Tutankhamun world tour sparks debate among antiquities experts

German specialists in restoration work on antiquities in glass and metal Christian Eckmann works on the restoration process of the golden mask of Tutankhamun at the Egyptian Museum in Cairo. (File photo: AFP)
Updated 18 February 2018
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Tutankhamun world tour sparks debate among antiquities experts

CAIRO: Plans to embark on a worldwide tour to showcase 166 artifacts belonging to Egyptian pharaoh Tutankhamun set for next month have sparked a debate among antiquities experts, a news report said Sunday.
The exhibition is scheduled to tour seven foreign countries, starting from Los Angeles in the United States on March 23 and will continue over the next 7 years, Egypt Antiquities Minister Khalid Al-Anani said.
The exhibition includes 166 artifacts, excluding the basic pieces of Tutankhamun, Anani added. The full collection of Tutankhamun contains about 5,000 pharaonic pieces, he explained, which are scheduled to be displayed at the opening of the Grand Egyptian Museum by the end of this year.
Egypt’s Heritage Task Force said that the duration of the overseas show is 7 years, and it is expected to generate close to $50mn.
But academics and scholars from within and outside the Antiquities Ministry are reportedly campaigning against the exhibition over concerns the monuments may be falsified, stolen or replaced.
A Facebook page has been created to call on President Abdel Fattah el-Sisi to intervene and open an investigation into the exhibition.
Monika Hanna, a member of the campaign, called the exhibition a “catastrophe,” according to Al-Masry El-Youm newspaper.
She said the law of archaeological artifacts allows the rental of duplicates, not originals, and leasing to scientific bodies or museums, not private companies as per the terms of this contract.
She noted that the “insurance value of the golden coffin of Tutankhamun is low,” amounting to only $5 million, and said the company may pay it to Egypt and claim it was stolen.
She expressed concern over the fact that the monuments will remain outside Egypt for 7 years, and wondered if the inauguration of the Grand Egyptian Museum will be delayed until that time.
Gharib Sonbol, Head of the Central Administration for Restoration and a member of the Foreign Exhibitions Committee, said that an imprint was prepared for all the artifacts that are scheduled to travel to ensure that the pieces will not falsified or replaced.


UAE gift helps French palace reopen ‘forgotten theater’

Updated 18 June 2019
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UAE gift helps French palace reopen ‘forgotten theater’

  • Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi
  • The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017

FONTAINEBLEAU: An exquisite 19th-century French theater outside Paris that fell into disuse for one and half centuries has been restored with the help of a €10 million donation from oil-rich Abu Dhabi.
The Napoleon III theater at Fontainebleau Palace south of Paris was built between 1853 and 1856 under the reign of the nephew of emperor Napoleon I.
It opened in 1857 but was used only a dozen times, which has helped preserve its gilded adornments, before being abandoned in 1870 after the fall of Napoleon III.
But during a state visit to France in 2007, Sheikh Khalifa, ruler of Abu Dhabi and president of the United Arab Emirates, was reportedly entranced by the abandoned theater and offered €10 million ($11.2 million) on the spot for its restoration.
After a project that has lasted 12 years the theater is now being reopened.
An official inauguration is expected soon, hosted by French Culture Minister Franck Riester and attended by UAE Foreign Minister Abdullah bin Zayed Al-Nahyan.
Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi.
The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017, the first foreign institution to carry the name of the great Paris museum.
For all its ornate beauty, the theater has hardly ever been used for its orginal purpose, hosting only a dozen performances between 1857 and 1868, each attended by around 400 people.
“While it had been forgotten, the theater was in an almost perfect state,” said the head of the Fontainebleau Palace, Jean-Francois Hebert.
“Let us not waste this jewel, and show this extraordinary place of decorative arts,” he added.
According to the palace, the theater is “probably the last in Europe to have kept almost all its original machinery, lighting and decor.”
Having such a theater was the desire of Napoleon III’s wife Eugenie. But after the defeat, his capture in the Franco-Prussian war in 1870 and the declaration of France’s Third Republic, the theater fell into virtual oblivion.
Following the renovation, the theater will mainly be a place to visit and admire, rather than for regularly holding concerts.
“The aim is not to give the theater back to its first vocation” given its “very fragile structure,” said Hebert.
Short shows and recitals may be performed in exceptional cases, under the tightest security measures and fire regulations. But regular guided tours will allow visitors to discover the site, including the stage sets.
The restoration aimed to use as little new material as possible, with 80 percent of the original material preserved.
The opulent central chandelier — three meters high and 2.5 meters wide — has been restored to its original form.