Hidden Treasures: The jewelry of Saudi Arabia goes on display in Dubai

Two royal items in the exhibition: (left) A malachite, gold and diamond brooch gifted to Princess Ceeta Al-Dammer, wife of the late King Khalid; and a diamond ring belonging to one of King Abdul Aziz’s daughters. (Supplied photos)
Updated 31 March 2019
0

Hidden Treasures: The jewelry of Saudi Arabia goes on display in Dubai

  • The items are on display in Dubai for the first time in an exhibition organized by L’École Van Cleef & Arpels
  • The pieces in the Art of Heritage collection reflect the history and lifestyle of various tribes and regions

DUBAI: More than 300 priceless items of jewelry from Saudi Arabia, from Bedouin belts to the brooch of a princess, went on display for the first time in Dubai this weekend, telling the story of the Arabian Peninsula as a crossroads of civilizations and influences.

The pieces in “Hidden Treasures: Jewelry from the Kingdom of Saudi Arabia” represent just a fifth of the collection that the Art of Heritage group in Riyadh has been assembling and preserving for more than 30 years, comprising artwork, crafts and objects that reflect the history and lifestyle of various Saudi tribes and regions since the 19th century. With another collection from Art of Heritage being exhibited in Bahrain until May, there is talk about its pieces forming the basis of a museum.

“You’ll get to see just how diverse and varied Arab culture and identity is, and how each piece is an exchange and an interpretation of places, ideas and customs,” Pramod Kumar KG, the curator of the exhibit, said at Thursday’s opening in the Dubai Design District. The exhibit was organized by the French jewelry design school L’Ecole Van Cleef & Arpels.

Each piece, with exquisite details, tells the story of identity and diversity. While the pieces were worn by women in Saudi Arabia, they reflect influences from all over — from coiled, Celtic-style bangles to abstract African designs, Egyptian snake-design bracelets, and shimmering cascades of Indian and Austrian coins. “From the works of the pilgrims that came to Makkah and stayed on and created different crafts … to the goods and influences from the trade routes that passed through, to the newer styles and creations by designers in the Kingdom, the Art of Heritage Museum, when it opens, will be one of a kind,” said Kumar KG.

Art of Heritage was established as a cultural trust, and its objects include jewelry, textiles and garments, carpets, furnishings, ethnographic material, wooden doors, books and manuscripts, maps, photos, audio and video recordings, and printed ephemera.

The trust aims to promote research and study while fostering the revival of Saudi art, craft and culture among newer generations.

Since its establishment in 1986, the collection continues to expand under the guidance of its board, led by Princess Sara Al-Faisal bin Abdul Aziz, Princess Moudi bint Khalid, Princess Haifa Al-Faisal and Princess Basma bint Majid bin Abdul Aziz.

The exhibit demonstrates that besides their role as decorative objects, women’s adornments tell a vast story of connections that reached the very heart of Arabia and amalgamated with existing traditions. “We also wanted to show how Arab culture, as retold through jewelry, is more than just an Islamic culture; it’s very rich, very diverse and very old,” said Kumar KG.

A pair of unique gold tasseled earrings from 1920 illustrates the amount of intricate detail that went into Egyptian-inspired design: A tipped hook with lower registers of filigree, pearl circlets, bezel-set stones, and a conical middle with delicate floral and crescent-shaped tassels embedded with turquoise and ending in dangling pearls.

Traditionally, turquoise stone has been associated with providing protection against the “evil eye” or hasad (envy), and the pearls with femininity and eliteness.

A 1940 ring of gold, silver and diamonds that once belonged to a daughter of the founder of Saudi Arabia, King Abdul Aziz, is an example of the early modern influence of Europe on the Kingdom, with diamonds as a stone of choice instead of the more commonly used coral, turquoise or glass. The ring is also a design innovation with its use of multiple gem setting styles.

A necklace from 1950 of silver, coins, glass and cotton, known as Iqd, has three cylindrical charm pendants that often carried verses from the Holy Qur’an as protection for the wearer.

Connected to red glass beads with dangling tiny silver tassels, the Maria Theresa Thaler coins, with an image of the empress, were renowned worldwide for their purity of silver, and so were frequently used in jewelry across the Arab world.

Another royal piece that is sure to capture the attention of anyone who sees it is a 1970 brooch that was exclusively designed and gifted to Princess Ceeta Al-Dammer, wife of the late King Khalid. The country’s emblem of crossed swords topped by a date palm, adopted in 1950, is made of gold and diamonds, and is mounted on a green malachite, a color that symbolizes paradise, life and hope in Islam.

Allegiance to Saudi Arabia is usually demonstrated by emblazoning the emblem on garments and textiles by way of embroidery. Common Islamic motifs include the crescent moon, stars and geometric designs, along with calligraphic Arabic words and verses. 

