Film Review: ‘Wajib’ — a father and son bond on a road trip

A still from the film 'Wajib.' (Supplied)
Updated 11 February 2019
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Film Review: ‘Wajib’ — a father and son bond on a road trip

  • The latest drama from Palestinian writer-director Annemarie Jacir “Wajib,” is set over the course of a single day and shows the relationship between father and son
  • Played by real-life father and son Mohammed and Saleh Bakri, the two characters — Abu and Shadi — drive around Nazareth delivering wedding invitations

CHENNAI: As many films have illustrated, male-female relationships are difficult. But those between fathers and sons can be equally problematic. Two closely linked men can be extremely touchy about their independence. We have seen this, too, in films, and the latest drama from Palestinian writer-director Annemarie Jacir (“Salt of This Sea,” “When I Saw You”), “Wajib,” is a fascinating study, set over the course of a single day, of how a father and his son develop a camaraderie.

Played by real-life father and son Mohammed and Saleh Bakri, the two characters — Abu and Shadi — drive around Nazareth on a winter’s day delivering invitations to the wedding of Abu’s daughter, Amal (Maria Zreik). (Palestinian custom requires that the father and son personally visit each relative and friend to deliver the cards.) As they travel in a ramshackle Volvo, the two men have time to bicker and provoke each other. There is also subtle manipulation from both.

What Jacir does with a flourish is to fill her plot with layers, and as the car trundles along, revelations pop out. We are let into one secret of how retired schoolteacher Abu had to make compromises to keep his position in an Israeli-run school. As a teenager, Shadi embraced more radical politics and saw his father as a sell-out.

Cut to the present, and we learn that Shadi’s girlfriend back in Italy, where he currently works as an architect, has a father who is known to be a Palestinian activist and intellectual — “a PLO leader,” according to the conservative Abu, who sees such people as dangerous terrorists, while Shadi is proud of this association.

But the anger and hurt between the father and son go beyond political -isms.

Jacir’s 96-minute movie is not just all work and no play. The tension is often lightened with a touch of the comic. The writing is tight and precise; a little too antiseptic perhaps, but the multitude of characters from a variety of backgrounds — both Muslim and Christian — and their neatly observed mannerisms give the narrative great energy. The style is judicious and simple, and the often-sparse frames, in which Abu and Shadi are alone reflect a relationship that is fighting to emerge from years of silence and pain. Paced like a road movie, “Wajib” really comes alive at the climax. Not to be missed.

“Wajib” is showing at Cinema Akil in Dubai from Feb. 22 – 28.


‘Age-Old Cities’ exhibition in Riyadh museum breathes new life into ancient sites 

Updated 19 April 2019
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‘Age-Old Cities’ exhibition in Riyadh museum breathes new life into ancient sites 

  • National Museum in Riyadh hosts digital show that tells the story of Mosul, Palmyra, Aleppo and Leptis Magna

JEDDAH: An exhibition that uses digital technology to revive the region’s ancient sites and civilizations that have been destroyed or are under threat due to conflict and terrorism opened at the National Museum in Riyadh on April 18.

“Age-Old Cities” tells the story of four historically significant cities that have been devastated by violence: Mosul in Iraq, Palmyra and Aleppo in Syria, and Leptis Magna in Libya. 

Using stunning giant-screen projections, virtual reality, archival documents and images, and video testimonials from inhabitants of the affected sites, the immersive exhibition transports visitors back in time and presents the cities as they were in their prime. 

It charts their journey from the origins of their ancient civilizations to their modern-day state, and presents plans for their restoration and repair. 

The exhibition has been organized by the Ministry of Culture in collaboration with the Institut du Monde Arabe in Paris. Riyadh is the first stop outside the French capital on the exhibition’s global tour. 

The exhibition follows last month’s unveiling of the Kingdom’s new cultural vision, which included the announcement of several initiatives, including a new residency scheme for international artists to practice in the Kingdom and the establishment of the Red Sea International Film Festival. 

Prince Badr bin Abdullah bin Farhan Al-Saud, minister of culture, said: “I am delighted to welcome the ‘Age-Old Cities’ exhibition to Riyadh. 

“It highlights the importance of heritage preservation, particularly here in the Middle East, and the vulnerability of some of our historic sites. 

“It must be the responsibility of governments to put an end to this damage and neglect, and to put heritage at the heart of action, investment, and policy.

“I will be encouraging my fellow members of government to attend this eye-opening exhibition in our National Museum, and hope to work in the future with partners, governments and experts to do what we can to secure our region’s heritage.”

The exhibition carries a significant message about the importance of preserving and protecting these precious but fragile sites — one which resonates strongly in the week when one of the world’s most-famous heritage sites, Paris’ Notre-Dame Cathedral, went up in flames.