Meet Iman Al-Dabbagh, the documentary photographer telling women’s stories in Saudi Arabia

The Jeddah-based photojournalist pictures life at its most raw and revealing. She photographs a woman on a carousel in this shot. (Photo courtesy: @photosbyiman)
Updated 05 March 2018
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Meet Iman Al-Dabbagh, the documentary photographer telling women’s stories in Saudi Arabia

JEDDAH: They say a picture speaks a thousand words, and that is certainly true for Saudis. For years, foreign photographers and journalists — visitors to the Kingdom — have told our stories. But over the past decade, there has been a significant rise in regional photojournalism, with young Saudis presenting the reality of life in Saudi Arabia.
Jeddah-based Saudi photojournalist Iman Al-Dabbagh has been photographing the people of Saudi Arabia for some time now. Her pictures are not necessarily pretty, but they are true depictions of people’s lives one story at a time. Her passion for photography and obvious respect and admiration for her subjects shines through, and this has allowed her to build a level of trust with them that enables her to really understand their lives and tell their stories in a way that a visitor could not.

Posted in @everydaymiddleeast: When my childhood school friends and I get together, even after 10 college/work years apart, we go back to feeling like we're in school again. The silliness and the way we make fun of each other, nothing changed. We changed and we may not agree on lifestyle or life choices, but we remain friends. Some left and came back, some left and never came back, as we are a mix of Saudis and Halfies and what I call ExpatCitizens (local, pretty much citizen, "expats"). Next year will mark 20 years since our graduation. Last year marked 30 years since Mona and I became instant best friends in 1st grade. This shows only one half... We aim to reunite next year. Yalla banaat. Jeddah (2017). @photosbyiman #SaudiStoriesByIman #SaudiExpatStories #everydayeverywhere #everydaymiddleeast

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She documents family gatherings, food (which she began doing long before it became a trend), street scenes and candid moments.
Like most photographers, Al-Dabbagh started out taking shots of family and friends, but over the past seven years her work has expanded to focus on women and their relationship with taboos and freedom of expression in Saudi society. It was in 2006, when a friend’s mother first encouraged her to consider photography as more than a hobby, noting how “natural” the images Al-Dabbagh had captured at her friend’s wedding were.
To capture the raw and natural moments was what made sense to Al-Dabbagh, not the typical posed images that are typical of wedding photography. This was something new, unseen and unknown to many.
Later that same year, Al-Dabbagh met the late French photographer Alexandra Boulat, who pointed out that — in Saudi Arabia — she had access to a world that was closed to many. “Go back home to Saudi Arabia,” was the assertive push the late photographer gave to young Al-Dabbagh.
“I was photographing stories I care about between California and the Arab world at the time,” Al-Dabbagh explained. “Graduating in 2005, I started working a nine-to-five job in a cubicle doing commercial print production, I wasn’t happy. I resigned from my position in 2007 and I was already slowly making the transition (to professional photography). I was building a portfolio by volunteering to shoot local community events and protests, or helping filmmaker friends with stills for their promos. Eventually I was getting hired to photograph baptisms, weddings, babies, and sometimes small assignments for newspapers and magazines.”
From 2007-2010, Al-Dabbagh educated herself in photojournalism. She attended workshops, and experimented on a number of personal projects. Gradually, she began to realize she had a particular passion for raw imagery, and that is what she has become best known for.
“I approach specific people who I think will fit my project when I find them on social media or (through references),” she explained. “Sometimes they come to me or I find them by chance — the magic of socializing, the magic of my creative city. Sometimes, for my own self-assigned stories, it’s hard to find people who will agree to be photographed with their faces showing, because most of my stories address sensitive topics. But they usually still end up being part of it because they believe in what I’m doing.”
Al-Dabbagh feels such work is particularly valuable in Saudi Arabia, where women — in particular — have not often been represented as they truly are.
“I feel happy to be part of any movement that breaks stereotypes,” Al-Dabbagh said. “It’s also great to be documenting a place that is changing as we speak; a place I have grown up in that was so different at the time than what it is today. I am living the change; not just witnessing history being made, but also being part of it, documenting it. We are telling our own stories now, as opposed to having our stories told by others.
“Telling the story my way, with the consent of the people involved, is very important,” she continued. “I show my subjects not only how the photos came out, but also how they fit in the bigger picture.”
Just because a picture might look good by itself, she stressed, does not mean it will fit into the broader narrative she has planned. For Al-Dabbagh, it’s not about getting the perfect shot, it’s more about how the images fit together to tell a story, and how that story makes people feel.
“I adore the people I photograph because they have allowed me to see and show their lives. They gave me their trust. In return, I have to respect them,” she said.
This also means trusting and respecting herself. All her narratives, she explained, have “a little bit of me in them.”
“It’s me telling my own story,” Al-Dabbagh said, “but through other people.”


