‘Madras Cafe’ suffers blow in UK, Tamil Nadu

Updated 01 October 2013
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‘Madras Cafe’ suffers blow in UK, Tamil Nadu

MUMBAI: A Bollywood spy thriller set against the backdrop of the Sri Lankan civil war has been pulled from British and some Indian theaters after protests over its depiction of rebel fighters, the movie’s distributors said.
Madras Cafe, which opened Friday, features John Abraham as an Indian secret agent sent to Sri Lanka during the island’s decades-long conflict between the government and separatist Tamil rebels.
But the film has failed to reach a number of cinema halls after ethnic Tamil populations in India and in Britain complained that they were unfairly portrayed.
“Our UK exhibitors, Cineworld, decided to hold back the film after protesters gathered outside their UK offices,” said Rudrarup Datta, marketing head at the film’s Indian co-producer and distributor Viacom18 Motion Pictures.
“Exhibitors do not want to take a risk and withdrawing screenings of the film is their prerogative,” Datta said.
No British cinemas are currently showing the film although they were still hopeful of a release at a later date, he added.
A full release has gone ahead in the United States, Canada and the United Arab Emirates.
Indian media reports said theaters also refused to show the film in southern Tamil Nadu state after protests from its large Tamil population.
Activist group Naam Tamilar (We Tamils) asked the state government to block the film’s release, unhappy that rebels were depicted as “terrorists,” according to media reports.
In Britain, an online petition was launched calling for a halt to the film’s release there because it was believed to portray Tamils “in a poor light.” Nearly 2,000 people have given their support to the petition.
The film passed India’s censors with no cuts and a parental guidance certificate, and was classified for those aged over 15 in Britain, while director Shoojit Sircar has insisted the movie does not take sides.


Film Review: Mowgli’s latest jungle run releases on Netflix

Updated 09 December 2018
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Film Review: Mowgli’s latest jungle run releases on Netflix

CHENNAI: Technology is not a bad thing, but when stretched to the extreme it can hamper films. “Mowgli: The Legend of the Jungle,” which was released on Netflix this week, seems to suffer on this precise point.

Directed by the Hollywood legend that is Andy Serkis, the film employs his trademark use of technology that records an actor’s performance in three dimensions then maps the digital character, in this case the animals of the jungle, over the top.

While he is famous for his performance-capture techniques, it can be distracting from the plot and a little bizarre to watch on screen as the all-star cast — Benedict Cumberbatch as Bengal tiger Shere Khan, Cate Blanchett as the snake Kaa and Christian Bale as the panther Bagheera — morph into animal form.

Disney’s 2016 computer animated remake of Rudyard Kipling’s work was a huge hit and Serkis’ effort pales in comparison, but the upside to this latest remake of Mowgli’s adventure is that it focuses on the boy-cub’s (played by Rohan Chand) interaction with other humans and does so delightfully.

According to an interview with The Associated Press, Serkis was deep into planning when Disney’s version was announced, and, although he knew the films would be quite different, there was still pressure to be first. Once that “went away” when Disney beat them to theaters, Serkis said, they decided to take the time they needed to refine the story and get the performances and the technology up to his standard.

The film follows Mowgli as he is captured by a hunter (played by Matthew Rhys) and taken to a neighboring village, where a kind woman (Frieda Pinto) nurses him and even sings him a lullaby. Ultimately, the plot boils down to a choice between two worlds — the jungle and the village — and the young boy must choose between the lesser of two evils.

Serkis’ work has an important message for audiences and shouts loud and clear about the dangers of expanding urban developments in countries like India. The forests are shrinking, says a character in the film, and perhaps this film will shed light on the need to save the wildlife therein.