Cartoons are narratives of social observations
Cartoons are narratives of social observations
Being in the business for more than 20 years, Al-Ghamdi highlighted a considerable difference between a cartoonist and a photographer.
“A cartoonist is more of a painter. Many Saudi painters, who have become cartoonists, organize their own exhibitions and contribute regular features to newspapers and elicit the readers’ reaction,” he said, adding that usually a cartoonist observes any event with a critical eye.
“In every situation, the cartoonist’s critical eye detects something to draw the attention of the readers, sometimes in a provocative manner,” he explained, urging newspapers to provide some space for amateur Saudi cartoonists.
There are nearly 20 professional Saudi cartoonists in the Kingdom according to Al-Ghamdi, in addition to dozens of citizens who are still fresh in this profession and their work can be seen online.
A cartoonist depends essentially on the simulation of reality with no need for a very high drawing skill, said Al-Ghamdi, explaining that a cartoonist can be a good artist with half of a painter’s talent provided he has creative ideas to convey through his art.
Al-Ghamdi said there are several schools where one can learn different types of art in Europe and the United States, such as silent art, with comments or signature.
“The cartoon style differs from one artist to another. While some employ the symbol of a feather or key, others make use of cartoon personalities such as Hanzala and Sultan, or symbols such as a crow or some other image,” he said.
He underscored that the Saudi Association for Cartoonists is yet to give the required attention to cartoonists just as the professional associations of writers and journalists have failed so far to give any support to their members.
“Unfortunately, trade unions and professional associations in the Kingdom have not been up to their responsibilities where they should act as a driving force for their members as is the case with their counterparts in other countries,” he explained.
Echoing Al-Ghamdi, Ashraf Abdullah, a leading cartoonist and European Arab journalist, explained more about the profession, saying that the tools of a cartoonist differ from common painters in the sense that a cartoonist must be endowed with drawing skills accompanied by employing meaningful shades and fully familiar with social issues in his surroundings and beyond.
“A successful cartoonist should not miss any development in society. He should have a sharp eye observing each and every political, economic or social development in any part of the world, particularly in his own country,” Abdullah, who is also member of Egyptian cartoonists association, said.
He stressed the importance of learning from other artists and acquiring theoretical knowledge besides participating in international contests, which will give artists more exposure to the outer world, adding that the Arab cartoonists are challenged by the lack of professional cartoon institutes or schools in the Arab world.
Abdullah stressed the role of female cartoonists who need plenty of support and encouragement from society. However, he said, female artists are reluctant to work in public due to social traditions and the fear of criticism.
“Some of them published their work without revealing their real identity” he said.
So far, most of the Kingdom’s cartoons, which could be described as conventional, have focused on negative aspects of society without making any personal attacks on any one. Yet Saudi cartoonists, who avoid local or international political issues, never submit entries in the political section of exhibitions abroad, he said.
Calling for effective activation of the Arab Federation of Cartoonists and celebrating an international level Arab Cartoon Day, Abdullah also demanded that more cartoon exhibitions should be organized.
Cartoonist Manal Muhammed of Al-Jazirah newspaper said she underwent a wonderful transition from a painter to cartoonist.
Manal, who observed that women rarely show interest in joining this type of profession, said her ideas revolved around social issues, particularly of women.
“I did not receive any help from others to develop my skill as a cartoonist and my concern was about the plight of Saudi women,” Manal said, adding that she dealt with themes such as Hafiz (incentive to find employment) and problems faced by women teachers among other issues.
Stressing the need for the establishment of special institutes for training women, Manal expressed her willingness to conduct workshops to help emerging women cartoonists, adding that to be a good cartoonist you do not need to possess a high level of drawing skills. But a sharp eye for criticism is essential.