Saudi theater artist to shatter stereotypes in Edinburgh fest

Updated 12 August 2013
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Saudi theater artist to shatter stereotypes in Edinburgh fest

She may not be one of those “Hey, I recognize her!” performers yet, but her one-woman play ‘Head Over Heels in Saudi Arabia’ that will kick off at the largest international festival in the world, the 2013 Edinburgh Fringe Festival (EFF), will definitely make her rise to fame.
Maisah Sobaihi, a Saudi academic, playwright and performer, is all set to stage her amusing yet enlightening roller coaster ride into the lives of women in Saudi Arabia, whose husbands choose to marry more women.
Sobaihi will be the first Saudi woman to perform at the EFF and is confident that her performance at the festival will help expose a true illustration of Saudi women, as well as portray a common womanly bond expanding past national boundaries.
In her play ‘Head Over Heels in Saudi Arabia,’ Sobaihi puts together two interesting characters in the forefront. Layla, who is ready to get married but tired of waiting for true love, and Maryam, whose husband chooses to marry for the second time.
Sobaihi’s mere charisma in her classic solo comedy at the festival splinters the stereotype of the timid Arab woman, veiled and voiceless.
“Women’s positions continue to change in many ways,” says Sobaihi. “But I think what is unknown to many is that they feel that women were not active and have become active. I think that women have always been active and a very positive force in Saudi society. It’s just that I don’t think they were as visible as they are now. They have developed in many ways, and the most particular way is that they have become more public.”
Sobaihi describes that character Maryam in her play as more upper class of society while Layla is more in touch with the other level of society. Maryam’s husband marries another bride Layla, which results in Maryam flying off the handle at Layla and trying to dig up dirt on her.
Journeying into the lives and challenges women in Saudi Arabia face, Sobaihi’s play strokes on the rights of men in Saudi to espouse four wives and how the preceding wives react.
Brought up partially in the United States and Saudi Arabia, Sobaihi holds a doctorate in English Literature from the University of London, and a Bachelor’s degree from the King Abdul Aziz University in Saudi Arabia, while currently lecturing at a university in Jeddah.
“As the Arab temperament in general, we tend to be more private about our lives so the public has always been a challenge,” said Sobaihi.
A divorced mother of two sons in their 20s, Sobaihi begins her play by narrating her life story and eventually takes into the lives of other women in Saudi Arabia.
“I was very conscious that I didn’t want this play to be about bashing men or bashing anybody at all,” said Sobaihi. “I did stage this play in Jeddah a couple of times, though in a private gathering, and the reactions from Saudi men were positive.”
‘Head over Heels in Saudi Arabia’ educates us that women have an ordinary and widespread view, however secluded they appear in terms of culture, positively in affairs of the mind.
“We have a very private culture. Saudi women don’t really like the spotlight. But we have a responsibility to become more vocal,” explains Sobaihi in a report in Scotland’s Daily Record.
The 2013 Edinburgh Fringe will play host to 2,871 productions starting from the end of July through to August. Sobaihi performs ‘Head Over Heels in Saudi Arabia’ at Spotlites @ The Merchant’s Hall, from Aug. 11-26.
Sobaihi’s 3-minute promo video of her one-woman play promises you that you’ll go head over heels for ‘Head Over Heels in Saudi Arabia.’


Han Solo’s ‘Return of the Jedi’ blaster sells for $550,000

Updated 24 June 2018
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Han Solo’s ‘Return of the Jedi’ blaster sells for $550,000

  • The faux weapon, mainly made of wood, had been put on display in New York by Julien’s Auctions last month after more than 30 years tucked away in the belongings of James Schoppe, art director of “Return of the Jedi”
  • Martin Nolan, the auction house’s executive director, said Schoppe, an Oscar nominee for his work on the film, finally decided to part with Solo’s gun and about 40 other items from the movie, including an Ewok axe and plans for Jabba the Hutt’s ship

WASHINGTON: In the wildly popular “Star Wars” films, Han Solo once told a lightsaber-wielding Luke Skywalker: “Hokey religions and ancient weapons are no match for a good blaster at your side, kid.”
That was the case when one of the blaster pistol props used by Harrison Ford in “Return of the Jedi” (1983) went under the hammer, selling for $550,000 — topping the $450,000 previously fetched by Skywalker’s lightsaber from the first two films.
“SOLD for $550,000! An original Han Solo blaster used in Star Wars: Return of the Jedi!” Julien’s Auctions announced on Twitter Saturday.
The faux weapon, mainly made of wood, had been put on display in New York by Julien’s Auctions last month after more than 30 years tucked away in the belongings of James Schoppe, art director of “Return of the Jedi.”
Martin Nolan, the auction house’s executive director, said Schoppe, an Oscar nominee for his work on the film, finally decided to part with Solo’s gun and about 40 other items from the movie, including an Ewok axe and plans for Jabba the Hutt’s ship.
The Ewok axe went for $11,250, while another blaster prop from the film fetched $90,624, according to Julien’s Auctions.
But none of the props were a match for the space saga’s much-loved droid: last year, an R2-D2 used in the making of several “Star Wars” films sold for $2.76 million at auction in Los Angeles.