Breathing new life into Emirati traditions

Design Collective-Dubai Design District. (Images Supplied)
Updated 26 September 2018
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Breathing new life into Emirati traditions

  • Visitors to the London Design Fair held last week had the opportunity to see a wealth of talent from around the globe
  • The four-day industry event brought together 550 exhibitors from 36 countries

LONDON: Visitors to the London Design Fair held last week at The Old Truman Brewery, East London’s revolutionary arts and media quarter, had the opportunity to see a wealth of talent from around the globe. The four-day industry event brought together 550 exhibitors from 36 countries, including independent designers, established brands, international pavilions, features and exhibitions.

Eight designers from the UAE, supported by the UAE Ministry of Culture and Knowledge Development, showcased their work at the d3 (Dubai Design District) “UAE Design Stories: The Next Generation from the Emirates” national pavilion.

d3, a hub for inspiration and innovation, is home to the region’s growing talent pool of designers and artists.

D3 Emirati Designers



Under the theme, “Objects of the Past: Today,” d3 invited the designers to draw on the historical archives of the UAE to create modern designs. This meant exploring the region’s nomadic roots and ancestral legacy. Each piece, specially created for the exhibition, curated by Khalid Shafar, opened a window into the past through a contemporary lens.

The designs, including distinctive jewelry, glassware, leather goods, textiles ceramics and furniture, were displayed alongside the archive materials which inspired them, including film and old photographs of Abu Dhabi by Ronald Codrai, giving the onlooker a rich historical perspective on the work.

Arab News spoke to Aljoud Lootah, a multidisciplinary designer based in Dubai, noted for interpreting Emirati culture and traditional craftsmanship through contemporary design. Lootah is the first Emirati designer to have had her work acquired by an international gallery — the National Gallery of Victoria in Melbourne, Australia. She produces bespoke objects and collectible designs for government organizations and private companies and has been involved in numerous retail and residential interior projects.

For the London Design Fair she created her “Mandoos” collection featuring beautiful suede-lined, camel leather jewelry boxes and cases inspired by traditional dowry chests and drawing on the art of khoos, or palm weaving.

“The dowry chests had a lot of carving and were embellished with metallic studs. The patterns on my collection are inspired by the traditional Emirati craft of palm-frond weaving used to make items such as mats and baskets,” she said.

Photo Courtesy: National Archive



Lootah was keen to pay homage to khoos, which used to be prevalent and has now largely disappeared. This type of reimagining of Emirati traditional crafts is a hallmark of her work. “I want to tell the story of our rich history and culture through modern designs,” she said.

She was struck by the level of interest in the detail of the pieces shown by visitors to the fair and believes that d3 has provided a great platform to showcase UAE designs.

“I really appreciate what d3 are doing — they have been very supportive,” she said.

We also spoke to Abdalla Almulla, who exhibited his “Tie-In” design, a modular steel tube and node system inspired by traditional Arish or palm-frond housing, which can be used to create room dividers and tables.

“As an architect I was intrigued by the old Emirati Arish houses. To construct them they used two main components: palm fronds and ropes. The steel columns in my designs echo the palm fronds and can be adjusted to whatever height is desired and adapted for different functions, for example a screen, or a side table. Back then palms were a main resource in the UAE — you saw them in roofs, wall partitions and flooring. My modern designs reflect both the form and function of the palm,” he said.

Photo Courtesy: Dubai Municipality



“In Dubai I increasingly see people wanting to invest in specially designed pieces rather than just buying from chain stores. There is a growing awareness and interest in local design and production,” he said.

Almulla received his bachelor’s degree in architecture from Woodbury University in San Diego, US, in 2014. For his research based on geometric explorations, he was awarded the Grand Critique Faculty Choice Award and the Best Degree Project Award in Architectural Design.

He has enjoyed showing his work in London. “It was a really great experience to showcase Emirati designs at the London Design Fair, especially as the exhibits raised cultural awareness,” he said.

“The interest expressed by visitors exceeded my expectations. They showed a lot of curiosity in all of our designs.

“d3 has been amazing. From the very beginning, when we were chosen as the Emirati designers, we got support with curation and production — anything we needed. Having the archive material on display alongside our designs made it easy for the visitors to see the correlation between the ancient and modern and added layers of interest to the displays,” he said.

“I think showcasing abroad it is good opportunity to show the world that in our region we are not just consumers — we also make and design and can compete globally,” he said.