Hadid sisters, Imaan Hammam go grunge for Versace at MFW

Models, including Kendall Jenner, present creations during the Versace women's Fall/Winter 2019/2020 collection fashion show, on Feb. 22 in Milan. (AFP)
Updated 23 February 2019

Hadid sisters, Imaan Hammam go grunge for Versace at MFW

MILAN: The Hadid sisters were joined by the who’s who of the young modelling world at last night’s Versace runway show in Milan.

The sisters took to the catwalk as part of a busy Milan Fashion Week — between them they have walked for the likes of Fendi, Moschino and Prada — and were joined by Kaia Gerber, Kendall Jenner and Dutch-Moroccan-Egyptian model Imaan Hammam.

“Its that’s time!!! VERSACE VERSACE VERSACE. Can’t wait for the show @versace On my way,” she posted on Instagram before the sartorial showcase kicked off.

Head designer Donatella Versace mixed luxury and grunge in a new collection that calls on the Italian fashion house’s key iconographic details of past decades. It was the Milan fashion house’s first womenswear show since becoming part of the Capri Holdings Limited owned by Michael Kors, the Associated Press reported.

According to the show notes, “grunge is an attitude, that time in life when people were more deep in the sense of thoughts, talking and thinking.” Versace added that there is need for more of that now.

Bella Hadid at Versace. (AFP)

Grunge came through in the purposely ravaged cashmere sweaters, held together by Versace hardware, including the Greek-head safety pin. The sweater paired perfectly with a tweed skirt with a colorful silk and lace slip peeking out.

Other looks were more eclectic, as if pulled from some 1970s magic trunk of slinky, colorful pieces that layered into fun, upbeat looks including a shimmery turquoise slip dress, to the lace tights and V-branded pink-and-green coat with an acid green fur collar. Versace also played with the house’s bondage heritage, with bondage tops laying over ribbed turtlenecks for day or forming the bodice of an evening dress, the AP reported.

She closed on a series of black looks modeled by Gigi and Bella, with iconic 1990s supermodel Stephanie Seymour closing the show.

“With this collection, I wanted to show that side of a woman that isn’t afraid to step outside of her comfort zone because she knows that imperfection is the new perfection,” Versace said in her notes.

Gigi Hadid at Versace. (AFP)

Meanwhile, a day earlier, Bella walked the runway for quirky fashion house Moschino, who’s creative head Jeremy Scott staged a tongue-in-cheek game show to show off his collection of slinky dresses and gold lame on women with 1970s bouffants.

The collection fully embraced the early television era, with handbags shaped as TV dinners, toothpaste tubes and champagne bottles, reflecting the reality of home cuisine, a major TV-era advertising force and the millionaire dreams of the television audience, according to AP.

Models shimmied up against a red Ferrari, a grandfather clock, kitchen appliances and a La-Z-Boy recliner — the latter of which boasted price tags below most present-day luxury brand apparel.
Scott basked in the irony, taking a star turn under a shower of big gold confetti.

Bong d’Or: Korean director wins Cannes’ top prize

Updated 2 min 57 sec ago

Bong d’Or: Korean director wins Cannes’ top prize

  • French-Senegalese director Mati Diop’s “Atlantics" wins festival’s second place award, the Grand Prize
  • Belgian brothers Jean-Pierre and Luc Dardenne shared the best director for “Young Ahmed”

CANNES, France: South Korean director Bong Joon-ho’s social satire “Parasite,” about a poor family of hustlers who find jobs with a wealthy family, won the Cannes Film Festival’s top award, the Palme d’Or, on Saturday.
The win for “Parasite” marks the first Korean film to ever win the Palme. In the festival’s closing ceremony, jury president Alejandro Inarritu said the choice had been “unanimous” for the nine-person jury.
The genre-mixing film had been celebrated as arguably the most critically acclaimed film at Cannes this year and the best yet from the 49-year-old director of “Snowpiercer” and “Okja.”
It was the second straight Palme victory for an Asian director. Last year, the award went to Japanese filmmaker Hirokazu Kore-eda’s “Shoplifters.”
Two years ago, Bong was in Cannes’ competition with “Okja,” a movie distributed in North America by Netflix. After it and Noah Baumbach’s “The Meyerowitz Stories” — another Netflix release — premiered in Cannes, the festival ruled that all films in competition needed French theatrical distribution. Netflix has since withdrawn from the festival on the French Riveira.
The festival’s second place award, the Grand Prize, went to French-Senegalese director Mati Diop’s “Atlantics.” Diop was the first black female director in competition at Cannes.
Belgian brothers Jean-Pierre and Luc Dardenne shared the best director for “Young Ahmed.”
Best actor went to Antonio Banderas for Pedro Almodovar’s “Pain and Glory,” while best actress was won by British actress Emily Beecham for “Little Joe.”
Although few quibbled with the choice of Bong, some had expected Cannes to make history by giving the Palme to a female filmmaker for just the second time.
Celine Sciamma’s period romance “Portrait of a Lady on Fire” was the Palme pick for many critics this year, but it ended up with best screenplay.
In the festival’s 72-year history, only Jane Champion has won the prize in 1993, and she tied with Chen Kaige’s “Farewell My Concubine.”