Talk”, Atallah says that her aim is to tackle the issue, “the photography is a means not an end”. And that is precisely why “photography is a fine art, a medium of expression which permits one person to convey to another an abstract idea of a lofty emotion”.
Photographs can indeed represent abstract ideas despite the fact that the camera only captures the concrete reality. By choosing how to reveal or hide parts of a subject, Atallah expresses her thoughts. Through this subtractive process of selection, a photographer creates an atmosphere by choosing exactly how subjects are placed and how they interact with each other.
Atallah was born in Beirut in 1989 and holds a Bachelor of Fine Arts in Graphic Design from the American University in Beirut. Since her graduation, her work has reflected her concern for social issues. She has been using different media from podcasts to writing and photography. She has lately expanded her work with a series of photographs recording everything from street vendors to construction sites, with the aim to capture the complex layers of Beirut life.
“If Walls Could Talk” features a series of 12 photographs taken within an abandoned public school on Bliss Street in Beirut. These pictures far from creating a sense of emptiness, loneliness and neglect bring to mind the happy memories of the school brimming with life. The walls, a blackboard with words still written on it, discarded desks and chairs, the majestic wooden staircase, all tell the stories, they have witnessed without the need for words.
These visual compositions not only record the past but they also help us understand more about ourselves and our life in this world. Atallah focuses on two social problems: Gentrification and modernization.
Gentrification refers to that silent, unobtrusive pressure which surreptitiously alters a landscape and its social history and pushes families out of their homes. When Atallah photographs the stunning wooden staircase with its intricate iron wrought work, she not only shows the loss of the city’s architectural heritage but also the loss of basic necessities such as a public school.
Modernization erases the soul of a place and this exhibition “If Walls Could Talk” highlights the social and economical costs of demolishing old schools, old shops and old houses.
This awesome series of photographs has been meticulously composed. Atallah has judiciously used color, the playful contrast of light and shade, as well as lines and shape, depth and unity, to create a stunning work of art.  
Here is a strong young artist who has something to say. Her photographs are not only aesthetically pleasing but they also tell a story.

— For more information, visit: www.ayyamgallery.com
 


Saudi artists draw inspiration from Islam

Wafa Alqunibit says her work has its place in the Kingdom. (Photo/Supplied)
Updated 18 January 2019
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Saudi artists draw inspiration from Islam

  • Wafa Alqunibit: “The difficulties that I faced were getting the names on point, because a lot of them are very similar to each other

JEDDAH: The work of Saudi sculptor Wafa Alqunibit is on display in a Jeddah art gallery. A small glass box holds objects that have the appearance, shape and texture of dates. Only they are wrought from metal and glint silver and gold.
Alqunibit concedes that art can sometimes be a taboo subject in Saudi society, but says her work has its place.
“I do this to promote and represent our culture and religion as I belong to a very religious family. We have our freedom and we have open minds and I just wanted to portray this image to the world,” she told Arab News.
Her Instagram feed shows other examples of her art, including sculptures featuring the distinctive ringed and slightly curled horns of the Arabian oryx, and videos of her carving, sanding and sawing using machinery that can be seen in any carpentry or masonry workshop.
But her journey toward the arts — specifically sculpture — has not been straightforward.
“I went to Portland (in the US) to complete my doctorate in human resources. But I ended up changing my major to arts and moved to Atlanta, Georgia, and they accepted me as a painter.”
But her professors thought she had different strengths — with one telling her she was born to be a tough person.
“At first I thought he was referring to me as an aggressive person, but later when I started sculpting I found out what he meant.”
She uses her work to communicate with people, especially those who misunderstand Islam, and recalled living in the US at a difficult time for Muslims.
“I took support from the arts, to tell people what we really are and now my artwork is displayed in so many galleries and I have been given the title of religious artist.”
Another artist taking inspiration from culture and religion is 26-year-old author Allaa Awad, who has taken the 99 names of Allah and turned them into poetry.
Her debut work, “Ninety-Nine: The Higher Power,” includes poems about purity, mercy, blessings and peace.
“I have encountered many people in life. They have a negative concept about life and God and I just wanted to turn that around and put my own perceptions of what I think God is, who He really is and how we should perceive Him,” she told Arab News.
She also experienced a struggle in her artistic journey, like Alqunibit did, but in a different way.
“The difficulties that I faced were getting the names on point, because a lot of them are very similar to each other. The best part was how people reacted to it on a spiritual level and how they were able to relate to what I had to say, rather than what online research had to say.”