The French jewelry design school L’Ecole Van Cleef & Arpels, which organized the exhibit. (Supplied photo)

On the second floor of the exhibit, the powerful impact of what women wore can be felt as the jewelry in all its weight is draped on the busts of blackened mannequins. The faceless figures allow the visitors to imagine themselves wearing the headpieces, from a 1940 black turban of wool, silver and coral — where the talismanic coral rings were added or removed depending on the wearer’s financial wherewithal — to burqas and caps with tassels and embroidery.

“Women were proud of who they were, and they wore it for everyone to see. They maintained and nurtured cultural traditions, and passed them down to their children through their jewelry,” said Kumar KG.

There is also an impressive early-20th-century bridal collection of gold, ruby and precious stones, with an almost shield-like gold necklace and elaborate bangles ending with chains of gold linked to finger rings that would have made any bride shine.

While what they wore made them stand out, one interesting feature in most of the jewelry was tiny bells that alerted others to the presence of women nearby.

It was tradition for men to avert their gaze as a woman passed to respect her presence. At the same time, it was bound to create a sense of allure as one heard a woman pass yet was unable to look at her.

This exhibit is one of four organized by L’Ecole Van Cleef & Arpels that are currently on at the space in the Dubai Design District.

The others are “Pearl Merchants: A Rediscovered Saga between the Gulf and France at the Dawn of the 20th Century”; “Precious Art Deco Objects,” a selection of boxes from the collection of Prince and Princess Sadruddin Aga Khan; and “The Fabulous Destiny of Tavernier’s Diamonds,” a display of replicas of 20 exceptional diamonds sold in the 17th century to French King Louis XIV.

The exhibits are being offered along with courses in jewelry history and design, talks and movie screenings. “We are, beyond doubt, extremely happy to open the doors to the public and look forward to engaging with them on this creative art of jewelry journey,” Marie Vallanet-Delhom, the school’s president, said in a statement before the show.

“The varied range of free activations will provide unique experiences under the tutelage of well-known experts, which will broaden your horizon and knowledge of discovering the enamoring world of fine jewelry.”

Besides the cultural and historic significance, “Hidden Treasures: Jewelry from the Kingdom of Saudi Arabia” demonstrates the beauty and craftsmanship found in the smallest and most timeless of objects. 

_________

On April 11, there will be a special talk on the exhibit at 6:30 p.m. at Hai D3 in the Dubai Design District.

 


‘Age-Old Cities’ exhibition in Riyadh museum breathes new life into ancient sites 

Updated 19 April 2019
0

‘Age-Old Cities’ exhibition in Riyadh museum breathes new life into ancient sites 

  • National Museum in Riyadh hosts digital show that tells the story of Mosul, Palmyra, Aleppo and Leptis Magna

JEDDAH: An exhibition that uses digital technology to revive the region’s ancient sites and civilizations that have been destroyed or are under threat due to conflict and terrorism opened at the National Museum in Riyadh on April 18.

“Age-Old Cities” tells the story of four historically significant cities that have been devastated by violence: Mosul in Iraq, Palmyra and Aleppo in Syria, and Leptis Magna in Libya. 

Using stunning giant-screen projections, virtual reality, archival documents and images, and video testimonials from inhabitants of the affected sites, the immersive exhibition transports visitors back in time and presents the cities as they were in their prime. 

It charts their journey from the origins of their ancient civilizations to their modern-day state, and presents plans for their restoration and repair. 

The exhibition has been organized by the Ministry of Culture in collaboration with the Institut du Monde Arabe in Paris. Riyadh is the first stop outside the French capital on the exhibition’s global tour. 

The exhibition follows last month’s unveiling of the Kingdom’s new cultural vision, which included the announcement of several initiatives, including a new residency scheme for international artists to practice in the Kingdom and the establishment of the Red Sea International Film Festival. 

Prince Badr bin Abdullah bin Farhan Al-Saud, minister of culture, said: “I am delighted to welcome the ‘Age-Old Cities’ exhibition to Riyadh. 

“It highlights the importance of heritage preservation, particularly here in the Middle East, and the vulnerability of some of our historic sites. 

“It must be the responsibility of governments to put an end to this damage and neglect, and to put heritage at the heart of action, investment, and policy.

“I will be encouraging my fellow members of government to attend this eye-opening exhibition in our National Museum, and hope to work in the future with partners, governments and experts to do what we can to secure our region’s heritage.”

The exhibition carries a significant message about the importance of preserving and protecting these precious but fragile sites — one which resonates strongly in the week when one of the world’s most-famous heritage sites, Paris’ Notre-Dame Cathedral, went up in flames.